Autumn Splendor

It's no secret that my favorite season of the year is autumn, when trees seem to be huge flowers that bloom in radiant colors.

Autumn Splendor is the latest painting that shows my idea of what fall looks like (which it doesn't in the desert where I live!). Complete with some mallards, my favorite species of duckies.

The location is imaginary -- but it's a place I'd love to see. Enjoy!!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com

Paradise Found

I FINALLY finished a painting that I started months ago following our whirlwind trip to Hawaii last October.

Paradise Found, 30" x 40" /  76.2cm x 101.6cm

 

Paradise Found (Detail)

The scene is based loosely on Tunnels Beach (aka Makua Beach) on the northeastern shores of Kauai. (We didn't make it there, but the pictures I saw made the distant mountains irresistible). Rather than going into a strict rendering of how Tunnels Beach looks, I added a lot of fantasy to the scene to make it into a "paradise found": a world that I would want to escape to; just beauty and peace everywhere; in a land inhabited by nice, caring people; music and dancing that stirs the soul and landscapes of unimaginable serenity and magic.

Of course, I doubt there ever was such a place as this, and especially not in modern times. Even Hawaii struck me as being a paradise lost but with some of its beauty remaining.

I had intended the vahine walking toward us to be an actual person, but she's small enough in the painting (3.5" / 8.9cm) where getting that tiny face to look like someone just didn't work.

Also, many of the plants I depicted would not grow this close to the shore -- too intolerant of the salt spray. But: it IS MY fantasy!!

And the tiki -- well, it looks like a pregnant female. She may be a goddess of fertility or something like that. I added it just to give more Polynesian flavor to the image. The dancers and drummers are definitely Tahitian, but this is not intended to be any real place.

I have other imaginary "paradise found" places in my head, too. Maybe someday I'll meet you there!

Mark Junge

www.MarkJunge.com or www.SouthwestSpaces.com 

One Night in the Redwoods

One Night in the Redwoods is the title of my latest painting. I've never been in a redwood forest at night, but I imagine it to look like a daytime scene except darker! ☺

One Night in the Redwoods

The size is 16" x 20" / 41cm x 51cm. I wanted the piece to have a dreamy, moody look; hence, I made blurry most of the items in the painting. The gal is obviously a nymph (if redwood forests don't have nymphs, they otta!) The "model" was a statue I have and have seen elsewhere online with different titles -- Shyness, Shame and others. (My favorite title is Abbandonata (Forsaken), sculptor unknown). But in this case, I removed what little clothing she had on, and she is on her knees instead of standing.

One Night in the Redwoods is somewhat of an autobiographical image and very much reflects my own thoughts about life. If this comes through, I've done my job!!

The next painting -- one I've already started -- will have lots of color and flowers. An opposite of this piece.

Mark Junge
www.MarkJunge.com
www.SouthwestSpaces.com
www.FineArtAmerica.com (for prints)

In Paradisum II

In Paradisum II (Latin for In Paradise #2) is my latest painting.

In Paradisum II       20" x 16" / 51cm x 41cm

In Paradisum II (Detail)

The title comes from a song, In Paradisum, written and recorded by Sarah Brightman. The music is, to me, an aural interpretation of what heaven might sound like, but listening to it puts images in my head that hopefully go with the music. To hear the song, click HERE.

I can't say that this is my Tour de Force of redwood forest paintings, but I'm working toward it. Hence, the Roman numeral I for the first piece I did, and this is the second. I expect there will be at least one more that will be my best redwood painting ever!

The first time The Wiffee and I were in the redwoods was in June, 1982. We visited Redwood National Park; in particular, Lady Bird Johnson Grove in early morning. I planned on taking lots of pictures but was disappointed when the sky was clear and sunny. It's difficult shooting photos in an old-growth forest because sunny patches next to shadowy patches exceed the range of film. So the sunny spots wash out, and the shadows turn completely black.

But we continued hiking in, went around a hill, and all of a sudden, like an answer to prayer, we walked into a section of forest that was enshrouded in a light fog, with sunbeams breaking through the trees and the very air luminescent. With the tall coastal redwoods and ferns, with rhododendrons and Douglas irises in bloom, it looked like we were in heaven! I had never, before or since, felt like I was standing in the cathedral of God's own making.

Lady Bird Johnson Grove is on a ridge at about 1,000 feet / 305m, so instead of peering into a deep, dark forest of overlapping redwoods, the sky is visible beyond the trees. Thus the sky appears blue, lightly foggy or densely foggy (as it was the second time we were in LBJ Grove in 1984).

I decided not to paint any critters this time. No hidden bunnies or birds, just a group of irises that may not be noticed by the viewer right away. (In Paradisum III will have critters, I predict!)

I've wondered which I would enjoy living in more -- the desert or the redwoods. Still, I don't know if I would ever again feel the way I felt that day in June, 1982, when I rounded a corner and entered the glowing mists of heaven.


www.SouthwestSpaces.com
www.MarkJunge.com