Monday, March 5, 2018
At long last, I finally finished another painting of Joshua Tree National Park, CA: one of my favorite places on earth!
So far, the painting is untitled -- but I hope to remedy that situation soon. Size is 11" x 14" / 28cm x 36cm.
The hill-mountain in the background is one of the many formations in the Park that was never named. But I love all of the many peaks it has, and it seems to be my favorite mountain there. I've painted it before from various angles -- this version is the frontal-most I've done so far. More to come I suspect.
The rocks are made of gneiss ("nice") which often look like a HUGE dump truck came along and unloaded rocks and boulders into an enormous pile. Little large plant life occurs on these hills except for some grasses and such. This mountain has a few Joshua trees on the very top of the hill toward the right -- there must be some loose soil there for the JTs to take root and grow.
And, of course, I included a desert cottontail bunny-rabbit hiding in the shadows.
This is one of those scenes that, frankly, was kind of pain to create -- lots of detail. But in the end, I couldn't have done it any other way!
Monday, February 12, 2018
Glen Eyrie, Garden of the Gods, Colorado is both the title of this blog post and, more importantly, the title of a painting by my #1 art hero, 19th century artist Thomas Moran.
|Glen Eyrie, Garden of the Gods, Colorado|
I had several opportunities to see it when we lived in Colorado Springs, CO in the 1990s. The piece was acquired by someone who made a deal with the city to make improvements in Garden of the Gods park in exchange for exclusive rights to operate a gift / souvenir shop.
Glen Eyrie is privately-owned and includes the view in the artwork. The Garden of the Gods appears in the distance, with Cheyenne Mountain forming the backdrop. (I believe the spire is called Echo Rock).
The painting was displayed in a couple of sites in Colorado Springs, and I made it a point to visit this gem as often as I could in April, 1999. I fell in love with the painting immediately, and the effect hasn't worn off after all these years.
|Echo Rock, Glen Eyrie, Colorado Springs, Colorado|
Then, just recently, I stumbled across a photo of the area, shown above. Comparing this image with the painting, Moran essentially rendered the scene accurately, but with a few changes. Ol' Tom also added his magical lighting and colors, making the end product irresistible to guys like me!
I expect it's just a matter of time before I paint my own version of this special place -- hopefully without making it look like I totally ripped off Moran's treatment of Glen Eyrie. But it'll be similar, I'm sure.
Friday, January 19, 2018
Who, you may ask, is Jurassic Mark?
Why, that would be ME, of course! It's a name I created for myself after the movie, Jurassic Park came out, and I couldn't resist the play on words. It's even more appropriate when I talk about how incredibly OLD I am! I love to talk about what a Jurassic-aged dinosaur I am, that I'm 150 million years old, and that I love to chase after humans to catch and eat them.
It's fun for me, and I guess the scientist in me enjoys it, too. But as an artist, there's another, additional reason for the dino-handle.
Compare and contrast these two images.
The top image is one of my paintings of Joshua Tree National Park. The lower picture is of a poster that was obviously intended to promote the Park.
I work in a very traditional, 19th century style -- I'm not sure if I can honestly call the look "classical realism" or not, although that is my goal in the artwork I make.
On the other hand, the poster has a much more contemporary look, with zonking bright colors and less detail. I've seen paintings by living artists who produce paintings even more colorful and "loose" than the poster.
If you were to go to Google Images and search for "joshua tree paintings," you would find lots more colorful, impressionistic paintings than you would find traditional works like mine. Not that I'm the only one who paints like this, but we seem to be in a vast minority of artists who prefer that look.
Thus -- another dinosaur metaphor. I often feel like I live and work in the past and am somewhat outdated by painters who create in a more colorful, popular way. I know it ain't as simple as that, but it does make me feel like I don't belong in this century, at least as far as art is concerned.
I think I'll go foraging for humans now. You critters aren't the best-tasting meat source around, but you're easy to catch, and I love the way you scream and run...as though that's going to help you. 😄
Monday, January 8, 2018
Yucca Valley is the name of the town where I hang out a lot, and it's also the title of a new painting (the last from 2017):
|Yucca Valley 18" x 24" / 46cm x 61cm|
All the wildflowers are courtesy of the heavy rains we received in the winter of 2017 -- it's rare that we see this much color concentrated in a small area. Mt. San Gorgonio looms in the distance.
And I actually did see a jackrabbit out there, although I brought him/her in closer and is running to the left instead of the right. Apparently, I got too close to it, and it ran as fast as it could to escape my questionable "deadly" clutches and flee to safety. Then it stopped to see if I was following. (I wasn't!)
Sadly, this spot is within a 55-acre parcel that has been for sale for a number of years. I expect it's only a matter of time before some developer will buy this land and convert it into housing. And everything you see in the painting will be gone except San Gorgonio, which will be hard to find through the haze of rooftops.
For now, all I can do is paint special places like this. And to remember that "this, too, shall pass." As everything does.