Cactus and Clouds

Life has a way of putting us (me) behind schedule. I dealt with Covid in January and seemingly got past it. Then last month I had a bout of vertigo -- that dizzy feeling where the world seems to be spinning around you even if one is sitting or lying down! Thankfully that's over with now. Vertigo can be an after-effect of Covid -- I've had brief episodes of vertigo before, but this time it lasted a week. NOT FUN!!!

At least I did manage to squeeze in a new painting of the Arizona desert -- it's entitled Cactus and Clouds, measures 11" x 14" / 27.9cm x 35.6cm, and depicts an area southwest of Wickenburg, AZ:

Otherwise, I'm now working on a painting requested by a friend -- sort of Halloween-ish, but it's not of Halloween. I may post it here, but I may not, in which case I'll write about something else.

I'm still feeling fatigued a lot and often don't feel like doing much, but I try to find a balance -- paint while I still can, but be lazy when I want to be lazy! After being a workaholic for so long, I've learned to love laziness!!

Spring is almost here. Enjoy the turn of the season, pray for Ukraine, and thank you for your support.

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Totem and Turkey Vulture

Totem and Turkey Vulture is the tentative title of my latest painting.

"Totem" is the name of the tall skinny rock formation, Totem Pole (the formations to the left of it are the Yei Bi Chei rocks) in Monument Valley/Navajo Tribal Park, AZ, USA. The vulture should be obvious! 😊) As usual, I wanted to emphasize the vast distances one sees in this incredible land! (And, of course, I'm hoping it blows the viewer away!!) The size is 12" x 36" / 30.5cm x 91.4cm.

Ahhhh...I love 💖 the desert!!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Duck Pond

 Well, what th...

I finished a painting a couple of weeks ago, and I haven't written about it yet!! Until now!

Duck Pond (note the two duckies!) is a scene featuring Mount Sneffels in Colorado. It measures 18" x 24" / 45.7cm x 61cm. The mountains are close to what they actually look like; the foreground is a mix of reality and imagination.

The autumn colors tell us this must be mid-late September. The Colorado high country is spectacular at that time, and I miss seeing it.

Enjoy!!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

The Vast Spaces of the Southwest

 If you've been following me for any length of time, you may have noticed The Vast Spaces of the Southwest is my logo or tagline. And now it's also the title of my latest painting!

This is a view in Joshua Tree National Park, although I "thinned out" the Joshua trees in the foreground because I wanted the JT on the left to be the clear star of the image.

I haven't decided if I want to enter this in a local exhibition or not. The exhibition is about art that was inspired by the national park, and my painting certainly was!

But I also promised myself: no more art shows, galleries, exhibitions/competitions, stuff like that. So: we'll see.

Enjoy, and thank you for your support!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Irwindale

Remember that old song about the lazy hazy crazy days of summer? Well, for me, it's mostly been about lazy! Good grief!! It seems like all I want to do these days is nuthin!! Maybe mess around on my laptop, but that's about it!

Well -- at least I did manage to get a painting done last month -- a small (8" x 10" / 20cm x 25cm) landscape of a place called Irwindale, which is also the title of the piece:

Irwindale isn't in the desert, but it's close enough to a desert-y look to suit me. It's east of Pasadena, CA which is east of Los Angeles. It's an area where lots of these yuccas (pronounced "yuck-ah", Hesperoyucca whipplei), also known as the Lord's Candle, bloom in mid-June if southern California had enough rain during the winter months -- a rare commodity these days.

I live about a two-hour's drive from here, so I rarely get to see this view anymore, assuming the yuccas survived the scant rainfall they've gotten over the years of drought. I hope they're still there -- I'd like to see them again.

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Advancing Time

 

Advancing Time is my latest (surrealism) painting. It's essentially a redo of the very first serious painting I did: men seemingly running from a clock that is chasing them as the sun goes down. The size is 8" x 10" / 20cm x 25cm.

What does it mean?? Not really sure -- I'm sure something bad is in those runners' futures if/when the clock catches up with them. Maybe it has something to do with our futures as well.

I'll admit I'm concerned about our future and the future of our country. Perhaps the painting is simply an expression of concerns I have and the ominous evil just beyond the horizon. Something's coming, and it ain't good.

But for now, enjoy the time we have, and look for the beauty in our lives.

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Superstitions

Superstitions are, of course, funny kinds of beliefs about things; it is also the name of a group of mountains in the desert east of Phoenix, Arizona, USA.

Superstitions                      acrylic/panel                     18" x 24"/46cm x 61cm

And so -- my latest painting is entitled Superstitions, in reference to the above-named mountains. I wanted the image to have a sort of surreal, almost spooky feel to capitalize on the name of these rocks.

I've been to these mountains several times, but admittedly -- I never saw them enshrouded in clouds. But I have seen photos of cloud-covered Superstition Mountains, and I knew that was what I needed to do! Plus -- I want to get more into atmospheric effects in my paintings, anyway.

So -- enjoy the painting, and no -- I'm not superstitious!!😃

Hippity-Hop

If you're like me, you think bunnies are cute. Jackrabbits are, too!

Hippity-Hop: Blacktailed Jackrabbit           a/p         8" x 10" / 20cm x 25cm

I decided to paint him ambling along rather than running full-out to escape a predator (that may be another painting!) Still, I blurred the shrubs in the background to look like things are in motion. Also, the clouds in the sky are intended to simulate clouds of dust that the jackrabbit is stirring up.

Jackrabbits can run 40mph / 64km/h (compared to desert cottontail rabbits which run at 19mph / 30km/h), although it can be difficult to clock the critters because they zigzag when they run, and they often bound into the air so they can look above the vegetation to see if they're being pursued.

In our former home, jackrabbits would occasionally come by and share the rabbit pellets we put out for the cottontails. The jacks had a special, endearing appeal when they moved around in their long-legged lanky way when they seemed almost clumsy!

I'm glad I had an opportunity to paint one of these amazing critters!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Blue on Blue: Western Scrub Jays

 

Blue on Blue: Western Scrub Jays is my latest painting. The size is 8" x 10" / 20cm x 25cm and features a couple of scrub jays that we find out here in the desert. This species of jay have no crests on their heads. The two are sitting on a monzogranite rock typical of those in Joshua Tree National Park, CA, USA.

I've always enjoyed being around these birds. They're bold, colorful and always seem to be cheerful; or at least, they cheer ME up! I should paint more of these!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

King of the Whole Wide World

King of the Whole Wide World: Gambel's Quail is my latest painting.

It also happens to be the title of a song by Elvis Presley that he sang in his movie, Kid Galahad. I always liked the title, tho' and somehow it seemed appropriate for a male quail calling out to the world.

Size is 08" x 10" / 20cm x 25cm, acrylic on panel. I think I already have a buyer for it!!

Paradise Found

I FINALLY finished a painting that I started months ago following our whirlwind trip to Hawaii last October.

Paradise Found, 30" x 40" /  76.2cm x 101.6cm

 

Paradise Found (Detail)

The scene is based loosely on Tunnels Beach (aka Makua Beach) on the northeastern shores of Kauai. (We didn't make it there, but the pictures I saw made the distant mountains irresistible). Rather than going into a strict rendering of how Tunnels Beach looks, I added a lot of fantasy to the scene to make it into a "paradise found": a world that I would want to escape to; just beauty and peace everywhere; in a land inhabited by nice, caring people; music and dancing that stirs the soul and landscapes of unimaginable serenity and magic.

Of course, I doubt there ever was such a place as this, and especially not in modern times. Even Hawaii struck me as being a paradise lost but with some of its beauty remaining.

I had intended the vahine walking toward us to be an actual person, but she's small enough in the painting (3.5" / 8.9cm) where getting that tiny face to look like someone just didn't work.

Also, many of the plants I depicted would not grow this close to the shore -- too intolerant of the salt spray. But: it IS MY fantasy!!

And the tiki -- well, it looks like a pregnant female. She may be a goddess of fertility or something like that. I added it just to give more Polynesian flavor to the image. The dancers and drummers are definitely Tahitian, but this is not intended to be any real place.

I have other imaginary "paradise found" places in my head, too. Maybe someday I'll meet you there!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com 

Sacred Places in Maui

A Sacred Place is the tentative title of my latest painting, the first in a series I expect to do following our trip to the Hawaiian Islands last October.

A Sacred Place                                                              08" x 10" / 20cm x 25cm

This scene depicts Iao Needle ("Iao" is pronounced "yeow") in Iao Valley in Maui, Hawaiian Islands. The area was a sacred site to the old Hawaiian people who conducted ceremonies to their gods -- unclear which ones, since it seems to depend on what reference one looks to.

It seems to be cloudy there often, and it was overcast on the day we were there. Someday I may do another painting of the Needle with bright blue skies and sunshine, but for now, I wanted to hint at a sense of mystery in this Valley.

This was the first place we visited when we arrived in Maui. I had seen the Iao Needle in pictures before, so I was thrilled to be able to see the thing in real life.

Aloha!

Mark Junge
www.MarkJunge.com
 

Maroon Bells -- An Oldie but Goodie Painting

Maroon Bells (my first of several paintings I've made featuring this famous mountain in Colorado) is something I started in the late 1990s and reworked several times since then. The date on it is 2004, which was the year of my last update. And now, I've developed so much more as an artist that it's tempting to tweak it some more. We'll see if I do that or not.

Maroon Bells

The size is 30" x 40" / 76cm x 102cm and was an early exercise in using the transparent glazing techniques I learned while living in Colorado. I had yet to learn some of the finer points of working in a classical - traditional style such as the Golden Mean and other stuff.

Most images of these wonderful mountains feature a lake in the foreground. As it was, I had to hike to this spot from the entry gate where I parked, and the lake is another two miles (3.2km) toward the mountains from this spot. I had already walked 6 miles / 9.7km from the gate -- 6 miles is where the Bells first come into view -- and I was pretty tired by then, especially after carrying my camera bag and tripod the whole time. And it was mostly clear when I started out, but then began clouding up -- typical for Colorado weather! So this is as far as I went, and after walking back to my truck -- 12 miles / 19.3km round trip, I felt miserable and called in sick to work the next day!

I did see deer during the hike, but they weren't where I showed them in the painting. OK -- so I cheated! ☺

Thankfully, I have photos of Maroon Bells and the lake from a previous year in June when the road was open and I could drive to the parking lot where the lake is. In autumn, so many people want to go there, they close the road to all vehicles except for tour buses that haul people back and forth from nearby Aspen. I didn't have time to find out where in town the buses stopped, hence the hike.

SO -- if you ever get a chance to go up there, I highly recommend it. Late September - early October are the peak times for fall color, which doesn't last long. Find out in advance how and where to catch the buses, unless you REALLY like walking!

Mark Junge
www.SouthwestSpaces.com or www.MarkJunge.com
www.FineArtAmerica (for prints)

Quenching the Land

Quenching the Land is a painting I made years ago -- I think before I even began this blog.

Quenching the Land                                       16" x 20" / 41cm x 51cm

It's no secret that deserts are hard-up for rain; thus, when it comes, it's such a blessing to the plants and animals that live there.

The scene features a grouping of monzogranite boulders in Joshua Tree National Park with its namesake Joshua trees and some yuccas in bloom. The painting is hanging in the Hi Desert Nature Museum in Yucca Valley, CA.

Mark Junge
www.MarkJunge.com
www.SouthwestSpaces.com
www/FineArtAmerica.com (for prints)
 

A Prickly Path

As is common knowledge, I love the desert. I love other types of scenery, too, but the desert keeps calling me back. (As it should -- I LIVE in the desert!)

So my latest painting is of the desert -- somewhere in the Superstition Mountains east of Phoenix, Arizona, back in the days (early 1980s) when I could hike around and scramble up steep hillsides without too much trouble (although The Wiffee would not have approved of me doing so had she been with me that day). ☺

A Prickly Path    10" x 08" / 25cm x 20cm

I love these birds-eye views of the desert that show the infinite, wide-open spaces of the landscapes that seem to stretch out forever.

I added more space to form a path than there actually was at that time -- but I still wanted a sense of "better watch where you step, or you'll be impaled by cactus thorns."

In addition, there were saguaro cactus there, but none were visible from this spot. So I included one!

I enjoyed making this painting, which I started in November 2018! Unfortunately, the holidays and other stuff slowed me down quite a bit. But it's finally finished! Now I'm ready to move on to the next piece of desert art!

Mark Junge
www.MarkJunge.com
www.SouthwestSpaces.com
www.FineArtAmerica.com (prints)

 

Autumn in the Mojave

Autumn in the Mojave is my latest painting (although lately it has felt more like winter in the Mojave!)

Autumn in the Mojave           11" x 14" / 28cm x 36cm

The scene is based on a view in Joshua Tree National Park in southern California, USA. It's rare to see the desert like this even when it rains, but it certainly does happen. The landscape is brightened by autumn-blooming wildflowers -- the larger rabbitbrush and the smaller desert marigold in the immediate foreground.

The desert is an amazing place with many different moods, visible to those who spend lots of time here and are fortunate enough to catch the land during its fleeting moments of magic and mystery.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.FineArtAmerica.com (for prints)

Tropical Paradise (?!?)

When I was much younger, single and foolish, I was very much into "The Polynesian Look" -- not so much the little grass shack look, but with some remnants of life in that tropical paradise known as French Polynesia, particularly Tahiti Nui and the surrounding islands, especially Moorea and Bora Bora.

I used to drive by places (like apartments) that featured tropical/Polynesian landscaping. At night, some of them lit up tiki torches and, in one case, a small, natural gas-powered volcano. My favorite area at Disneyland was Adventure Land with the Enchanted Tiki Room, and -- in time -- the Tahitian Terrace Restaurant where they featured Tahitian dances and drumming at night. I loved listening to Martin Denny -- music with bird and animal sounds, as well as exotic musical instruments.

I even joined a Polynesian song and dance ensemble which I really enjoyed, but the funny thing is: I seemed to lose the romanticized images I had of the Islands. Maybe it all became too realistic, and even today I've never recaptured the romantic visions I had of being in Tahiti, or Hawai'i, for that matter. (Now, I'm into the Southwest and the deserts).

Today, as an artist, I would like to paint a landscape that will be somewhat imaginary but based on photos I've seen. (I've never been to these places I used to dream about). It will take time to paint all the vegetation and leaves and stuff, and I probably would not want to sell it. But who knows -- maybe it will resurrect the passion I used to feel for French Polynesia.

A View in Otaheite Peha                                                 John Webber

This painting is NOT by me, but it should serve as inspiration for the mood-inducing piece I'd like to create. This piece is A View in Otaheite Peha, John Webber (British), 1785. Beautiful, isn't it?

My painting will be a view looking down a white-sand beach around sunset, with a young lady walking across the sand and (maybe) some dancers in the background. It'll be a lot of work, but I think I can do it.

I know I'll never get to Tahiti -- it would be too much for me these days to deal with on a number of levels, plus we're too poor for that kind of stuff! But a painting of an idealistic Tahiti might be tropical paradise enough for me!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.fineartamerica.com (prints)

One last thing: I now have some small paintings on etsy.com. check 'em out and see wotcha think!

 

Joshua Tree Rocks!

I don't know if Joshua Tree Rocks! is a phrase that would be understood a hundred years from now -- the whole double entendre thing -- but it's the title of my latest painting!

Joshua Tree Rocks!                   16" x 20" / 41cm x 51cm

The title refers to a site located in Joshua Tree National Park in California, USA and the many collections of monzogranite rock formations arising out of the otherwise flat earth. Joshua trees, the Park's namesake, are scattered about, and following winter rains, the place gets wildflowers like these in April or May.

Admittedly, I've never seen many flowers in this particular place. Nearby, yes, but not here. Also, the yellow-flowered shrubs, goldenbush, were once plentiful, but most of them seem to have disappeared even after heavy winter rains. I think the ongoing drought has forced many of them to die, which is unfortunate.

I painted the scene to make the rock formation the center of interest. We artists know how to do things like that, y'know! 😀

In the end, I wanted a beautiful, warm (but not hot) view of a place I love. Enjoy your mini-vacation!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.FineArtAmerica.com (for prints)

Ready for the Gallery

OK -- the five paintings I've been slaving over for months are finished, varnished and framed. They're ready for the gallery.

It may not seem like much, but it takes a long time when one paints the way I do. I paint in transparent layers, so it's like doing the same painting over and over and over again! The results are worth it, but it's not for those who want to get a lot done in a short time period!

I'll repeat the gallery's address plus their phone number which I didn't have last time:

60WestGallery Fine Arts

220 E Wickenburg Way

Wickenburg, AZ

541-206-2543 

The gallery's "soft opening" is October 11, 2018. If nothing goes wrong, I should have my paintings there in time, along with several other artists plus the owner who is himself an artist. 

I can't come for the opening (or the grand opening in November), but I'll be there in spirit -- and my paintings will be there! I hope you have a chance to drop by and see the offerings.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.FineArtAmerica.com (for prints)

 

Arches in the Snow

Arches in the Snow is the title of my latest painting -- one of a series of snow paintings that is destined to appear in a new gallery in Wickenburg, AZ.

Arches in the Snow                        24" x 36" / 61cm x 91cm

The image depicts my favorite place in Arches National Park in Utah. The formation is called the Parade of Elephants (the reason why is obvious when viewing the formation from the other side), and Elephant Rock is the "star" of the painting -- when seen from the correct angle and with the right lighting, it appears to have the head of an elephant complete with ears and a trunk. I managed to include a little of that effect here.

Double Arch appears in this view, too. Oh, yes -- I included a critter in the scene, too. See if you can find it and identify what it is!

This area seems wonderfully mystical to me, and I try to depict that feeling in the numerous renditions I've made of the Parade of Elephants. I hope a collector out there will feel the same way I do about the magic of Arches National Park.

www.SouthwestSpaces.com
www.MarkJunge.com