First Snow

First Snow is the title of a painting that spotlights Maroon Bells, probably the most photographed and painted mountain in the US. Maroon Bells is located near Aspen, Colorado and is especially spectacular in the fall. A light snowfall adds nice contrast to the scene.

First Snow                 24" x 30" / 61cm x 76cm

Maroon Peak, slightly right of center, and North Maroon Peak (to the left of the "main" peak) are both "fourteeners," meaning the elevation at the peaks is over 14,000 feet / 4.3km. In autumn, the scene features my favorite color harmony: yellow, green and blue. Grasses, trees and rocks poke through the frozen stuff, while the higher elevation mountains are totally coated with snow.

The aspens are either yellow, green or barren (meaning -- they've dropped all of their leaves). If you've ever been in the high country where aspens flourish and show off their fluorescent coloring in the fall, you may notice not all of the trees are golden-yellow. The hillsides look like a patchwork quilt, as I've depicted them here.

Why, you may ask? Because aspens send out underground shoots which develop into trees. Thus, we end up with sets of aspen groves, each tree being a clone of the original aspen. The trees within a grove are genetically identical and behave the same way -- one grove turns brilliant yellow which is next to a grove that remains green, then drops their leaves. Some groves are already done with autumn and have dropped all of their leaves already.

And when the first heavy snow comes along, autumn is over and all of the trees drop leaves and go dormant.

You may also notice most of the evergreens (Colorado blue spruce, mainly) are on north or west-facing slopes -- the trees like the coolness and moisture there. Aspens prefer more sun and warmth, and tend to grow on south and eastern hillsides. (Note: standing in the spot depicted, you are facing southwest).

The Maroon Bells - Snowmass Wilderness is an incredibly beautiful area, although getting there when the weather is good (i.e., not cloudy, raining or snowing) can be challenging. Also, so many people understandably want to go there in the fall that one must catch a shuttle bus in the town of Aspen to get there. That, or walk the eight miles uphill from the gates to Maroon Lake!

If you haven't already been to Maroon Bells, I hope you get to see them. In the fall.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
https://www.fineartamerica.com/artists/mark+junge (prints)
 

Arches in the Snow

Arches in the Snow is the title of my latest painting -- one of a series of snow paintings that is destined to appear in a new gallery in Wickenburg, AZ.

Arches in the Snow                        24" x 36" / 61cm x 91cm

The image depicts my favorite place in Arches National Park in Utah. The formation is called the Parade of Elephants (the reason why is obvious when viewing the formation from the other side), and Elephant Rock is the "star" of the painting -- when seen from the correct angle and with the right lighting, it appears to have the head of an elephant complete with ears and a trunk. I managed to include a little of that effect here.

Double Arch appears in this view, too. Oh, yes -- I included a critter in the scene, too. See if you can find it and identify what it is!

This area seems wonderfully mystical to me, and I try to depict that feeling in the numerous renditions I've made of the Parade of Elephants. I hope a collector out there will feel the same way I do about the magic of Arches National Park.

www.SouthwestSpaces.com
www.MarkJunge.com


 

Desert Snow

One normally does not put "desert" and "snow" in the same sentence. Deserts are thought of as hot, dry places...snow is the last thing you'd expect to find out there.

But it does happen -- in the true deserts, and in places that are not deserts but that look desert-y.

The Garden of the Gods Park in Colorado Springs, CO is a place that looks desert-y. And it typically snows there in greater or lesser amounts.

I posted on Facebook the following image of a painting I did years ago showing the Garden of the Gods in the snow:

A Snowy Thanksgiving                             22" x 28"

(I should mention the image was scanned from a 35mm slide. Sorry about the huge copyright symbol!)

Meanwhile, an artist friend from Oregon -- one of the artists I met years ago at an art show -- is now teaching painting classes in Wickenburg, AZ. He has included gallery space, mostly for his own artwork, but then he saw A Snowy Thanksgiving. He loves it and asked me to exhibit it, along with 5-6 others (all with snow) in his gallery. The gallery would have just his and my art.

I have seen other red rock areas with snow (i.e., Bryce Canyon National Park) in addition to Garden of the Gods. And the Mojave desert sometimes gets snow, and -- more rarely -- even the Sonoran desert of southern Arizona gets snow on occasion (which disappears quickly afterwards).

So -- we'll see what I come up with in the months ahead. The gallery opens in October, and the grand opening is in November. I'll let you know exactly where and when things will be happening.

I'll continue to be in touch, and thank you for your support!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.FineArtAmerica (for prints) 

Deep Canyon View

Deep Canyon is a place south of Palm Desert that includes a research center. Deep Canyon View is my latest painting of the area. I love the view, the sweeping vista, the overlapping mountains and the ocotillos and brittlebush that grow there.

Deep Canyon View                                                             30" x 40"

This piece was a commission I recently finished -- 30" x 40" / 76cm x 102cm. I've painted this view many times -- you'd think I could do it from memory!

Nowadays, with the knee problems I have, it's unlikely I would ever go hiking out there again. Besides that, this entire area, including the ground I was standing on, is all part of the Boyd Research Center -- by being here, I could unintentionally impact the research findings one way or another. So that's another reason I wouldn't go back again.

I did take many, many pictures of this place that I can use as reference material for years to come if need be. Someday this scene could become my opus magnum -- the largest and best desert painting I will ever have done! We'll see. 😃

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.FineArtAmerica (prints)

 

Show and Tell -- My First Painting!

I feel like I'm sticking my neck out....

 

This is the very first painting I did that I would consider a "serious" painting (that is -- it's not finger painting or stuff like that). I did it for a painting class ca. 1970. I'd like to think my technique has progressed a little since then.

I was mostly obsessed with surrealism in those days. I knew -0- about classical realism, the look I prefer today even with surreal works. I think I was making a point about something. Time running out? Time is gonna get those two humans trying to escape?

I never liked the green "vegetation" on the left, but I was way too impatient to do it better. Also, I wanted the sun to pop, so I used a fluorescent magenta. In real life, it definitely popped more than the background colors.

This was scanned from a rather dark 35mm slide -- hard to work with. Oh, well.

Maybe some day I'll be a better, more sophisticated version of this untitled piece!

 

Mark Junge

www.SouthwestSpaces.com

www.MarkJunge.com

 

Watch the Birdie(s)

One of the things I love about our home in the desert is seeing all the wild critters that come by -- bunnies and birdies, in particular.

We have a hummingbird feeder that hangs where we can see it from inside the house. Of course, it isn't just hummingbirds that enjoy the sugar-water. House finches and several species of desert-dwelling orioles have a sweet "tooth," too!

This is probably my favorite birdie to see (although hummingbirds are awfully cute, too!) This is a hooded oriole,  Icterus cucullatus. The males around here are a brilliant, almost fluorescent, yellow with black and white markings. They're so colorful!

One thing I've noticed about these and other birds -- they're incredibly cautious! Whenever they land on the feeder (which is out in the open), they sit there and look in all directions, carefully making sure nothing is going to attack them while feeding. Once they're satisfied it's safe, they'll take a quick drink, then return to looking for predators.

They'll repeat this routine several times until they finally get enough sugar-water, then they fly off.

It reminds me of the advice given to humans -- be aware of your surroundings! With so many human predators in the world, we need to be cognizant of who is nearby and what they may be doing. As the birds instinctively know, it's a dangerous world, and while an attitude of fear isn't necessarily called for, we must be ready to respond to anything that may be dangerous to us.

The birdies know. They woundn't live very long if they don't follow through. We should do the same.

(Someday, I'm gonna have to paint a hooded oriole!)

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
 

The Power and the Glory

The Power and the Glory is my latest painting. (I prefer making autumn paintings when it's actually autumn, but...oh, well -- what are you gonna do with an artist like me?)

The Power and the Glory                              18" x 24" / 46cm x 61cm

It's a scene of my favorite mountain to paint -- Mt. Sneffels in the San Juan mountains of southwestern Colorado. I did make a few minor changes to the view -- I painted Sneffels to be a little taller and steeper than it actually is. However, the mountain is still a "14er" -- 14,157 feet / 4.3km -- pretty tall!

So the mountain is where the "power" comes from, and the "glory" is in the fluorescent golden leaves of the aspen grove.

The work is somewhat idealized, but I think it makes the point I wanted to make -- a painting of a mountain with the jagged, sawtooth edges that I love. Mt. Sneffels is the perfect example of that type of rock!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
 

The Arts and the Christian - Part I (Maybe!)

Today, The Wiffee and I finally got around to seeing the movie, I Can Only Imagine. It's a surprisingly well-made film that tells the story of Bart Millard, the fellow who wrote the title song after a childhood plagued by an abusive father.

The song touched many people who were in Bart's situation. As a Christian dinosaur, it was obvious God used Bart's experiences to create a healing song.

The movie started me thinking about my own "career" as a fine artist. I've tried for a long time to turn it into a full-time, bill-paying job -- without success. I kept asking myself if painting was something I was meant to do or not.

That's when I have to ask myself what God's purpose is when He gives artistic / creative people the gift of loving the visual arts, music, writing, whatever so much that the person feels a need to create art.

The Bible makes it pretty clear that artistic ability is granted by God (it's in Exodus -- more on that another time). Yet -- the Lord never promised that we as artists would be financially successful at it, or even artistically successful with it.

But I do believe we honor Him by using our creative gifts, whether it sells or not. This is a point I often forget when I'm feeling discouraged and want to quit the art thing entirely. I don't think God wants me to quit painting. Keep creating, even if He is the only One who ever sees it. If it sells someday, great. But for reasons known only to Him, some artists will profit from their skills, and many others won't.

So for now, the plan is keep painting for as long as I can, until I ran out of canvases and panels to paint on. I may retrieve some unsold paintings that I could white out and paint something different on them. When I'm TOTALLY out of paint and / or surfaces...well, I'll have to see what happens next.

The Bible verse for dinos like me to live by is from 1 Corinthians 10:31: "Whether therefore you eat or drink or whatsoever you do*, do all to the glory of God."

*That includes painting!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com



 

The Dance

The Dance is my latest painting -- only slightly surreal this time as compared to my other surrealistic paintings.

The Dance                              11" x 14" / 28cm x 36cm

The image was inspired by a Greek folk dance class I happened to be watching many years ago. (The bubbles were not there, of course).

So what does it mean? As usual, I prefer to leave that up to the viewer. Some friends thought it's a reference to togetherness, solidarity among women, women's rights, racial equality, on and on.

Some day, I'll need to find a gallery or show where the public may view the paintings in real life -- for those who need some surreal moments in their lives!

The Dallas Divide

The Dallas Divide (which is in Colorado, not Texas) is the title and subject of my latest painting. It features Mt. Sneffels and the Sneffels Range of the San Juan mountains and seems to be my favorite mountains to paint.

The Dallas Divide           11" x 14" / 28cm x 36cm

It's fall, and the cottonwoods have put on a coat of bright yellow leaves as a woman rides her horse in the morning light.

The Dallas Divide is the name of an area that includes this scene (actually, it overlooks part of Ralph Lauren's Double RL Ranch). Behind where you would be standing is the Dallas Creek, and a smaller wash runs in front of you which -- according to the maps -- is called the Dallas ditch. Typical of areas that receive extra water, the ditch is lined with trees and shrubs.

Autumn in Colorado was always my favorite time of year -- the weather tends to be pleasant, and the colors are phenomenal. In addition, the jagged, sawtooth peaks of the San Juans are what I love to see in mountains.

Fall is yet a ways off, as is the heavy snow fall that is bound to come. For now, I'll simply enjoy the peace and beauty of this special place.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

Classical Realism

Years ago, I totally picked up on the art style referred to as "classical realism." It's a look that sometimes romanticizes a subject, but regardless, the work is executed in a realistic way that also elicits an emotional response.

The painting I often use as my signature piece is an example of classical realism -- or as close to it as I'm capable of getting:

A Place of Wonder, Mark Junge

  
I thought for a long time that once an artist achieves this skill level, doing something way different or simple -- like abstract expression -- wouldn't even be considered:

 

Morning Fjord, Silvia Vassileva

Yet, I've gotten to a point where classical realism has become almost "too hard" to do...it involves an amazing amount of drudgery and time to execute. I guess I'm getting tired in my old age, and I don't seem to have the energy to make paintings like A Place of Wonder anymore.

I'm not planning on quitting that style, however. Not yet. But I'm finding I spend less time than ever before on painting these days. I don't seem to enjoy painting, although I still love the final results.

We'll see how it goes. But don't be surprised if I start mixing in other styles of painting with the classical realism stuff!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

New Painting of Joshua Tree National Park

At long last, I finally finished another painting of Joshua Tree National Park, CA: one of my favorite places on earth!

So far, the painting is untitled -- but I hope to remedy that situation soon. Size is 11" x 14" / 28cm x 36cm.

The hill-mountain in the background is one of the many formations in the Park that was never named. But I love all of the many peaks it has, and it seems to be my favorite mountain there. I've painted it before from various angles -- this version is the frontal-most I've done so far. More to come I suspect.

The rocks are made of gneiss ("nice") which often look like a HUGE dump truck came along and unloaded rocks and boulders into an enormous pile. Little large plant life occurs on these hills except for some grasses and such. This mountain has a few Joshua trees on the very top of the hill toward the right -- there must be some loose soil there for the JTs to take root and grow.

And, of course, I included a desert cottontail bunny-rabbit hiding in the shadows.

This is one of those scenes that, frankly, was kind of pain to create -- lots of detail. But in the end, I couldn't have done it any other way!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
 

Glen Eyrie, Garden of the Gods, Colorado

Glen Eyrie, Garden of the Gods, Colorado is both the title of this blog post and, more importantly, the title of a painting by my #1 art hero, 19th century artist Thomas Moran.

Glen Eyrie, Garden of the Gods, Colorado

The painting is an impressive 36" x 50" (91cm x 127cm).

I had several opportunities to see it when we lived in Colorado Springs, CO in the 1990s. The piece was acquired by someone who made a deal with the city to make improvements in Garden of the Gods park in exchange for exclusive rights to operate a gift / souvenir shop.

Glen Eyrie is privately-owned and includes the view in the artwork. The Garden of the Gods appears in the distance, with Cheyenne Mountain forming the backdrop. (I believe the spire is called Echo Rock).

The painting was displayed in a couple of sites in Colorado Springs, and I made it a point to visit this gem as often as I could in April, 1999. I fell in love with the painting immediately, and the effect hasn't worn off after all these years.

Echo Rock, Glen Eyrie, Colorado Springs, Colorado

Then, just recently, I stumbled across a photo of the area, shown above. Comparing this image with the painting, Moran essentially rendered the scene accurately, but with a few changes. Ol' Tom also added his magical lighting and colors, making the end product irresistible to guys like me!

I expect it's just a matter of time before I paint my own version of this special place -- hopefully without making it look like I totally ripped off Moran's treatment of Glen Eyrie. But it'll be similar, I'm sure.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

 

"Jurassic Mark"

Who, you may ask, is Jurassic Mark?

Why, that would be ME, of course! It's a name I created for myself after the movie, Jurassic Park came out, and I couldn't resist the play on words. It's even more appropriate when I talk about how incredibly OLD I am! I love to talk about what a Jurassic-aged dinosaur I am, that I'm 150 million years old, and that I love to chase after humans to catch and eat them.

It's fun for me, and I guess the scientist in me enjoys it, too. But as an artist, there's another, additional reason for the dino-handle.

Compare and contrast these two images.

 

The top image is one of my paintings of Joshua Tree National Park. The lower picture is of a poster that was obviously intended to promote the Park.

I work in a very traditional, 19th century style -- I'm not sure if I can honestly call the look "classical realism" or not, although that is my goal in the artwork I make.

On the other hand, the poster has a much more contemporary look, with zonking bright colors and less detail. I've seen paintings by living artists who produce paintings even more colorful and "loose" than the poster.

If you were to go to Google Images and search for "joshua tree paintings," you would find lots more colorful, impressionistic paintings than you would find traditional works like mine. Not that I'm the only one who paints like this, but we seem to be in a vast minority of artists who prefer that look.

Thus -- another dinosaur metaphor. I often feel like I live and work in the past and am somewhat outdated by painters who create in a more colorful, popular way. I know it ain't as simple as that, but it does make me feel like I don't belong in this century, at least as far as art is concerned.

I think I'll go foraging for humans now. You critters aren't the best-tasting meat source around, but you're easy to catch, and I love the way you scream and run...as though that's going to help you. 😄

Mark Junge

www.SouthwestSpaces.com

www.MarkJunge.com

 

Yucca Valley

Yucca Valley is the name of the town where I hang out a lot, and it's also the title of a new painting (the last from 2017):

Yucca Valley              18" x 24" / 46cm x 61cm

This scene is close to, but not in, Joshua Tree National Park in southern California. Yucca Valley is a small community -- but not as small as it used to be -- and still has areas of "wildness" that are suitable for paintings. ☺

All the wildflowers are courtesy of the heavy rains we received in the winter of 2017 -- it's rare that we see this much color concentrated in a small area. Mt. San Gorgonio looms in the distance.

And I actually did see a jackrabbit out there, although I brought him/her in closer and is running to the left instead of the right. Apparently, I got too close to it, and it ran as fast as it could to escape my questionable "deadly" clutches and flee to safety. Then it stopped to see if I was following. (I wasn't!)

Sadly, this spot is within a 55-acre parcel that has been for sale for a number of years. I expect it's only a matter of time before some developer will buy this land and convert it into housing. And everything you see in the painting will be gone except San Gorgonio, which will be hard to find through the haze of rooftops.

For now, all I can do is paint special places like this. And to remember that "this, too, shall pass." As everything does.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
 

The Party's Over (for Me)!

Well, I guess the party's over.

For me, it starts sometime in September as we edge into fall, then it's reinforced by Halloween and Thanksgiving. Then Christmas is the climax of the entire season. And when Christmas is over, I tend to drop into sort of a funk.

All the decorations, the excitement of the fall and Christmas seasons, the music and imagery -- all come to an end. New Years isn't a big deal to me -- I'm not a party-er, and nowadays I don't want to go anywhere on New Years Eve anyway -- there are too many drivers who haven't heard not to drink and drive. If life is survival of the fittest, maybe nights like this select out the humans who just don't get it. Harsh, but true.

There was so much I wanted to get done while doing them at a relaxed pace. Didn't happen. If I want to make any paintings depicting the autumn and Christmas holidays, I probably should paint them during the first 8-9 months of the year and be done by the particular holidays I'm showing.

So I'll begin 2018 thinking about medical and dental procedures that need to be done fairly soon -- YUCK! But I'll continue painting, too, and I may even get some commissions for artwork showing the beautiful Morro Bay, CA and the central California coastline.

Maybe 2018 won't be so bad after all!

www.SouthwestSpaces.com 
www.MarkJunge.com

Here We Are in December!

Well, Christmas is just a few weeks away, and Hanukkah is next week! It's almost time to wrap up another year.

So -- what have I accomplished/

Not much, as it turns out. I'm still running on low energy, and if it wasn't for the fact that I'm a painter, I think I'd be content just to stare out the living room window at our little piece of the Mojave Desert.

But I am actually working on a painting! Not very fast, mind you, but I AM working on one.

It's a scene of a place close to where we live, with Joshua trees, spring flowers (it's winter, and here I am working on a spring landscape -- it figures!) with the snow-capped peaks of Mt. San Gorgonio in the background.

I keep changing my mind about how I want the finished painting to look, which makes me stop painting and just look at the painting and think about it. Visualizing it in my head.

But it is coming along, and I should finish it this month. And then? Another landscape? A surreal image? A post-apocalyptic nightmare?

Who knows? Let's see how the mood settles when the time comes.

C U L8R!!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com



 

Two Months Overdue!!

Wow, oh wow!! It's been two months since I've written anything!!!

Well, it's just been...strange, lately. September just sort of got away from me, and October was Health Issues Month, with two stays in the hospital because of heart flutter (I think that's a less severe version of atrial fibrillation, but I'm not sure). AND dealing with a strained arm and a knee that hurt so badly I couldn't walk on it at all. Non-steroidal anti-inflammatories (NSAIDs) to the rescue -- but those drugs are kind of bad for me.

So now I'm on blood thinners until the cardiologist can do an ablation procedure on me -- zapping tissue in the heart to cut off some misfiring nerve impulses that are causing the flutter.

I've also been finding that some of the meds I take -- like for high blood pressure --  must be the cause of the fatigue I feel constantly. (I suspect the after-effects of taking OTC sleeping pills was doing that, too -- I'm giving those up!)

But I need to get going somehow because there's an art show next May I'd like to enter. It's near Pasadena, CA, where blurry-looking paintings are more popular than the detailed works I do. I'm trying to come up with a good compromise -- maybe a scene with fog or something. Haven't decided yet.

So -- I hope I can put out some good paintings that will work in the Pasadena environment and that will still be true to the style I love.

Stay tuned. I'm sure gonna try to write more often!

SouthwestSpaces.com
MarkJunge.com

 

What Happened to August?

What happened to August? I just realized I didn't make a single blog post in the month of August! Now it's September. Wha...???

Well, I'm here now! Just in time to show you my latest surreal painting, Semblence of Artificial Humanity, 16" x 20" / 41cm x 51cm.

Semblence of Artificial Humanity                               16" x 20" / 41cm x 51cm

The only real thoughts that come me about the piece are actually questions: why is the shadow of the female being cast against the sky while all other shadows retreat into the distance? What are those green things growing out there? What's up with the bubbles?

As usual, I can't explain what it all means. Its meaning is in the eye of the beholder: YOU, dear viewer!

Keep watching for www.SurrealMark.com. I hope to have that site up before year's end.

www.SouthwestSpaces.com
www.MarkJunge.com 

Ambiguous Strangers

Ambiguous Strangers is the mysterious name I gave to my latest mysterious and surreal painting.

Ambiguous Strangers       18" x 24" / 46cm x 61cm

As usual, I prefer not to try and explain what's going on here. I like it when viewers read into it their own experiences and viewpoints.

I'm simply painting the ideas and images that pop into my head -- dreamscapes; lands that seem like they could exist, but don't -- except in an artist's mind.

Enjoy, and contemplate!

(This piece and others will appear on a yet-to-be-launched website called www.SurrealMark.com. I hope to have it up later this year).

www.SouthwestSpaces.com
www.MarkJunge.com

A Surreal Side of Mark Junge

I didn't realize it has been almost a month since I last wrote about what I've been up to lately. What's wrong with me??? 😁

OK, since I wrote about the redwood painting I finished last month, I've decided to spend some time working on surreal pieces that I've been wanting to do. (I also worked on a logo design for someone, but that's another story).

Art Show                                 11" x 14" / 28cm x 36cm

This image, Art Show, is something I saw in a dream many years ago. I still remember it because as soon as I woke up, I sketched it in a little sketchbook I kept beside the bed. I therefore remembered it all these years. And finally, I got around to painting it.

Simply by looking at this, you're getting a peak into my subconscious. I have no idea what it "means," if anything. It was something my brain conjured up while sleeping. But it was supposed to be an art show I visited, with paintings hanging on a long maroon-colored curtain, people looking at the works, and a young woman who is gripping "hands" with the curtain, fingers interlaced. Again, I have no idea what it all means.

I decided to paint the scene as I remember it, ignoring some of the formal elements such as composition. I doubt I'll be attempting to sell this work, anyway -- it's really just for me.

More surrealism to come!

www.SouthwestSpaces.com
www.MarkJunge.com

In Paradisum II

In Paradisum II (Latin for In Paradise #2) is my latest painting.

In Paradisum II       20" x 16" / 51cm x 41cm

In Paradisum II (Detail)

The title comes from a song, In Paradisum, written and recorded by Sarah Brightman. The music is, to me, an aural interpretation of what heaven might sound like, but listening to it puts images in my head that hopefully go with the music. To hear the song, click HERE.

I can't say that this is my Tour de Force of redwood forest paintings, but I'm working toward it. Hence, the Roman numeral I for the first piece I did, and this is the second. I expect there will be at least one more that will be my best redwood painting ever!

The first time The Wiffee and I were in the redwoods was in June, 1982. We visited Redwood National Park; in particular, Lady Bird Johnson Grove in early morning. I planned on taking lots of pictures but was disappointed when the sky was clear and sunny. It's difficult shooting photos in an old-growth forest because sunny patches next to shadowy patches exceed the range of film. So the sunny spots wash out, and the shadows turn completely black.

But we continued hiking in, went around a hill, and all of a sudden, like an answer to prayer, we walked into a section of forest that was enshrouded in a light fog, with sunbeams breaking through the trees and the very air luminescent. With the tall coastal redwoods and ferns, with rhododendrons and Douglas irises in bloom, it looked like we were in heaven! I had never, before or since, felt like I was standing in the cathedral of God's own making.

Lady Bird Johnson Grove is on a ridge at about 1,000 feet / 305m, so instead of peering into a deep, dark forest of overlapping redwoods, the sky is visible beyond the trees. Thus the sky appears blue, lightly foggy or densely foggy (as it was the second time we were in LBJ Grove in 1984).

I decided not to paint any critters this time. No hidden bunnies or birds, just a group of irises that may not be noticed by the viewer right away. (In Paradisum III will have critters, I predict!)

I've wondered which I would enjoy living in more -- the desert or the redwoods. Still, I don't know if I would ever again feel the way I felt that day in June, 1982, when I rounded a corner and entered the glowing mists of heaven.


www.SouthwestSpaces.com
www.MarkJunge.com

Ida River

My latest painting was a commission for someone I know who lives in Washington state. The location is somewhere along the Ida River in Leavenworth, WA. I've never been to this location, but the person sent me a pretty nice photo to work from.

Ida River     18" x 24"

Ida River - Detail

I added a couple of items that did not appear in the photograph -- two bald eagles! One is flying low over the river, looking for fish to capture and eat. A second eagle is lifting off from a distant tree, embarking on its own food-finding mission.

I hope the new owner will enjoy the painting for the rest of his life.


www.SouthwestSpaces.com
www.MarkJunge.com