Desert Clouds

Desert Clouds is my latest painting of one of my favorite places -- Organ Pipe Cactus National Monument in southern Arizona.

There's just something about the namesake species of cactus that just grabs me. The organ pipe cactus plus the saguaros, in addition to the rugged mountains, are what the desert is all about.

Desert Clouds                                                 8" x 10" / 20cm x 25cm

 Sometimes I wish I could live there, although the torrid summer heat would probably kill me! And besides -- this is National Park land.

I expect this piece will be on my website soon, looking for a forever home.

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

A Rainbow in Stone

 A desert landscape, entirely from my imagination! Well, OK, a desert landscape with elements from various locales assembled together in one scene.

A Rainbow in Stone                      8" x 10" / 20cm x 25"

The background is from Sedona, AZ. The arch is actually a reversed image of Rainbow Bridge, UT (that's where the rainbow in the title comes from; besides, both the arch and rainbows are arches), the plant life is from southern AZ, and the golden barrel cactus are native to northern and eastern Mexico in the state of Chihuahua.

I wanted to do a painting that combined some of my favorite desert scenery, but besides that -- this is somewhat of a rendering of scenery I want to make on my HO scale model railroad.

To me, model railroad landscaping is analogous to a sculpture version of what I paint. It's a painting in 3D. The only things missing are the cloudy skies and distant mountains -- and I may work on that problem, too.

I hope I can succeed in pulling off a scene like this in HO scale!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Sonoran Desert Moon

Sonoran Desert Moon is the latest in my never-ending series of desert paintings!

The size is 18" x 24" / 45.7cm x 61cm, a size that was always my favorite size, but I don't tend to work that "big" anymore.

The scene is in Organ Pipe Cactus National Monument, AZ, looking toward the Sonoita Mountains of Mexico. (I've seen the mountain range spelled "Sonoyta" -- I don't know which is the favored spelling). I sort of thinned out the vegetation somewhat, and I've never had the pleasure of seeing the view from a bird's-eye perspective.

In any case, I followed a 19th century Hudson River School tradition by painting the landscape this way. I added cloud shadows and a quarter moon that is partially obscured by clouds. (I actually painted in more clouds than I had intended to, but I decided to leave them. Maybe I'll do another piece similar to this, but with fewer clouds).

Enjoy!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

The Nurse Tree

A nurse tree is one that provides shelter and a certain level of protection for other young plants; in this case, a saguaro cactus. Here, a palo verde tree in bloom offers shade to the cactus, enabling it to grow to a large size without getting burned in the scorching desert sun. (The tree is also giving shade to a desert cottontail bunny-rabbit!)

The Nurse Tree    8" x 10"/20cm x 25cm

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

More paintings from the Eclipse Trip

 I've mentioned before: in April we took a trip to San Antonio, TX to see the total solar eclipse. Well, it was cloudy and all we really saw was the darkness that fell during totality.

But: I did manage to collect material coming and going that would turn into paintings! One of these is Texas! that shows the beautiful Hill Country of that state. Another piece, Desert View, shows the Arizona desert when your back is to Picacho Peak near Tucson. (I didn't include the I-10 freeway or the buildings that are actually out there!)

Click on the images to enlarge them.

Texas!     11" x 14"/ 27.9cm x 35.6cm

Desert View      8" x 10" / 20cm x 25cm

I STILL want to do a painting of the eclipse itself, but I think I'll take a break from making paintings of this trip and work on some other ideas that have been kicking around in my head for a long time.

Stay tuned!!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

The Eclipse Trip

Well, we made the pilgrimage to San Antonio, Texas to see the total solar eclipse on 8 April. But -- it was overcast, and we only saw partial eclipses when the cloud cover thinned a bit. Oh, well. At least when totality hit, it got dark. That was an amazing experience!

I expect I'll do a painting of how the eclipse looked if we had journeyed an hour or two outside of San Antonio (where people got a clear view). Otherwise, we did see lots of great scenery that I've already finished two paintings of, plus a piece which is almost finished. Here are the two I've completed. (Click on the images to enlarge):

Picacho Peak                   11" x 14" / 27.9cm x 35.6cm

Enchanted Garden     11" x 14" / 27.9cm x 35.6cm

"Picacho Peak is in Arizona, and Enchanted Garden is a scene featuring the Organ Mountains near Las Cruces, New Mexico. I hope to get these paintings on my website soon. (The URLs are down below). I should mention: we saw a LOT of turkey vultures when we were traveling; thus, the paintings have (or will have) at least one vulture in the sky!

More to come. The trip did seem to energize my desire to paint more (even if I don't really know what I'm going to do with them!)

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Desert Spring

 Wow -- today's April Fool's Day. Well, as far as I'M concerned, it's April but I ain't no fool!!

I just finished a painting, Desert Spring, which seemed especially appropriate for this time of year. It depicts a scene in Organ Pipe Cactus National Monument in southern Arizona. My focus was on the distant mountain (don't know if it has a name or not). After I varnish it, I'll probably offer it for sale on my website -- links are below under my signature).

On another note, I'm hoping to be able to travel to San Antonio, TX in time to see the total solar eclipse. However, at this writing, it seems possible that much of Texas will be overcast and maybe even raining. This would obviously obscure the view of the sun which would render the trip a bust. We'll see in the next couple of days what the weather forecast says, but we may end up canceling the trip. 😢

Anyway, here's the painting. Enjoy!

Mark Junge
www.MarkJunge.com or www.SouthwestSpaces.com

Crater Range

Well, another year has come and gone...and so quickly! How is that happening?

I managed to finish only one painting in December. It seems like it took me forever -- but not because it was especially hard, but I had trouble making decisions about it; plus, there were lots of interruptions AND I wasn't feeling very motivated.

But here it is: Crater Range, an area between Gila Bend and Ajo, Arizona. It's a volcanic-looking area that features an Air Force bombing range on the other side of those mountains! (I never heard any bombs going off the times I visited there -- thankfully).

Crater Range         8" x 10"

The size is 8" x 10" / 20cm x 25cm. Enjoy!

Mark Junge
www.MarkJunge.com or www.SouthwestSpaces.com

Arizona Desert with Bunny

 Arizona Desert with Bunny is my latest painting. The title is somewhat reminiscent of how landscape artists used to title their paintings -- nothing poetic or unusual, just descriptive of what a viewer could see for himself or herself. And "bunny" really should be "desert cottontail rabbit," but "bunny" is cuter and shorter!

The site is somewhere east of Quartzsite, AZ, but I don't remember the name of the place. I normally conceal critters more than I did here, but somehow, a bunny more in the open seemed appropriate.

Enjoy!

Arizona Desert with Bunny                      8" x 10" / 20cm x 25cm

Mark Junge

www.MarkJunge or www.SouthwestSpaces.com

Three New Desert Paintings!

Visiting Organ Pipe Cactus National Monument in Arizona last month definitely energized my desire to paint the desert -- I've completed three small paintings since we returned on 04 April!! All are 8" x 10" / 20cm x 25cm.

A Desert Stroll

Eagle's Nest

Arizona Desert

Can you tell? I LOVE the desert!! I think I needed to see saguaro and organ pipe cacti in their natural settings. (Eagle's Nest is a scene in local Joshua Tree National Park, California, USA). I love Joshua trees and our Mojave desert, too, but I think I needed to be immersed in the Sonoran desert of Arizona for more inspiration.

I'd say it worked!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Cactus and Clouds

Life has a way of putting us (me) behind schedule. I dealt with Covid in January and seemingly got past it. Then last month I had a bout of vertigo -- that dizzy feeling where the world seems to be spinning around you even if one is sitting or lying down! Thankfully that's over with now. Vertigo can be an after-effect of Covid -- I've had brief episodes of vertigo before, but this time it lasted a week. NOT FUN!!!

At least I did manage to squeeze in a new painting of the Arizona desert -- it's entitled Cactus and Clouds, measures 11" x 14" / 27.9cm x 35.6cm, and depicts an area southwest of Wickenburg, AZ:

Otherwise, I'm now working on a painting requested by a friend -- sort of Halloween-ish, but it's not of Halloween. I may post it here, but I may not, in which case I'll write about something else.

I'm still feeling fatigued a lot and often don't feel like doing much, but I try to find a balance -- paint while I still can, but be lazy when I want to be lazy! After being a workaholic for so long, I've learned to love laziness!!

Spring is almost here. Enjoy the turn of the season, pray for Ukraine, and thank you for your support.

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Firerock

The latest painting -- Firerock, 8" x 10" / 20cm x 25cm.

Firerock (aka Red Mountain) is the volcanic mountain out there which I believe is on the Salt River Pima–Maricopa Indian Community south of Fountain Hills (NE of Scottsdale), AZ.

This is how it looked when I drove through there to set up for an art show in Fountain Hills. A storm had just cleared up, and the desert had all these beautiful colors. I added some clouds, and I deleted the homes and gated communities that had been built where I showed open desert in the foreground.

I went by at the right time. The following evenings, the area wasn't as colorful. On occasion, timing is everything! 😃

Superstitions

Superstitions are, of course, funny kinds of beliefs about things; it is also the name of a group of mountains in the desert east of Phoenix, Arizona, USA.

Superstitions                      acrylic/panel                     18" x 24"/46cm x 61cm

And so -- my latest painting is entitled Superstitions, in reference to the above-named mountains. I wanted the image to have a sort of surreal, almost spooky feel to capitalize on the name of these rocks.

I've been to these mountains several times, but admittedly -- I never saw them enshrouded in clouds. But I have seen photos of cloud-covered Superstition Mountains, and I knew that was what I needed to do! Plus -- I want to get more into atmospheric effects in my paintings, anyway.

So -- enjoy the painting, and no -- I'm not superstitious!!😃

Pinnacle Peak, Arizona

Pinnacle Peak is the subject of my latest painting (I haven't come up with a title yet), a small piece I squeezed in between other projects. The size is 08" x 10" / 20cm x 25cm and, as usual, is acrylic on panel:

Sadly, the desert scenery has been removed and the Peak is now surrounded by streets, houses, shops and golf courses. I'm glad I had an opportunity to see it in its natural glory way back in March, 1983.

(Note: Pinnacle Peak Park is still located on the other side of the Peak, and one can still access the hiking trails that meander across the hill -- only the view just ain't the same).

Mark Junge
www.MarkJunge.com

 

A Prickly Path

As is common knowledge, I love the desert. I love other types of scenery, too, but the desert keeps calling me back. (As it should -- I LIVE in the desert!)

So my latest painting is of the desert -- somewhere in the Superstition Mountains east of Phoenix, Arizona, back in the days (early 1980s) when I could hike around and scramble up steep hillsides without too much trouble (although The Wiffee would not have approved of me doing so had she been with me that day). ☺

A Prickly Path    10" x 08" / 25cm x 20cm

I love these birds-eye views of the desert that show the infinite, wide-open spaces of the landscapes that seem to stretch out forever.

I added more space to form a path than there actually was at that time -- but I still wanted a sense of "better watch where you step, or you'll be impaled by cactus thorns."

In addition, there were saguaro cactus there, but none were visible from this spot. So I included one!

I enjoyed making this painting, which I started in November 2018! Unfortunately, the holidays and other stuff slowed me down quite a bit. But it's finally finished! Now I'm ready to move on to the next piece of desert art!

Mark Junge
www.MarkJunge.com
www.SouthwestSpaces.com
www.FineArtAmerica.com (prints)

 

Last of the Snow Paintings -- for Now!!

Well, I finished up the last of the five paintings with snow in the landscapes for the new gallery in Wickenburg, AZ. It's kind of nice to have that pressure done with! We'll deliver them to the gallery in time for the "soft" opening and may still be there by the grand opening in November. If they don't sell first!

Totem    24" x 30" / 61cm x 76cm

Totem refers to the tall, skinny spire on the right. (The Yei Bi Chei Rocks are to the left and are named for the supernatural beings who bring healing to people during medicinal ceremonies even today).

Four Peaks   24" x 30" / 61cm x 76cm

Four Peaks is a mountain located east of Scottsdale, AZ and north of the Superstition Mountains and Apache Junction. (From this angle, only three of the four peaks are visible). I love being here in March when the wildflowers are going to town and when the Peaks may have a little snow on them yet. (I hope to do a painting of that soon).

But in winter on rare occasions, this area can get light snow on the desert floor and lots of snow in the mountains.

These two paintings plus the previous three will be shown in the soon-to-be-open 60West Gallery in Wickenburg, AZ. I don't believe they have a telephone number or website yet, but the address is as follows:

60WestGallery Fine Art
220 E Wickenburg Way
Wickenburg, AZ

The gallery is far enough away where I don't expect to be there very often, except to drop off paintings. But I hope you'll be able to stop by and see these works in the flesh!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

 

Snowline

Another painting with snow!! My latest effort is Snowline, 24" x 36" / 61cm x 91cm.

Snowline                                                                               24" x 36"

Snow is rare in the Sonoran desert regions of southern Arizona, but it does occur. It's sunset, and I chose to place the snow higher up from the desert floor, and even then, it's a light dusting that, soon after the sun rises again, it will be gone.

I included some critters typical of Sonoran desert fauna -- two desert bighorn sheep and a great horned owl who seemed to have taken each other by surprise.

Snowline -- detail

Frankly, the owl was the most difficult thing to paint. On the painting, the owl is less than 1" / 2cm tall, and it's hard to include enough detail to make the owl look like an owl with its head turned! But I'm happy enough with it, so there it is!

Snowline is another in a small series of paintings that will feature light amounts of snow, mostly in desert settings. They will be offered for sale at the 60WestGallery, due to open next month in Wickenburg, AZ. Maybe I'll see you there!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.Fineart America (for prints)

Classical Realism

Years ago, I totally picked up on the art style referred to as "classical realism." It's a look that sometimes romanticizes a subject, but regardless, the work is executed in a realistic way that also elicits an emotional response.

The painting I often use as my signature piece is an example of classical realism -- or as close to it as I'm capable of getting:

A Place of Wonder, Mark Junge

  
I thought for a long time that once an artist achieves this skill level, doing something way different or simple -- like abstract expression -- wouldn't even be considered:

 

Morning Fjord, Silvia Vassileva

Yet, I've gotten to a point where classical realism has become almost "too hard" to do...it involves an amazing amount of drudgery and time to execute. I guess I'm getting tired in my old age, and I don't seem to have the energy to make paintings like A Place of Wonder anymore.

I'm not planning on quitting that style, however. Not yet. But I'm finding I spend less time than ever before on painting these days. I don't seem to enjoy painting, although I still love the final results.

We'll see how it goes. But don't be surprised if I start mixing in other styles of painting with the classical realism stuff!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

An Early Influence

Way, way back a long time ago (early '70s, when I was majoring in art at Cal State LA), I used to visit a weekly outdoor art show that took place on the grounds of Griswold's Old School House (in Claremont, CA), a complex that included a restaurant/smorgasbord, hotel, theater and shops. One of the regular artists there was a German immigrant who painted Southwest desert landscapes.

In my opinion, he was the best artist there in terms of achieving that classical, traditional look to scenes that the Old Masters never actually got to see. The artist typically had a mountain more-or-less centered, with either saguaro cactus or Joshua trees and lots of wildflowers. The works had such an old-world, skilled feel to them, and the landscapes appeared warm and inviting.

I wish I could have bought one of his paintings, but I wasn't working and didn't have the money for them, even though they didn't strike me as expensive. He often invited me to visit him at his studio and gallery in Pomona, but I never did.

And I never got his name or even a business card! At that time, I didn't realize that he would be an early influence on my present-day painting; in fact, he was really my first influence.

So I've been searching and searching for him, realizing he's probably deceased by now. What used to be called Griswold's has no records of that time.

Then, finally last night, I must have stumbled upon the correct search terms on Google, and I think I found him!

Karl Von Weidhofer

The Internet has only a handful of images of his artwork, but they resemble the ones I remember seeing at the art shows.

Desert Landscape          Karl Von Weidhofer

Sorry -- this was a small image, so the resolution isn't very high. And the composition isn't what I remember about the paintings I saw -- this view opens up in the middle instead of being blocked by a mountain.

Still, it should give you an idea of what it was that inspired me, even though I didn't know these paintings would come back to haunt me years later. The seed had been planted, and -- typical of my life in general -- it was a late-bloomer. And it blooms to this day.

This is a short bio of Karl as I found it in several places online:

Karl Weidhofer was born in East Prussia, Germany on June 8, 1920.  Weidhofer was in the German army when captured by the Russians during WWII.  While imprisoned for four years, he was taught to paint by a fellow prisoner. After the war he was reunited with his family in Bavaria.  He married and in 1954 moved to southern California.  For many years he worked as a lab technician for Pomona Tile Company while painting in his leisure.  In 1968 he became a full-time artist and began exhibiting his paintings in art shows held in malls and parks in southern California and the Southwest.  Weidhofer died at his home in Pine Grove, CA on Nov. 3, 2001.  Best known for his desert landscapes...

So -- is Karl the artist I remember? Maybe. The times and places mentioned in the bio would match where and when he would have been re: Griswold's in the early '70s.

He is indeed deceased -- lived to be almost 81 years old. I'll never get to tell him how he impacted my art forever.

But I'll continue to paint knowing Karl DID have that impact -- along with other artists who have shown me additional gems such as dramatic skies and lighting -- something Karl didn't get into.

Maybe you're painting right now in heaven, Karl. RIP.