We're Off to See the Lizard

We're Off to See the Lizard is a portrait of a side-blotched lizard, a very common species here in the Southwest. What I like about them is they have all of the colors of the Southwest: rusty red, earth tones and turquoise blue. This group of color is my favorite combination and explains, in part, what it is I love about the desert so much!

These lizards are small: about 6"/15cm from tip-of-nose to end-of-tail, and are quite prolific. For that reason, they commonly end up in the bellies of roadrunners which, depending on whether you favor the predators or the prey, leaves you feeling either indifferent or sad.

I included some Anasazi pottery shards that a Native American friend collected for me in Arizona. (She tells me these shards are scattered all over the desert floor in certain parts of AZ). The lizard, of course, is entirely unaware of these relics of man's presence, and seeks only to continue its business of searching for food or, possibly, a mate.

He's Out of My Life

The Michael Jackson memorial service was earlier today. I wasn't able to watch all of it; in fact, I saw only bits and pieces.

I was surprised at how low key the event turned out to be. I almost expected more of a concert with dancing in the aisles, lots of flash photography and other concert activities. Instead, people seemed to display a reverent attitude; that -- indeed -- the fans' hero was gone and wasn't coming back; and the focus was on the man's artistic accomplishments, not on the occasions when Michael had personal and legal battles that seemed to knock him off of his King of Pop throne.

I've always felt Michael Jackson was a phenomenal performer, although -- merely a personal preference -- during his earliest years with the Jackson Five, his voice was a little too shrill for me, kind of like fingernails against a chalkboard. But his voice softened as he grew older, and his singing and dancing evolved into an art form that was truly his own. He was amazing to watch and listen to, and I'm sorry we'll never get to see what he might have accomplished had he lived to launch his comeback tour in the UK.

But -- Michael documented LOTS of CDs and videos, so we're not likely to forget his artistry. And whatever his life was like, tortured or not, I hope he's in a better place today, leading the choirs of heaven in both song and dance.

I'm one of millions who will miss ya, MJ!

(The photo is from this morning's memorial service showing Queen Latifah at the podium. Credit: Mark J. Terrill/AP/MCTMARK J. TERRILL/AP/MC).

Happy Fourth!

Happy Fourth of July to all!!!

Sorry this isn't a picture of fireworks -- I have some on 35mm slides, but no digital pix of them. However, this is an "experiment" -- an abstract painting I thought I would try. It sort of looks like it's exploding!

Night Shift

Night Shift is a new painting that shows a scene in Joshua Tree National Park in California. The size is 11" x 14"/28cm x 36cm, and the coyote is a little over an inch/2.5cm long.

This piece shows the influence of both the American 19th century Hudson River School artists and the 20th century surrealists on my work. In my own mind, sometimes it makes a nice combination!

Monsoons

It's monsoon season again. I'm not sure if it's my imagination, but it seems like it's earlier than usual.

Monsoon season is what we in the Southwest get during the summer. Moist tropical air from the gulf of Mexico works its way north into Arizona, which often results in summer thunderstorms and rain. Further west in the California deserts, however, we don't get the rain as often. We mostly just get the humidity -- lots of it!

So we don't always get the dry heat that deserts are famous for. In fact, it feels very tropical and muggy around here. The skies remind me of the heavy, moisture-laden landscapes of the Old Master Dutch paintings, and in fact are the types of skies I typically paint.

I like the way these skies look, I just don't like the way it feels!

Unfortunately, we don't have air-conditioning. We have an evaporative cooler. Most of the time it's more than adequate, but when it's humid, it barely cools at all.

So we're in a good news/bad news situation. The good news: I have lots of reference material for painting skies. The bad news: the weather is miserable, and so is this artist right now!

The photos above look across the valley in which we live. In place of those deep-blue cloudless skies, we have atmospheric hazes that separate the overlapping mountains, along with the cloud shadows and spots of light that dramatize the land. And clouds. Lots of 'em!

Dates with Eternity

David Carradine. Ed McMahon. Farrah Fawcett. Michael Jackson.

I know we're all destined to face eternity. I just didn't think so many were going to do so at the same time. Who knows...Patrick Swayze's turn may be coming up.

Rest in peace, folks.

Goin' to Town!

Most of the saguaro cactus I've seen in bloom usually had the flowers at or near the tops of the branches or main trunk (like the one on the right in the top left photo). But THIS particular specimen here in town is goin' to town, with flowers all over the upper portions of the cactus!

Laguna Beach

Whew!! It's getting hard to squeeze in the painting time I need, in between working outside on the house trim, doing computer and promotional stuff, and dealing with the fact that I get REALLY sleepy in the afternoon. This last item is a tendency I've dealth with all my life, but these last few years, I can't seem to ignore it anymore. I end up taking a nap (whether I want to or not) for an hour or so, then I'm groggy for another hour! Sheesh!!!

So as long as I'm sleeping, I might as well dream about one of my favorite places: Laguna Beach, CA.

Besides the natural and parklike settings there, Laguna Beach has a cute village atmosphere that also features -- surprise! -- art galleries! Many of them show works that I personally don't care for (in fact, some of the pieces are such turn-offs, I actually feel discouraged about the entire art world!) But some of the work is wonderful. Thankfully, I know which galleries to visit to see the good stuff!

California has lots of beautiful beaches and beach communities, but IMO, Laguna Beach is without peer. And the art scene there is the icing on the cake.

WIP

WIP stands for "Work In progress."


Following are a set of pictures showing progress on a painting I'm currently working on:

"A" is the original photo I made of a scene in Joshua Tree National Park in California. I like the look of the place, but I think it could use a little more "oomph."

In "B," I've finished the sky (complete with a setting sun) and distant granite formations. The foreground is mostly blocked-in as well.

Now I'm at a point where I need to think about where to locate the foreground Joshua trees. Sometimes I'll locate objects exactly where they are in nature, but in this case, I wanted a more intriguing composition.

To help me with my composition before making the major commitment of painting over my hard-worked sky, I placed a sheet of glass over the painting (which is dry at this point) as you see in "C." (The glass is heavily scratched because I sometimes use this sheet as a palette, scrapping dried paint off with a single-edge razor blade). I paint some rough sketches of Joshua trees on the glass, scrapping off images I don't like, making adjustments until I think I see what I want.

Then I painted in the Joshua trees. In "D," the trees are blocked in, and I'll add details during the next painting session. Then all I should have to do is finish the foreground shrubbery, maybe add a critter of some kind, and I'll be done!

Composing an image is often a "no-duh," but sometimes a little help can be nice. It may already exist in a photo I'm using, or I may make a detailed pencil sketch or even a small painting so I can see it before working on the "real" piece. But this time, the old "paint on the glass" stunt seemed to do the trick!

ACEOs

"ACEO" is an abbreviation for "Art Cards, Editions and Originals". They are the size of a trading card -- 3.5" x 2.5"/8.9cm x 6.4cm. As the name implies, they can be original mini-paintings, or they can be prints (like lithographs) or reproductions.

Apparently, these little items are the hot thing in the art world these days. They're small, to be sure -- but it's a way people can own an original work of art for a very small price. Like trading cards, they can be traded, bought, collected, used to impress your friends, whatever! Buyers can find ACEOs on sites such as etsy.com and, of course, eBay.

So-o-o...I'm just gonna have to give these a try! I have sold original paintings on eBay before, and I've set up an account on etsy but really haven't done much with it before. Offering ACEOs should be a way to produce lots of little paintings that anyone -- even YOU! -- can afford. I think it'll be fun for me to make these, too.

Stay tuned for news on the ACEO front!

Varnishing Act

Yes, that's varnishing, not vanishing, act!!

Varnishing a painting is the last thing I do to the artwork itself (framing is a separate issue). It's not a particularly fun or glamorous activity, yet it's so necessary. Varnish darkens the dark areas, so I don't really see what a painting looks like until it's varnished. It also unifies the surface, which often appears as a checkerboard of shiny and matt areas.

As you may have picked up elsewhere, I do lots of transparent glazes when I paint. This gives a stained-glass quality to the piece; however, the effect isn't immediately obvious. Varnishing is an important aspect of bringing out the glazes, much as polishing stones brings out their patterns and characteristics.

After the final brushload of paint goes on the work, I allow the painting to dry thoroughly for five days or more. Then I spend a day applying permanent acrylic varnish -- at least five-six coats of it, two hours apart to give each coat time to dry. The varnish is glossy, and with each coat, the depth and transparency of the glazes gradually come to life.

Unfortunately, water-soluble acrylic varnish remains somewhat tacky forever, so anything that remains in contact with it for a long time begins to bond to the varnish. If I (or a customer) decide to switch out a frame, the edges of the painting will be damaged when the frame is (literally) pulled off.

So after a few more days, I apply a final coat of a removable varnish called Soluvar. It's still acrylic, but it's suspended in turpentine instead of water. Soluvar is not tacky, so the painting isn't as likely to stick to other things, including frames. Also, if the painting ever gets too dirty for cleaning, the Soluvar can be stripped with turpentine, which will strip the dirt along with the varnish. Then more Soluvar can be re-applied.

Soluvar comes in glossy and matt finishes. I mix glossy plus matt in about an 80:20 ratio. This cuts the gloss a little so it doesn't look so danged wet and shiny; yet, the finish is glossy enough to allow those glazes to glow with an inner light.

Serious artists know varnishing is an essential part of the process of painting. It's a varnishing act!

I Don't Watch Sports on TV: Reason #1

I don't watch sports on TV. Not very often, anyway.

I've never been that excited about sports -- watching it OR doing it myself. I can think of 100 things I'd rather do than watch sports.

Still, I'll break the pattern once in a great while. Today was one example: we watched the Belmont Stakes. At least we like horses, so sometimes we'll watch horse-related sports.

But I was reminded of some reasons why I don't like television sports. The number one reason: the INANE and CONSTANT chatter!

When was the last time you heard anything intelligent spoken during a sports broadcast?

Commentator to losing team member: What happened today?

Team member: Well, the other team had a really strong offense, they were really on their game, they had some good moves; our team's defense was weak and had a few holes in our plays, but we'll come back even stronger and get 'em NEXT time.

Isn't all of that obvious? Didn't the winners simply play better than the losers, assuming the teams were evenly matched in the first place? What ELSE could the team spokesperson say to explain their loss? In which case, why bother interviewing the guy/gal in the first place?

Back to the Belmont: lots of interviews, lots of utterly forgettable comments made. Constant chatter. Do viewers really like this stuff? If so, why? Does drinking more beer make it all go down better? If viewers actually attended the race (or other event), they wouldn't hear the chatter then. Why bore us with it in the comfort of our homes?

And the Belmont Stakes at least a two-hour broadcast! Two-three minutes of racing, preceeded and followed by interviews and mindless blah-blah.

I realize a program like this probably can't function by airing only the race itself. OK, so maybe the trumpet fanfare, the race itself and the awarding of the trophy. Half an hour. If necessary, raise the advertising rates to make sure costs can be recovered in 1/2 hour. On TV, I've seen rooms decorated and paintings completed in that amount of time.

By the way, Summer Bird won. And I'm done watching TV sports for a long time.

Decisions, Decisions

I'm one of those who tend to feel extreme empathy for critters, especially if they happen to be cute.

Partly for that reason and also because I photograph the wild critters around here to use in paintings. As you can see from the attached pictures, bunnies and Gambels quail rank pretty highly on my scale of desirableness. (Is that a word?)

So to ensure I have a steady supply of critters around to photograph when I need more pix, I put food out for them every evening before sundown: rabbit pellets for the bunnies, and chicken scratch for the quail. I also have hummingbird feeders (two) for their namesake and a suet feeder, originally intended for woodpeckers. And I have containers of water outside -- I replace and refill them with fresh water every day. It all makes for happy critters.

But then there's this danged thing called the Law of Unintended Consequences. All of these types of food have been attracting more than the critters I wanted to attract -- some of these are OK, some are not.

Among the undesirable critters: ground squirrels. The worst ones are the species that look like tree squirrels (although their tails aren't quite as bushy), and they DIG HOLES!! Lots of them. They live to dig. Some holes would be okay--it does help aerate the soil. But it can be overdone.

It seems like these last few years, the squirrels have been cranking out LOTS of offspring. We have a lot of cholla cactus growing around here, so I suspect it's hard for predators to catch them and keep the numbers under control. And, of course, having food and pans of water so easily available to them isn't helping the situation, either.

Last year I bought a "catch-'em-alive" trap which I've used to capture and relocate squirrels, one at a time. But this year, I can't seem to catch up. It appears as I reduce the numbers of squirrels, other squirrel "families" move in to take their place. So I'll think: "Ah...only one more squirrel to catch and that's it." Nope--the next day, I see five new ground squirrels!

So, decisions decisions. Do I stop feeding and watering ALL of the wild critters in the hope the ground squirrels will go elsewhere, or at least not be encouraged to take up residence here? Maybe. I hate the thought of it, and I hope I don't put out enough food to the point where the bunnies and quail are entirely dependent on me to survive; otherwise, they could starve to death without me feeding them.

But the ground squirrels are slowly destroying this area--even the parts that are natural desert. They even eat the cactus, roots and all! How do they do that without embedding millions of stickers in their mouths and faces?

Maybe this is one of those cases where the few have ruined it for all. Let's just hope I have enough pictures. And let's pray for the bunnies and the quail. But not for the ground squirrels.

Quail By Moonlight

I try to make it a point of getting new critter pictures whenever I can.

Here, I was able to get a shot of a male Gambel's quail by moonlight. Impressed?

Na-a-h-h...don't be. It's a daylight shot, but I didn't realize I had this particular adjustment on the camera set for tungsten light. Thus, daylight pictures came out too blue.

Oh, well. I discovered my mistake soon enough and corrected the setting. For painting purposes, what I really need is the overall form of the quail. I have other references (including the live quail running around outside) to get the coloring right.

Besides, maybe this male is seeking a romantic encounter...by moonlight!

Kelly Clarkson and Fat-Ness

I came across this and other pictures of singer Kelly Clarkson on a number of Websites. Most of those sites commented on how fat and, therefore, unsightly she's become. One person mentioned that since we look up to these celebrities and they need to give us the best they're capable of, they shouldn't allow themselves to become this out of shape because then they can't give their best.

????? I can't say how true that last statement is, other than saying Hollywood and other "experts" of culture have somehow succeeded in, IMO, brainwashing the public into believing that thinness is the best look for women if they dare to appear in public.

I've mentioned in a previous post: one can look at paintings by the Old Masters who showed what the ideal females of their times looked like. They weren't skinny!

I also mentioned in that same post: I realize being overweight (according to medical charts) leads to conditions that can literally shorten life: heart problems, high blood pressure, diabetes, strokes and even cancer. But, also IMO, this is an issue entirely independent from attractiveness or even -- dare I say -- sexiness in a woman. For me, a little weight is both attractive and sexy. I know, and have heard of, many other men who feel the same way.

Now, I'm NOT looking for additional female company. I've been happily married for over 24 years. But for my taste, Kelly Clarkson has never looked better! I know, of course, that she will be expected to lose weight because so many people and "experts" expect her to.

Kelly, I doubt you're reading this, but if you are, I say to you: "Girl, you look GREAT!!!"

Addicted?

I don't know where you stand on this issue, but I've become a little addicted to the computer.

I find I can't wait to get on to see if there are any e-mails, new Facebook posts, new artist forum comments, whatever. And, once I'm on, I'm hesitant about getting off! I find myself just surfin' the 'net, looking at things (or trying to find pages) that are purely for entertainment's sake.

The problem with that is, of course, it cuts into my work time. The type of paintings I do takes a long time -- certainly longer than if I simply shot paintballs at a large canvas and called it Art! (Well, OK, it would probably be art to some, but not for me -- not if I'm doing it, anyway).

So -- what am I gonna do about this? Do I need an intervention? A padlock on the computer? More self-discipline? Sa-a-a-y-y...maybe that's the answer.

But there's always that part of me that says: "Naaah!!! It's fun. Just do it!"

We'll have to see who wins: the little angel by my right ear, or the little devil by my left. In the meantime, I guess I'll see you in cyberspace!

A Flash of Color with a Sweet Tooth

Hummingbirds aren't the only birds that like hummingbird feeders!

We have two species of orioles that live in the desert. (I have seen a third species, but it's more of a visitor, not a resident). Pictured is one of them -- a hooded oriole. (It's hard to see because he's facing away from us, but he has a yellow-orange head with a black "hood" under his beak).

While many of the colors here in the desert are muted, some are not. Seeing this flash of bright yellow-orange against a deep-blue sky is breath-taking. A flash of color with a sweet tooth!

The Inspiration and the Painting

This is one of the few time I feel a side by side set of pictures is warranted.

The photograph on the left shows a view of an area near Eureka Peak in Joshua Tree National Park, CA. The image on the right is a painting I made from the photo. The size is 8" x 10"/20cm x 25cm.

I made a couple of minor changes when I made the painting mostly in the interests of simplifying the painting and to add a little more color to the scene. This is what I call an "eBay painting" -- one that I do somewhat quickly, without the time-consuming glazes I normally use when I paint the material you see on my Website. Thus, I can sell "eBay paintings" much more inexpensively than I could my Website paintings.

I'll be posting this piece on eBay soon. I also want to try another site someday, etsy.com. Etsy is limited to fixed-price handmade items, unlike eBay which is an auction site for almost anything. Stay tuned...ah, um, I mean, keep checking your computer!

27 May -- Update: This painting is listed on eBay as of tonight. You can find it quickly by searching for the item number: 320376968859.

If You're in Germany, Look Me Up!

I was doing a Google search for my Website after hearing about some sites being infected with a virus and Google places a warning beside the infected sites. No Google warning (so far, thank God!), but I did discover southwestspaces.com is mentioned on a German Website! Some of the text is in English, and some is in German:

http://www.123people.de/s/mark+junge

So I appear on a site that mentions a number of Mark Junges (including a writer in Wyoming who contacted me years ago), but I wasn't searching for my name -- I was searching for my Website. Apparently, the two are indelibly linked.

Either way, people in Germany can find me!

A Wildlife Moment

Every so often, we hear evidence of cats outside who are obviously disagreeing about something. That's not that unusual for most folks, I guess, although around here, leaving pet kitties outside isn't a good idea. Too many coyotes would LOVE to make a meal out of those furry felines.

Last night before going to bed, I heard that characteristic "whhhaaarrrr!" of cats who were thinking about "gettin into it," except the two cats somehow sounded meaner than usual.

Being a moonless night, I flipped on a spotlight fixture so I could see what was going on out there. I was quite surprised to see not house cats, but bobcats, squaring off and making truly nasty, scary noises. I quickly turned the light off again so, if they decided to turn physical, I wouldn't put the bobcat facing the blinding lights at a disadvantage.

Well, the felines "whhhaaarrr'ed" at each other a while longer, then all was quiet. Perhaps next time (and I'm sure there will be a next time), I'll try to take a picture that might be useful for a painting some day.

But this is one of the things I love about living in the desert. It's still rural enough here for these kinds of "wildlife moments" to happen for us to see. And it provides inspiration for art.

Is It Real, or Is It...?

Pictured is one of my favorite species of lizards to "hide" in a desert painting.

It's a zebra-tailed lizard (Callisaurus draconoides), a species that is fairly common throughout the Southwestern deserts. I've seen them a number of times and have even been lucky enough to take some pictures of them before they disappear within the blink of an eye.

This particular individual, however, is a sculpture. It looks real, but it's made of polymer clay. (Polymer clay can be "fired" in a standard household oven, unlike dirt-style clay which must be fired in a high-temperature kiln). He (or she?) was made by an artist friend who for years has been making lizards, snakes, frogs and turtles. Lately she's been adding more colorful/decorative critters to her production.

The artist's name is Sandra Lee, and you can see what she's been up to here: http://picasaweb.google.com/SandraLeeandNat

I have quite a collection of her sculptures, most of which have appeared in numerous paintings. These, plus with the help of the photos I've taken of these desert reptiles, have aided me greatly in adding just a little life to my desert artwork.

Cactus Flower -- Future Painting

This little beauty was blooming last week, and I thought I should take a picture of it since this was the last bud. I knew it would wilt within a couple of days, and I wanted to get a photo with the cactus backlit.

Why backlit? I have an idea for a painting that involves a night scene with the full moon in the sky and this cactus in the foreground.

I don't know exactly when I'll get a chance to work on this particular idea. But when I do, I'll already have the materials I'll need when flowers are not available. Since it'll be a night scene, I'll be altering the colors, so an exact color match isn't necessary (although I did some color-matching for these flowers a long time ago when I painted a flower from life).

I've sometimes said in artist's statements: I live to paint; and when I'm not painting, I'm thinking about future paintings. That last point is what I was doing today: collecting reference material for the day when I'll need it.

Busy Busy Busy!!!

...or is that bizzee bizzee bizzee?

I'm still working on getting paintings done, of course, but I spend more time these days marketing myself, especially via my Website.

Plus--we're preparing for a different kind of painting: the trim on the house needs to be scraped, primed and painted. Then I need to install rain gutters (which I removed the last time we painted but never replaced). We painted the trim a few years ago, but the paint didn't last -- we suspect water was running off the roof and leaking under the edge flashing. But we had the roof fixed up a year ago, so new trim paint should last longer.

Funny--this kind of painting doesn't give the same satisfaction as fine art-style painting. However, it'll be nice to get it done and the rain gutters put up.

Meanwhile, the promotion continues, and hopefully I'll have enough energy to do the type of painting I need to do!!!

Wine and Sewage

I had to leave an online artists forum recently. I couldn't take it any more.

This particular forum offers quite a wide range of topics dealing with art. But the one I visited the most was the "Art Business" section because, like so many other artists, I'm trying to get answers about surviving financially as an artist, especially in this economy.

One of the "contributors" is a guy who makes little stained-glass sailboats and dragons. Frankly, he seems to be rather full of himself as he over-generalizes, provokes others to anger and can't really respond to disagreement; rather, he ignores it and continues to repeat the same tired comments he's become known for on that forum, or even accuses the disagreer of making personal attacks against him.

Others have already disappeared from the forum, and I'm just the latest. Some of what this guy says may be valid, but when so much of his approach seems counterintuitive or at least unrelated to other artists' experiences, it's hard to know what can be believed.

It reminded me of a pearl I picked up years ago:

If you add a spoonful of wine to a barrel of sewage, you have ... sewage.
If you add a spoonful of sewage to a barrel of wine, you have ... sewage.

Three Paintings at Once

Maybe I'm crazy, but I'm going to try to have three paintings going on at once!

Oil painters have been known to do this because of the drying times involved with oils. In my case, I'm in somewhat of a hurry to get these three particular paintings finished ASAP -- and I can't prioritize them, so I'll just HAVE to work on all three at the same time!

They are:

1. A Joshua tree scene just before sunset, with a sky similar to the Yosemite National Park scene shown above;


2. A second scene with Joshua trees, only it'll be done without all the transparent glazes. This piece will be offered on eBay or possibly some other online site other than my Website;


3. A Christmas image, of all things: not that I'm thinking about Christmas these days, but this painting is intended for a Southwest-flavored Christmas card. I know of several companies that might pick this up, or I may self-publish the design and sell boxes of cards locally later this year.

In the meantime, I've got a lot of chores to do around the house. I've been letting things go because I've been trying to paint so much. But with the economy slowed down, the need to produce-produce-produce isn't as acute right now.

Of course, that doesn't mean I won't be going insane trying to do all this stuff. Wish me luck!

ANOTHER Website Revision!

I spent most of the day revising my Website again. I decided the nine paintings I featured, three under each of the three categories, weren't enough.

So I lengthed the pages so I could show more paintings. Also, on the "Desert Paintings" page, I included some of my works the galleries have on hand right now, along with links to the galleries.

So if you haven't seen the site lately (or especially since Wednesday, 6 May), stop by and pay it a visit:

http://www.southwestspaces.com or http://www.desert-paintings.com.

If you have any comments or questions, comment me here or send an e-mail via the Website.

Painting of Another Favorite Mountain Range

In my previous post, I showed a recent painting of one of my favorite mountain ranges: the Sneffels Range in Colorado. (I wish I would have spent a LOT more time in that area while we actually lived in Colorado!)

The piece I've shown now is the Sonoyta Range which is in Mexico. I'm actually in the USA, viewing this scene from within Organ Pipe Cactus National Monument in southern Arizona.

Besides the rugged appearance, the range features a peak (Punto Sonoyta -- Sonoyta Peak) in the middle and then drops away on either side of that peak. This makes it easy to make the Sonoyta Peak a center of interest, which I normally do whenever I paint these mountains. All of the other elements -- cactus, flowers, shadows -- function to set off the distant symbol of a rugged place.

Mount Sneffels in Colorado

Ah! I FINALLY finished updating my Website. I hope everything is working OK. Do me a favor: go there and buy about five paintings so I can make sure everything's working OK. =)

In the meantime, I posted some new paintings on the site besides revamping its look. One of the paintings appears here -- it's a scene of the Sneffels Range near Telluride, Colorado. Mount Sneffels is the tall peak right of center and is one of Colorado's "14'ers," meaning it's over 14,000 feet high (that's about 4.3km for you metric folks).

(That reminds me -- I meant to show both English and metric units for the sizes of the paintings on my Website. I'll have to fix that soon!)

The link in the first paragraph should work, but just in case, the site URLs are:

http://www.southwestspaces.com/ and http://www.desert-paintings.com/.

Changes Comin'

No, no, not the weather (although that changes a lot, too!)

I mean my Website (which, in case you forgot, is http://www.southwestspaces.com). Right now, I feature mostly paintings of the desert. While that area will always be my primary focus, I know not everybody wants to hang desert paintings on their walls.

So I plan to re-design things a little. Now, when you go to my site, you see a single picture of a painting and click on "Enter Site" to access the thumbnail page with all of the paintings I'm showing at the present time.

The comin' changes: the home page will have three pictures and captions -- "Desert Paintings," "Western Landscape Paintings (including Missions)" and "Wildlife Paintings." Click on one of those, and you'll be directed to a page with those types of paintings. No thumbnails: just the images, info and "Buy Now" buttons. The visitor will be able to navigate between the categories easily.

I hope to make these changes within another week or so. Let me know wotcha think!

Western Art and/or Fine Art

Last Saturday, I visited a Western art show that I've participated in a few times but, for the most part, I just visit to see what's new, talk with the artists I know (especially those I don't see any other time) and to try to get a feeling of what's selling and what isn't.

My own art has been evolving over the years, especially when it comes to my slowly increasing knowledge of how the Old Masters worked. One thing I've learned is the concept of selective focus. This idea first came to me by way of artist Virgil Elliot who pointed out how the Old Masters tended to paint a small area with sharp edges while softening or blurring the rest of the edges. This partly makes the viewer want to look at the sharper area (which is often the center of interest) and also actually makes the image look more realistic. After all, whatever we look at directly appears the sharpest to us while the rest of the view falls into our peripheral vision, where edges are -- guess what? -- less sharp. Next time you're in an art museum, look at some Old Master paintings and see what I mean.

Selective focus popped into my head a lot while I was looking at the paintings at the show. Except for watercolor paintings where everything was a little blurry, most paintings had lots of details which were uniformly sharp from side to side and top to bottom. Even distant features in the paintings seemed sharp. In short, the artworks seems to possess a sort of hyper-realism: realism that somehow wasn't. The paintings were sharper than photographs.

Another related thing I've learned over the years: it isn't necessarily hard to develop the technical skill to render objects realistically. But it IS harder to put some thought into one's art that raises it above the commonplace.

Happy Earth Day!

Happy Earth Day, everyone (although I realize for some of you, the day is almost over, depending on where you live)!

I was in college majoring in art when the first Earth Day occurred. I still remember faculty and students attaching black helium-filled balloons to -- I'd guess -- 100-foot/30m heavy-duty string, and both ends of the strings were affixed to building rooftops, forming huge arches of black balloons. These forms were intended to create a visual impression of the dirty smog and particulate matter that existed in the air over Los Angeles.

In those days, "ecology" was the buzz word used in advertising; today, we hear about "going green." Maybe tomorrow, it'll be something else.

I dropped out of college in 1973 but returned in the late 1980's to tie up the loose end that nagged at me for all those years. One of my instructors wanted us to complete a self-portrait as an assignment. I decided to make a drawing with an Earth Day-theme and later created a painting in 1988 from the drawing. That painting is featured here. (For some reason, the slide and subsequent PhotoCD made from the slide exaggerated my lip color!) As you can see, my back is turned to an incredibly filthy oil refinery as smog is beginning to creep into the forest in front of me, reflected in my glasses.

I may re-do the painting someday -- my rendering skills have increased tremendously in 21 years! Next time, I'd be more tempted to use an attractive female rather than my own (ahem!) face. But I probably wouldn't try to sell the work. The painting has an admittedly pessimistic theme, and I'm not sure anyone wants images like that on their walls. But it touches on my surreal past as an artist, and I'd like to squeeze more surreal works into my schedule. One of these days. (Yeah, right!)

Nuages

OK, OK, "nuages" is the fancy-sounding French word for "clouds."

I almost always put clouds in my landscape paintings, even though clouds aren't necessarily common in the Southwest desert skies. But they do add interest, and sometimes clouds can be the best pictorial element in a painting.

I rarely attempt to paint clouds entirely out of my head -- it's harder to do than one might expect. For this reason, I have a vast library of cloud photos that I've taken over the years. I've attached a jpeg of some clouds we had around here just this morning. The top part of a Joshua tree pierces the sky in the lower lefthand corner. As you might imagine, I suspect these clouds will appear in a painting in the future.

I've also been inspired by the cloudscapes of contemporary painter Dale TerBush. He always had a way of making clouds look very soft and feathery. Over time, I've learned how to paint clouds that same way, although maybe not in as fanciful a manner as he. (Also, over the years, Dale evolved into a more dramatic and colorful look, which I haven't). Regardless, Dale's rendering of clouds has been a factor in my own development as an artist, and I would consider him to be one of my modern-day influences.

Infrared Flowers

The fun thing about infrared photos is how unpredictable the images can be.

In San Diego's Balboa Park (where I visited a couple of times over the last few weeks), some of the planters were filled with blue and purple delphiniums. Now -- if you remember your physics and your studies of the electromagnetic spectrum, an object appears blue when it reflects blue light and absorbs green and, especially, red light.

Following this line of thought, one might expect blue flowers to absorb infrared radiation as well, since this part of the spectrum lies next to the red frequencies. Nope!! As the accompanying pictures show, blue flowers DO reflect infrared.

I'm not an expert on insects, but I believe they're sensitive to infrared. Thus, if flowers want to be pollinated, they must do their best to attract the pollinators. In this case, it appears that the flower colors we see may not be that important to the bugs. Reflection of infrared may be all insects care about, as well as the scent flowers give off.

I wonder if the infrared photo is closer to what the insects see than what we see.

Sold!

Note the painting in the previous post.

I dropped that piece off at one of my galleries yesterday in the late morning. It sold about four hours later!

It would be nice if it always happened that way. In fact, I dropped off two more small pieces at the same gallery today. I haven't heard yet that either sold.

Maybe tomorrow!

Springtime in the Desert

Springtime in the desert!

While we haven't gotten as many wildflowers this year since the rainfall was about 1/2 normal, we still got to see SOME color in what can otherwise be a colorless region. The painting I've posted here shows how it looked in a previous year, when the rain was above average and the plants loved it!

I hope to revise my Website soon (in case you forgot, my site is http://www/southwestspaces.com or http://www.desert-paintings.com) when this and other paintings (some of the desert, others not so desert-y) will be added. I hope you'll check back soon.

In San Diego

Well, neither of the paintings I placed in an exhibit in a Balboa Park gallery sold, so I drove down there to retrieve them.

Before I did, I wandered around Balboa Park taking color pictures for paintings, and infrared pictures just because I like infrared pictures!

While I was in an area planted with blue flowers (delphiniums and lavendar), I talked with another artist who was painting en plein aire (or, as I like to say, "in plain air"). His pieces were fun and definitely captured the feel of Balboa Park. His name is Norm Daniels, and he even has a Website you can visit: http://www.normhere.com. I'm always a little amazed that artists can sit outside on a beautiful day and crank out paintings so quickly while I have to labor over them inside in my studio.

Anyway, I've attached a black-and-white infrared photo and a color picture from the delphinium garden (close to where Norm was working) showing the Spanish colonial-style tower of the Museum of Man.

Art In a Relativistic World

"Be original. Innovate. Invent. Following preset rules creates only mediocrity and complacency. Rules are for followers."

"In all things, the greatest progress and improvement comes from ignoring arbitrary settings. If we are to cultivate anything, we should be cultivating invention and originality."

"How can there be creative originality if there are fixed boundaries? … Good thing many creative artists don't believe in boundaries. At least the artistic leaders don't."


The above comments appeared on an art business forum I sometimes contribute to. The person who wrote these pearls never really defines his terms, so I'm not entirely clear on what he means by "rules" and "boundaries."

But he seems to be saying that all of the knowledge developed over the centuries should be utterly ignored. Just do whatever you want. After all, who is in a position to tell another artist what's good or bad art?

This seems to be an ongoing situation among artists who are trying to be completely original in making modern art. Traditional painters like myself are, of course, aghast at advice like this.

After all: what other endeavor but the field of art is ignorance considered desirable?

Wotta View!

This is another infrared photo I made recently. The scene is from Keys View in Joshua Tree National Park, looking toward the Southeast.

A few days before, we had high winds which put a lot of dust into the air. The next day, it was amazingly clear, and infrared is able to penetrate atmospheric haze that would appear in a "normal" photo.

The dark horizontal band immediately below the horizon on the left is the Salton Sea. One of the mountain peaks right above the Sea is Signal Mountain, which is in Mexico near the border with California.

Wouldn't you just love to have a house with a view like this?

Woe Is Me!!!

Gloom and doom, gloom and doom...

Today's my birthday. I'm 60 years old! The big six-oh. Good grief, I'm SO old. I guess that's why I use the name "Jurassic Mark" as a handle sometimes.

I know, I know...getting older beats the alternative!

I decided I deserved a small bouquet of flowers, although I didn't pick them. These are Mexican goldpoppies that I found in Joshua Tree National Park, California.

A Handsome Fellow!

Isn't he cute?

I took a series of pictures of this little guy sitting on a branch we inserted in a DirectTV post that used to hold a dish antenna. The males like to fly up to an observation post so they can see what's going on and to alert the rest of the covey if danger is present.

If you happen to be a female Gambels quail, I'm sure you'd be in love right now!

Progress

I'm slowly working my way back into painting and doing other types of art-business stuff. My brother is still on the mend from his quadruple coronary bypass surgery, and I know I'll still need to go out there once or twice a week to check up on him after our oldest brother returns home.

I managed to finish and varnish two small paintings this week -- pix to follow -- and I've started another painting showing a Colorado scene. I still need to re-vamp my Website (in fact, NOW would be the perfect time to order a painting, especially if you live in California: the sales tax rate went up on April 1st, and I haven't changed that yet on my Website!) My Website, in case you forgot or are unaware of the link over to the left, is http://www.southwestspaces.com/ or http://www.desert-paintings.com/).

But at least I'm in three shows right now and I actually put paint to surface today! That's progress!!

Three Exhibits

I was juried into the show in San Diego! It's hard to believe, but now I have works in three different shows and locations:

• Gallery 21, Spanish Village in Balboa Park, San Diego, CA, April 2-13, 2009;
• Hi-Desert Nature Museum, Yucca Valley, CA, ; March 7 - April 25, 2009;
• Twentynine Palms Art Gallery, Twentynine Palms, CA, March 30 - April 28, 2009.

All paintings in these shows are, of course, desert paintings. It'll be interesting to see how desert paintings go over in a seaside community.

The paintings in the San Diego show are featured above. So if you're in any of these areas within the dates I mentioned, stop by and have a look. If you have any questions, please feel free to e-mail me through my Website at http://www.southwestspaces.com.

Paintings That Are Not the Desert

My older brother is on the mend, our oldest brother is staying with him to make sure the older brother continues to mend, and I have a little time to think about art again.

Tomorrow I'm off to San Diego to enter a couple of desert paintings in a show in Balboa Park. If the pieces are accepted by the jury, I'll post the info (and pix of the paintings) here.

But in the meantime, I'm sure you were wondering about the paintings I do that are NOT desert-themed.

Here's one. It's of Yosemite Valley as the sun is rising.

I loved the way the sun lit up just a narrow strip of trees while most of the Valley remained in shadow. As the sun continued to rise, more and more of the Valley flooded with light, and the special moment was gone -- until the next sunrise.

A Little Slow These Days

Art production has been a little slow these days.

I mentioned before that one of my brothers went in for a quadruple cardiac bypass operation last Monday. He's still in the hospital and will be there at least until Sunday. Thankfully the other brother is flying down from Washington and will be the 24/7 helper.

It's a 90-minute drive each way to get to where he is (if there's no traffic), so between a three-hour roundtrip drive, visiting him and going by his home to feed the kitty and take care of a few things, I haven't had much time to work on any aspect of art.

Which is unfortunate, since surviving in this economy is already more than a fulltime job.

So for now, I'll settle for mentioning the URLs (including the alternate URL) for my Website: southwestspaces.com and desert-paintings.com. I've made some minor updates to the site, but I'm looking forward to adding new works and making some other changes I have in mind.

I also plan to paint other types of landscapes, including the mountains of Colorado, the California coast, and the forests of New England and the redwoods of California. These works will be for people who may not appreciate the desert as much as I do, and it happens I love those areas, too!

Stay tuned. Good things are coming!

Desert Flowers

While many parts of the country are still in the throes of winter (some friends in Colorado are looking forward to being snowed in soon), it's springtime in the desert!

We didn't get as much rain as in previous years, so the flowers are not as numerous as I've shown here. This is how it looked LAST year. No augmentation was needed!

This view is near the southern entrance to Joshua Tree National Park, CA.

The Living Desert Continues to Live

I've mentioned the Living Desert before. It's a desert-themed botanical and zoological park (located in Palm Desert, CA) that also promotes conservation of desert resources.

The Living Desert held a fund-raising event on Sunday night that featured a silent auction. Since the Living Desert is one of my favorite places (and would be my favorite charitable organization if I had the means to contribute!), I donated a painting to the auction.

And it sold! The Living Desert received the amount I would have gotten if the piece had sold through the gallery. Plus, the gallery owner was present to talk up the painting and his gallery to some well-off people.

Let's hope good things come of this, but better yet -- the Living Desert has just a little more funding because of the donation. I'm glad I became involved this way. Maybe this will help save some desert critter or flower. The Living Desert, and the living desert, continue to live!

Sheep May Safely Graze

Here, finally, is a photo of the finished painting (with photo taken under more even lighting and with a higher quality camera), along with a detail. Because I have desert bighorn sheep in the image, I did go ahead and titled it after Bach's Sheep May Safely Graze. The piece is available here.

By now, it's almost old news that Natasha Richardson died a few days ago. Also, one of my two brothers went to the ER on Thursday complaining of chest pain. It turns out he'll be getting a triple bypass operation Monday morning, and afterwards he'll need attention for an additional three weeks. We're not sure how we're going to do that, since he lives by himself, doesn't have close friends who could help him (he's a confirmed hermit-type), his home is a 90-minute drive away (and we have a vehicle with 359,000 miles on it), and I'm not retired. He could move in with us, but we'd have to see if the follow-up nurse who needs to check him every day would come out here, or if we'd be able to get a local nurse to do it under his insurance plan.

But all of this reminds me of what I wrote the last time re: live but be careful. I guess I need to revise that a little. Give life your best shot. Don't be stupid about stuff (i.e., eat right), but we really don't know how much time we have or what time bombs exist in our own bodies. If you want to do something, do it NOW. You may not have tomorrow, and if you think you want to do it but you're not sure, it means you really WANT to do it; therefore, you should.

One of my favorite quotes (thanks to M. Downs, a features writer for a local newspaper), repeated: "Sail forth - steer for the deep waters only, Reckless O soul, exploring, I with thee and thou with me, For we are bound where mariner has not yet dared to go, And we will risk the ship, ourselves and all." - Walt Whitman

Natasha Richardson

By now we've probably all heard the tragic news about actor Natasha Richardson who suffered what seemed to be a minor head injury but is now in critical condition. Comments like "braindead" have been thrown around, but at this time, details about her condition are a little sketchy.

One theory I've heard claims that Natasha may have a kind of pre-existing condition that led to a weakness in the blood vessels in her brain, such that although her accident was fairly minor, it was enough to initiate major trauma. She wasn't wearing a helmet as she was traveling down the "bunny slope," but apparently, it wouldn't have helped in her case.

The scary part is: this could happen to anyone. Myself, included.

The Bible has a verse about how we are "fearfully and wonderfully made." That's certainly true, but I would add one additional thought: we are also incredibly fragile. We don't seem to be built to take physical punishment at all, especially compared to many animals (for example, other primates) who easily endure actions that would be quite damaging, or lethal, to us.

Life is short, and seemingly incidental accidents can shorten life even more. Make the most of life, but be careful at the same time.

(Picture is a still from the movie, Waking Up in Reno, from natasha-richardson.org).

Sheep May Safely Graze

Well, OK, I won't wait anymore. I'm posting a "quick and dirty" (as opposed to an extremely high-quality) photo of the "Paint-In" painting. That I still haven't titled yet.

I'm considering the title of a J.S. Bach composition: Sheep May Safely Graze, since five bighorn sheep inhabit the desert view. What do YOU think?

More IR

I varnished the "Paint-In" painting today but still haven't photographed it. That might be Tuesday or Wednesday night. But I'll take it to the gallery on Friday, so I can't wait too long to get some high-quality pix of it and some others I haven't photographed yet.

So-o-o-o...here's another infrared photo I took in Joshua Tree National Park last Saturday. I partly wanted to shoot more IR images and partly wanted to see how the spring flowers were coming along. Sad to say, the flowers are pretty sparse this year. It seemed like we had lots of rain, but apparently it was scattered -- heavy in places, light or nonexistant in others.

Under the circumstances, black-and-white photography was quite appropriate.

Back to the painting: does N-E-1 have any ideas for a title for it at this point?