Springtime in the Mojave Desert

Springtime comes a little later in the high desert than it does in lower elevations. We're at about 3,000 ft. / 915m, so if you made several trips March - May from the lower desert (where, in some places, the elevation is near sea level) to the Mojave, you would see a progression of flowers working their way up. Except you'd also see different kinds of flowers!

Today for Cinco de Mayo, I took a fast trip through the higher areas of Joshua Tree National Park. I wish the sky would have stayed clear and blue, but sometimes, nature has its own schedule.

Still, the picture-taking was worth it. Sometimes, all I really need are visual notes on what is blooming and where. In some cases, I'll shoot details I might need to paint leaves and flowers up close -- then, the overcast skies can actually be helpful in lowering the contrast of the photos. And I have at least a gazillion or two photos of the Park with the lighting I prefer, but today's pictures add information that I may not already have!

These are a few of the 75 or so photographs I took today:

Inside the west entrance to the Park

Desert mallow in Lost Horse Valley

Near Keys View

Side-blotched lizard

Horned lizard

Horned lizard, same specimen as above

Parry nolina

View into Twentynine Palms

Near Twentynine Palms

I had a good time in the Park, but I simply MUST get me a walking stick -- probably a bamboo rod with rubber caps on each end. Unless I'm hiking on a mostly flat trail without lots of little ups and downs and having to step over things, my ancient knees tend to give out, and down I go!! This time I got a little more scraped up than usual, and I have a swollen area on one of my shins. NO MORE!! Walking stick, or give up hiking!!

Anyway, I hope your Cinco de Mayo was fun. Overall, mine was!

www.SouthwestSpaces.com
www.MarkJunge.com

 

Earth Day Celebration!

Today is Earth Day -- 22 April 2017. I'm glad this tradition has found an ongoing place for people to reflect on what we need to do to save the planet...and ourselves.

Every Earth Day, our little town has a celebration in the town's community center, with arts and crafts vendors, displays and info from environmental groups, music, face-painting and other fun and educational stuff. I decided I would do a little experiment and paint a bunch of little landscapes (6" x 6"/15cm x 15cm; and 4" x 4"/10cm x 10cm) and sell them with mini easels so they would be considered tabletop art instead of wall art (a common excuse is: we're out of wall space, no place to hang more art). And they would be very low-priced -- $25 for the 4x4s, $45 for the 6x6s.

This was how my setup looked at opening time:

As you can see, I brought along a few framed wall-art pieces, too. Here are images of what the miniature paintings look like:

6" x 6"

4" x 4"

Thankfully, the fee for showing was not very high -- selling just one 4x4 would cover that. Turns out -- I sold TWO 4x4s.

Another artist friend and I agreed -- this is why we don't like doing art shows anymore. Doing them can be quite expensive, one works one's rectum off getting ready, the artist can go through a lot of exhausting work just setting up and tearing down -- and the return for all this may well be zero or close to it.

So -- for whatever reason, these types of venues just don't work for me. I really don't understand why, and I don't feel like wasting the time or money on trying to figure out why.


www.SouthwestSpaces.com
www.MarkJunge.com
 

Pastoral Landscape

I've sure gotten behind in my blogging!! Between being sick in March, finishing a painting, putting my 3" x 5" note cards together (see the previous post) and now preparing for a show next weekend, it's been a little crazy!

Well, here is the latest painting:

Pastoral Landscape                                18" x 24" / 46cm x 61cm

As you can see, I've depicted a small herd of mixed breeds of cows. One managed to cross the shallow river and is hoping others will follow her to the other side. The scene could be a pasture in the high country of Colorado; in fact, the painting was loosely inspired by the way the Double RL Ranch (Ralph Lauren's spread) looks near Ridgeway, CO.

I couldn't resist including some cow parsnip with the cows. This is the plant with the clusters of tiny white flowers. Apparently, some people are sensitive to this plant which can cause a severe poison ivy-type rash if one brushes up against it. (Apparently browsing herbivores can eat the stuff without toxic effects). Also, insects tend to avoid munching on cow parsnip, too.

I've been wanting to do a classically-styled landscape like this for a long time, and I've finally done it!

Enjoy!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

Note-able News

I just got over a cold that seems to be quite, uh, "popular" these days -- seems like EVERYone's got it!

But before I contracted the pestilence, I did manage to produce and deliver a set of 5" x 3" / 12.5cm x 7.5cm note cards to the Joshua Tree National Park Association that are now being offered in at least one of the Park's visitor centers. The cards feature an image of one of my paintings, Sentinels, include an envelope and are currently selling for $3.95 each. One of the park rangers informed me the cards are selling well!

The image features a painting I made in the early 1990s. This is a typical iconic view of what the Mojave desert portion of the Park looks like...I figured this might go over well with visitors to the park.

This is the display rack that holds my note cards in the Visitor Center in Twentynine Palms. For now, it's nestled among jars of scented candles!

















I think -- but I'm not sure -- that all of the visitors centers will have the note cards available. That would be nice -- Park visitation has been increasing over the years, and the peak have just arrived with the profusion of desert wildflowers thanks to the generous rainfall we've received over the last few months!

GREAT news!!

Mark Junge
 
www.SouthwestSpaces.com
www.MarkJunge.com

What to Do, How to Do It

Whenever I start thinking about making money with art, I sometimes consider other styles I could pursue that may be more saleable in southern California while continuing with the ultra-traditional look I really love -- but painting those works for myself.

California impressionism is big in the Los Angeles area. Or: I could try a more abstract version of the desert scenes I love.

Then again, I've always liked the traditional Chinese watercolors of the huge mountains and forests, while somewhere in the view is a tiny human and/or shack, dwarfed by the magnificent scenery surrounding him or her.

I made some mockups of a painting I made years ago to see how it might look if painted in these other styles. My photo-editing software couldn't replicate the look I would create, especially as a Chinese watercolor. So I included an image of an actual watercolor that I would attempt to do as a desert landscape. ☺

Sentinels in Various Computer-Generated Styles

Example of the Real Deal!

I haven't even mentioned the possibility of doing desert scenery as a surrealism image!

So -- which look would YOU most like seeing on your wall??


www.SouthwestSpaces.com
www.MarkJunge.com

Bunnies Bunnies Bunnie Bunnies Everywhere

Most people I know have learned by now that I love bunnies. (Guinea piggies, too!) We have a pet bunny, but I love the wild desert cottontail bunnies that live outside, too. They're so cute. And adorable.

I do put food out for them every evening before sundown, along with chicken scratch for the quail (and other assorted birdies). I also give the bunnies sliced carrots or apple and some romaine lettuce.

The wild bunnies sort of / kind of trust me, but only to a point. When I go outside to feed them, they gather around, but they keep a safe distance from me -- usually. Normally, they "freeze" until I walk past them, then -- supposedly when I can't see them -- THEN they may move a bit away from me.

On occasion, a bold bunny will show up and take food from my fingers, then run off with the goodie to eat it.

In one case, I was able to help a critter I called the notch-eared bunny. S/he had a long cactus thorn stuck in its forehead. There were times it would get into a "boxing match" with another bunny -- common among disagreeing rabbits -- and the bunny with the thorn would scream because its opponent often hit the thorn and made it hurt more.

But because this particular bunny came up to me to take a goodie, I was able to pull the thorn out!

This is the notch-eared bunny (no thorn) coming to get an apple goodie:

Sometimes it's fun to see how different bunnies interact with each other. I had missed an opportunity to get a picture of a blacktailed jackrabbit touching noses with a desert cottontail, but at least I did manage to take a pic of a baby (left) and adult (right) bunny together.

I'll leave with a portion of lyrics from an old (1949) song by Spike Jones and His City Slickers, Ya Wanna Buy a Bunny? about someone with a Shirley Temple voice who apparently didn't know that bunnies totally understand multiplication:
  

Bunnies bunnies bunnies bunnies everywhere.
There's bunnies on the table and there's bunnies on the chair.
Bunnies on the sofa and there's bunnies on the floor.
And there's some new ones coming through the door. MORE!!

www.SouthwestSpaces.com
www.MarkJunge.com

A Fantasy in White

A Fantasy in White (18" x 24" / 46cm x 61cm) is my latest painting. A little different from my usual subject matter!

Although I've never gone to any tropical areas, I'm familiar with the overall look as well as many plant species from my studies in ornamental horticulture many years ago.

The scene was inspired by a spot in the Los Angeles County Arboretum -- a "jungle" planting that includes a cluster of tree ferns that formed the basis of the painting.

I visited there in 2012, saw this view, and I knew I would have to paint something similar to it. In addition, the Arboretum has peacocks running around loose. No white ones that I've seen, just the usual (but stunningly beautiful) India blue peacocks. I've never seen a live white peacock, only a taxidermy specimen in an antique store.

Incidentally, peacocks can be white either because it's their coloring (their skin and eyes are pigmented), or they can be albinos, with pink skin and eyes. I painted a white, not an albino, critter.

The painting depicts a rain forest typical of the lowland tropics of Central and South America. Normally I work to keep my painted habitats "pure," but this piece has non-native (to Latin America) species in it: the Hawaiian tree ferns (Cibotium chamissoi), the rabbit foot's fern in the lower left (from Fiji) and, of course, the peacock.

I've included some details from the painting, some intentionally easy to miss if one views the original piece.

It's hard to say if I'd ever again do another painting like this...so much detail to paint!! Maybe next time, I would create a view where I (the painter) am standing further away from the scene rather than standing IN it!


www.SouthwestSpaces.com
www.MarkJunge.com

Dedication

I first started doing "real" outdoor art shows in February, 1989. The first was in Palm Springs, CA followed by several others. The best part of those shows was getting to know some of the other artists who, like me, returned to do the shows as they came along.

One of the artists I met was a photographer who sold small framed prints of his pictures. I often wondered how well he did with his enterprise. He was a Seventh-Day Adventist, a Protestant Christian group that believes the traditional Sabbath day, Saturday, should continue to be the Sabbath and not Sunday as most other denominations believe.

The art shows were typically three-day shows...Friday - Sunday. Well, this fella was ready to sell on Fridays, closed up his booth on Saturdays, and returned on Sundays for more sales and to take it all down at the end.

I have to admire him for his dedication to his convictions, but I always wondered how well he could do by missing out on an important sales day -- Saturday.

Maybe he had retirement income going for him and selling photos was not his #1 source of revenue. Obviously, he felt it was more important to attend church than to be present at the art shows, in spite of possibly missing out on filling his wallet a bit more. Perhaps God would reward the guy in non-material ways than are much better than money.

I suspect the photographer is no longer of the earth -- he was already along in years in the late 1980s and early 1990s. I'd guess he is in the Lord's presence now, reaping the eternal benefits of his commitment to God.



www.SouthwestSpaces.com
www.MarkJunge.com

 

2017 Is Coming!

Well, no matter what we might try, 2017 is coming...for better or for worse.

I'd guess that 2017 will be a time of healing for me. I'm not going to do much to promote or sell my art, and for that matter, I'll be slowing down the painting production as well.

Not that I don't have ideas in my head for images I want to get painted. Landscapes, surrealism, figurative (maybe). It's just hard to get motivated right now. 

I know I've worked REALLY hard for many years, and I think I've just HAD it! The year 1981, my senior year as a microbiology major at Cal Poly, Pomona, was the start of a strenuous time where I worked days, nights, weekends...with no time for play or leisure. That continued as I entered an internship in Medical Technology at the City of Hope Medical Center -- an incredibly stressful time of cramming information into my walnut-sized brain and learning lab procedures of clinical technicians.

Then came grad school, a time-intensive period of spending almost all of my time in the lab doing research.

Finally, the job searches and working when I DID find jobs AND trying to develop a career in the visual arts, first as a photographer, then as a painter. I expected science to support my wife and me while working toward the goal of painting full-time.

Eventually I left the science world and the unreliability of grant-funded jobs and went to work for a Christian ministry (and, of course, still painting and entering shows). Then in early 2001, I embarked on a full-time painting career.

So here I am -- 15 years of painting and trying to sell at galleries, outdoor and indoor art and museum shows, website... and I'm no closer to my goal now than I was 15 years ago. I've had a few successes here and there, but mostly, we lost a lot more money than I made. For 15 years.

Enough. I'm throwing in the towel. I'll still paint, keep the website up, still blog. But at the very least, I need a long break from trying to sell. Maybe a permanent break.

And maybe an adjustment in some of the meds I take, too. I'm too low on energy and motivation these days.

Hopefully by the next time I write, I'll have a new painting to share. Painting, and taking it easy at the same time for a change. I need to find the joy in art again.

Let's hope.


(Revised website: Southwestspaces.com or MarkJunge.com).

A Christmas Bunny

So -- what does one do if one:

• is an artist;
• loves Christmas;
• loves bunnies?  

Why...one paints a Christmas bunny! A lop-eared bunny, in this case.

A Christmas Bunny               14" x 11" / 36cm x 28cm

www.SouthwestSpaces.com
www.MarkJunge.com

 

Autumn Nymph

Autumn Nymph is finally finished!

Autumn Nymph     20" x 16" / 51cm x 41cm

I mentioned this painting on my previous post -- a gal taking in the beautiful fall colors of a maple forest (maybe even producing the colors!) with leafy garlands on her head and in her hands. I was going to title it "Goddess of Autumn" or "Queen of Autumn," but I really didn't attire her in a godly or royal outfit. Plus, she has a playful expression that one sees all the time on nymphs. 😀😀😀

And one item of blue, which turned out to be an indigo bunting. I originally thought of painting-in a blue morpho butterfly -- those neat flutterbies with the iridescent / metallic blue wings. However, their wings are brown on the undersides, and looking up at one would display more brown than blue. So I went with the bird instead.

Frankly, I've got a long ways to go when it comes to painting portraits or the figure in the classical-realism style I'm addicted to. I received some help with the face from friend and master painter Virgil Elliott. I've learned that doing this in my fast-drying acrylic adds significantly to the challenge. If I decide to pursue this subject matter, I may have to use oil paint for portraits. Or learn how to get around the problem of having little time to blend colors smoothly.

The woman was a former co-worker of The Wiffee's back in the 1980s. I took a series of photos of her -- she even had some ballet skills to help her look graceful and even more awesome than she was! (I shot black and white film -- I have no idea now why I did that instead of color!) She's a bit on the plump side, but "curviness" happens to be attractive, and even a turn-on, to me. I know lots of other males agree with me.

The painting sort of looks like the real person, but not entirely. Virgil suggested I spend a lot more time just drawing and improving my skills. I'd have to agree with him.

I don't know if I'll try to sell this, but I'm thinking -- this one may be just for ME! It was a great learning experience, but I need to get better at rendering the face and figure.

Like they say: Back to the drawing board!


This piece will appear on my yet-to-be-launched website, www.SurrealMark.com. In the meantime, my landscapes still appear on my existing site(s):

www.SouthwestSpaces.com
www.MarkJunge.com
 

Still Working!

Phew! I can't tell you how glad I am that the elections are OVER!! The complaining and "the world's gonna end" stuff have started, and I think I'll take a break from Facebook for awhile until that dies down, too.

Meanwhile, I HAVE been working on a painting, although progress has been slow. It'll include a figure of a young woman, much closer than I normally paint figures (when I actually DO paint them). Being into the traditional / classical realist look, I want the gal to have that look to her. Frankly, I'm pretty inexperienced at painting or drawing portraits or the figure.

This is her face which, after consultations with a classical painter and friend, Virgil Elliott (at www.virgilelliott.com), we decided she's lookin' pretty good at this point. (Sorry about the glare on her hair at the upper right area).

She's going to be a "spirit" of fall, but I haven't decided if she'll be a goddess, queen, princess or nymph of autumn. I'm leaning toward the last one, since I didn't dress her in royally-elegant clothing.

So now I'm adding lots of fall maple leaves, a garland of leaves on her head, and she'll be holding a garland in her hands. The "nymph" is looking up at a yet-to-be-painted item in blue -- possibly an indigo bunting or those amazing metallic / iridescent Morpho butterflies. It will be the only blue in the painting, which will be predominately reddish-orange.

I think it'll be a neat piece when it's done, but I'm taking my time on it. It's gotta be done right!

When it's finished it will appear on a website I haven't created yet: www.SurrealMark.com. In the meantime, my landscapes appear on my "main" website at either of these URLs:

    www.SouthwestSpaces.com
    www.MarkJunge.com

 

An EASTERN Landscape?!?-

An eastern landscape?!? I thought Mark Junge was a painter of western and desert landscapes!!

Well, I love autumn colors, and although the West has its share, the East coast has all of the ochers, rusts, oranges and reds that make fall so much of what it is.

In the Catskills               11" x 14 '/ 28cm x 36cm              acrylic/panel

This is a scene we happened upon on a trip we made to upstate New York. The view, while less colorful than many other sites we visited, had the neat little barn or storage shed, a few other small buildings and a small silo. I don't know if this area was used to grow hay or if it was pasture land (there was a barbed-wire fence around the lot, which I didn't paint in). Also, the fence was mostly hidden by a "hedge" of small shrubs; again, I painted only a few in the foreground.

When it's actually fall, that's when I feel the most like painting autumn scenes. Seems like once we pass Christmas, all thoughts of painting fall or Christmas/winter artworks melts with the snow. (Actually, BEFORE the snow melts).

So for now, I'm indulging myself with autumn paintings. Maybe I can finish another one or two before the holidays are over.

http://www.SouthwestSpaces.com
http://www.MarkJunge.com

 

It's Autumn Again!

Autumn is a time when I tend to start getting excited. I don't think it's a migratory instinct.☺ It's the beginning of the colorful holiday season -- fall itself, then Halloween, Thanksgiving and finally Christmas. I love the festive look and the colors of these times.

I think it all started in the late 1970s when I discovered images of some well-made paintings of migratory waterfowl, especially mallard ducks (which I happen to love!) I bought several of these limited-edition prints, and I have them to this day. I typically keep them put away until fall, then I switch around other prints to hang these. They do a lot to establish a fall ambiance.

These are the first three prints I ordered from an outfit called Wild Wings. The top piece is by the late Owen J. Gromme, and the lower two are by living artist David A. Maass.

As one might suspect, duck hunters enjoy images like these because this is how their pastime looks -- early morning, ducks taking off and settling down, looking for breakfast. Well, I'm not a hunter of any kind, but I love ducks and I love fall colors. And, for me as a desert painter, David's paintings often show the "wide open spaces" that wetlands can be. In fact, Mr. Maass' works are typically nice landscapes that would "work" even without the critters. But with the ducks (or upland birds, as well), the landscapes become even more amazing!

Although I have rarely painted ducks, I still feel my own artwork has been influenced by painters such as Owen and David. Besides the prints I have, I feel I owe them a debt of thanks for inspiring me!


 

The Mystical Redwoods

The Mystical Redwoods is the title of my latest painting. The scene is a bit of a composite, but I wanted a view that shows one of my favorite moods of this amazing place.

The Mystical Redwoods     18" x 24" / 46cm x 61cm

I wanted a light and luminescent fog as I saw in Lady Bird Johnson Grove, Redwood National Park in June, 1982. It felt like I was in heaven -- I've never seen anything quite like it before except in pictures.

At the same time, I wanted a sense of being in Mother Nature's womb -- light, yet surrounded by a comforting and protective cloak.

For scale, I included a woman walking along a path. She's a bit hard to make out because she is quite small, but she's there! But one can see the enormity of these beautiful giants. And, this time around, I didn't include any other critters -- no bunnies, no birdies, no deer...nuthin else! Just a human.

My only concern is that I didn't paint enough trees for what represents an old-growth forest. But I decided to leave it. More paintings of the California redwoods are in queue, anyway.

The Mystical Redwoods isn't on my website yet, but I will feature it on a page that is not entitled "Desert Paintings."☺

(My website URLs are: www.SouthwestSpaces.com and www.Mark Junge.com).

Irrevocable Deadlines and Such

Here it is, Labor Day weekend, and I've had the phrase, "irrevocable deadline " on my mind a lot lately. It was a term I learned years ago in a class I took at Cal Poly University, Pomona on starting a small business. In that context, it was a reasonable date the entrepreneur would set for him/herself when the person expected to be fully self-employed.

I've done that -- several times, in fact -- but now I gave it a new meaning:

31 December 2016, midnight -- if I don't get overwhelming sales of paintings by then, at one femtosecond into 2017, I'm done with the art business. DONE!!!

I've been doing art as a business for 15 years now, full time. I'd say the quality of my artwork has improved tremendously during that time. But I'm absolutely no closer to my career goals than I was 15 years ago. I have a very small following, two or three repeat customers (who are pretty much full up on art), and an occasional sale or commission just doesn't pay the bills. I've been losing money every year until 2014, when I stopped keeping up the books because it was a waste of time.

I've done the things artists are supposed to do -- juried outdoor shows, galleries, participated in art exhibitions in California and Colorado. And spent a LOT of money and time doing that.

I offer prints on FineArtAmerica.com, but over the years, I've sold two small prints. That's it.

The only thing I haven't done is to travel wherever in the country I would need to go where my type of art sells. But I can't afford to do that, my pickup trucks have too many miles on them, and I ain't a kid anymore -- traveling is hard on me physically.

So -- I'm just DONE. I'll probably keep my website up, mostly as an online portfolio or personal art online art museum, but I may have some "BUY NOW" buttons there in case someone wants to buy a painting.

I'll keep painting -- albeit more slowly -- and I may take the time to look into other online artwork sites. I already posted images on Pinterest.com; Instagram requires images to be uploaded directly from a smart phone which I don't have; plus, I wouldn't be able to crop backgrounds out or tweak images to make them look like the real deal.

At least I'm receiving Social Security, which brings in more $$$ than I EVER made from art sales!

In the end, there's both good and bad news in this. Year's end hasn't hit yet, but frankly, I'm no longer looking for any miracles. I've had this dream of making a living in the arts -- first photography, then painting -- for 40+ years, and it appears I have to let that dream die.

In just a few short months. My irrevocable date.

Redwoods, Redwoods...LOTS of Redwoods

I've been working on a painting of coastal redwoods, found along the coast of northern California. Well, I'm sort of working on it...lots of distractions and chores to do lately.

The scene I'm working on is a composite -- typical of the redwoods, but there's no one place (that I'm aware of) that will look just like it. I wanted something less literal...more mystical, something worthy of a place I think of as God's own cathedral.

 So far, I have several sources of inspiration, including some photos I took of Lady Bird Johnson Grove in Redwood National Park in 1982. One of the neat things about LBJ Grove is: it must be at the top of a hill, close to where the hill drops off. Instead of the typical dark wall of dense redwood forest, the sky is light even in pea-soup fog. I like both kinds of looks, but the bluish sky is awesome, in my opinion. (The following are scanned from 35mm slides).

LBJ Grove is such an amazing place, especially when a light fog drifts in. Then the air itself luminesces, making the visitor feel like s/he turned a corner and stepped into heaven. Photos don't capture it.

Actually, the painting I'm doing now won't quite capture it, either. I'm after a different, moody, womb-like effect. I hope I can find the time and energy to finish it soon!
 

 

"All Is Vanity"

^"Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity. What profit hath a man of all his labour which he taketh under the sun?"

This comment appears in the Bible (King James Version in this case), Ecclesiastes 1. The writer spoke of the utter hopelessness of his life -- all based on things and actions of which God would not approve.

I don't think I have much of a problem in that area, but the verses (and the ones that follow -- look 'em up in your Bible if you're so inclined) seem to be ringing especially true for me lately.

I'm getting old...OK, I AM old, and have been for a while. When loved ones around you die and the things/careers/educational goals we work so hard at just don't do what they're supposed to do, then we look at what we've really accomplished, it's possible to get to a point where everything feels worthless. Like -- what's the point? We get old, do stuff in the meantime, then die, and the world goes on without us.

What's it all for? What's the point?

Some people want to leave a legacy behind to be remembered by -- the closest to immortality we'll ever achieve here in this lifetime. But maybe we're fooling ourselves. I've often thought if I were incredibly rich and I could fund a new addition to a hospital, I would resist calling it The Mark Junge Center for Really Important Medical Stuff. No one would know how to pronounce my last name, and anyway, who cares whose name appears on the building. The Really Important Medical Stuff is all people want and need

In my head, I know whats really important and what isn't. But there's something depressing about reaching a stage where "all is vanity" is what it was all about.

Supposedly, painting was going to be my legacy of sorts...or, at least, a way to earn a living. In fact, the gift of knowing how to make money by any method seems to be a skill I never picked up along the way. I certainly worked hard at a number of skills -- science and art were the two at the top.

But it never really worked out financially, and now I'm just tired. The motivation to work at something seems to be gone. I could have a number of reasons for feeling that way, but I can't discount the sheer frustration of working hard for a long LONG period of time and being no better off now than I was many years ago.

So, that's it. At least now that I've been collecting Social Security, I can paint what I want to paint without even wondering if it would sell or not.

At least THAT thought is freeing!  ☺


         *************************************

Oh, and don't forget -- you can still find me at:
    http://www.SouthwestSpaces.com
    http://www.MarkJunge.com

 

The Heart of the Andes

"The Heart of the Andes," Frederic E. Church, 1859, 66-1/8" x 119-1/4" / 168cm x 302.9cm). Entire painting and a detail.

One of my favorite and inspirational paintings in the universe. This sucker is almost 10 feet long; yet, look at all the detail Church painted into the scene. I can't say for sure what the dimensions are of the "detail," but as you can see, he painted every leaf and stem. No blobs of paint that we're supposed to use our imaginations on. Church painted as much detail per unit of measurement as I do, but he did it on big BIG canvases! In fact, paintings like this are what inspired me to work that way.

The plant and animal life are accurate, too. I know some PhD. botanists who love Church's work because they can speciate the plants. This scene is a composite of views from Columbia and Ecuador and shows a number of habitats all at once -- from lowland tropics to the alpine mountain peaks.

So if you ever get to New York, get thee to the Metropolitan Museum of Art where this gem is hanging. Unless they've moved things, "Heart of the Andes" is directly opposite Albert Bierstadt's "Rocky Mountains."

Finished a New BIG Painting...FINALLY!!

I FINALLY finished a painting that's been bogging me down for months! Not because it was all that complex, but because I just couldn't seem to force myself to work on it. I guess larger paintings intimidate me a bit...more than they used to. And I never really liked working on big stuff anyway.

 

Mt. San Jacinto from Morongo Valley      60" x 48"

The scene shows Mt. San Jacinto (west of Palm Springs, CA) as one sees it from the northern end of Morongo Valley. The piece features many of the plants and animals that live in this small rural community. (OK, you're not likely to see white doves there, but there's a reason why I included them).

Here are the animals that appear in the painting. Some are easy to find, others require more searching:

Animals of Morongo Valley

This is obviously not a complete pictorial of every critter that inhabits this area. But these are examples of animals that live there.

Now, the white doves... This painting is being donated to a church (Church of the Lighted Cross) in Morongo Valley. White doves often symbolize the Holy Spirit, so it seemed appropriate to include a small flock of them.

Also, I normally would have painted this artwork in a horizontal ("landscape") format rather than vertical ("portrait"), but it needed to fit in a particular space. So vertical it is!

I hope the painting will be a blessing to the people of the church, the population of Morongo Valley and -- perhaps -- to the entire world!