Visions of the Night

As you may know, a "nocturne" is a work of art or music that is all about the night -- typically, night with a full moon.

It's amazing how magical nocturnes are! Provided a landscape feels like a safe place to be in, the darkness + moonlight casts a spell as nothing else can.

I've painted less than a handful of nocturnes only because they can be too dark for people to hang on their walls, especially if rooms are not brightly lit during the evening hours. But I suspect I may do more of them -- possibly scenes that are not desert. I absolutely love the look the full moon gives to the land, as it has been the last few nights during the "supermoon." (Full moon was last night, but it's still lookin' pretty darned wonderful out there!)

Mojave Nocturne

In these two images, you can see I sometimes make the night sky quite blue; other times, I tone it down quite a bit. We don't see much, if any, color when the light levels drop too low. We may think everything looks blue, but it's mostly shades of gray. (The sky MAY have a little blue in it).

What's amazing to me are the color photos (35mm slides) I've taken by moonlight. Given enough exposure, the pictures look just like daylight pix! The relative values, darks and lights in a moonlight scene are the same as they are in daylight -- things are simply darker.

AND -- just a couple of other differences:

1. The brightest stars show up in the nighttime photos;
2. Shadows have blurry edges. The moon moves enough during the time exposures to blur things.

Maybe someday soon!! More nocturnes!
 

Moonlit Desert

 

 

 

 

What to Paint, What to Paint

I don't know if other artists struggle with deciding what subjects to paint next, but sometimes I sure do! That's why I have to think in terms of future images even while I'm working to finish whatever I'm working on now!

I recently bought a canvas made of polyester -- it's supposed to last much longer than cotton or even Belgium linen. The size is 30" x 40" / 76cm x 102cm -- I prefer canvas for larger sizes just because they weigh so much less.

So what's the problem? Well -- do I paint Monument Valley or a redwood forest?

Admittedly, I've painted Monument Valley many more times than I've painted the redwoods. Yet, I feel like I've never caught the redwoods quite the way I've wanted to. The first time we saw them in Lady Bird Johnson Grove in Redwood National Park, CA, the morning sun was shining through the trees, and I was disappointed because I knew the forest would not photograph well -- bright spots of light next to deep shadows. (I was a photographer back then, not really a painter).

But then we rounded a corner, and a light fog had filled the forest. The air was lit up by shafts of sunlight breaking between the branches. We felt like we had stepped into heaven -- the blue sky that appeared beyond the hills showed through the fog, the ferns gave a lush carpeting of dark green and bright yellow-green from the sun. And, of course, we had those awe-inspiring giant trees rising to the skies in cathedral-like reverence.

Of course, it still didn't photograph quite the way we saw it, but the pictures + my memories help me remember how the redwoods looked that day. But I never got it right when I wanted to transfer my memories to the canvas.

Well, maybe NOW I'm ready to give it another shot. It won't have a waterfall like the image above (we never saw any waterfalls there), but I keep thinking there's a picture of heaven in my head, and it wants to be out in the open for all to see.

Maybe I've made up my mind about what to paint next!

SouthwestSpaces.com ... MarkJunge.com

Wildlife Moments

My newest painting, Looking for Dinner -- Redtail Hawk, depicts what could become one of those nature documentary-types of moments... or it could be nothing at all!
 

Looking for Dinner -- Redtail Hawk               11" x 14"

In the air, we see a redtail hawk sailing effortlessly over the Mojave desert, making one last pass for tasty goodies before the sun sets -- coming close to what could his/her dinner. That cute little desert cottontail bunny-rabbit probably doesn't know about the hawk yet, but it's OK as long as it stays put. But if it hippity-hops into the open, it just may become a meal!

I won't reveal where the bunny is -- I hope you can see it. But I wanted to do a piece that tells a story -- as brief as it is. Prey-predator relationships. Life and (maybe) death in the surrealistic desert.

The setting is Joshua Tree National Park, with some of its namesake plants scattered about. The dominant tree is leaning toward the south -- unfortunately, Joshua trees have a bad habit of growing toward the sun. When they get bigger, they're off-balance, and in time will topple over. Not ALL JTs work out their self-destruction in this way, of course, but it isn't unusual to find places where all or most of the JTs have that characteristic lean.

The small mountain in the background has become one of my favorite geological features in the Park to paint. Most of the hills and formations in Joshua Tree National Park are unnamed officially -- often, the climbers come up with names that they share with each other, but the National Park Service never went around naming everything. So I just call this mountain "the peaks." I like all of the pointy projections for some reason. This paintings shows "the peaks" reasonably accurately (the peak on the far left is shorter than I've made it here).

The hawk is the sharpest item detail-wise and contrasts strongly with the lighted area of the peak behind it. It's also located at one of "golden mean" points of the composition. All this tends to make you look at it, although the JT in the foreground does some of that, too. The bunny, of course, blends into its background -- natural camouflage.

Wildlife moments. Kinda fun sometimes!

www.SouthwestSpaces.com
www.MarkJunge.com

 
 

A Walk in the (Cretaceous) Woods

Sometimes, ya jes' gotta paint DINOSAURS!!

A Walk in the Mist -- Deinonychus   10" x 8" / 25cm x 20cm

Here we have a group of Deinonychus ("die-NO-nee-kus"), a raptor species that was about 6'-7'/2m tall (and was what the "velociraptors" really were in the Jurassic Park movies). It's likely that, like modern-day lions, they finished gorging themselves on a kill and are now looking for a safe place to sleep it off -- safe from critters that might eat them!

Deinonychus lived in the late Cretaceous -- a hot, muggy, carbon dioxide-heavy time. Thus, I wanted the air to appear very foggy but still lit up by the blazing afternoon sun.

Although these dinos are long extinct, most of the plants I've depicted are still around -- "living relics" or "living fossils." The tall trees are Wollemia nobilis or Wollemi pine -- I believe they're limited today in the wild to SE Australia but can be found in landscaping for homes or businesses -- they're attractive trees! To the left is a cycad or sago palm, and further back are some taller Macaw palms, Acrocomia aculeata. And, of course, tree ferns and other species of low-growing ferns and mosses.

(Ya know -- finding resources to visualize dinosaurs isn't hard, but information about how extinct plants looked takes more effort!)

I'm not a dinosaur expert -- my area was microbiology -- but I do have a childlike fascination with these animals. They give me an opportunity to paint something a little different while applying what I've learned about Old Masters techniques and composition in art. I wanted to get away from the edge-to-edge sharpness that I see so often in paleoart and illustration; thus, the only spots in this painting that are detailed are the dinos and the treefern to their upper right. (Treeferns, by the way, are my favorite plants, especially the species that grow on Kauai'i (Cibotium chamissoi), even more than organ pipe cactus and Joshua trees.

I'm curious to see what kind of reaction I get from potential collectors. I have no idea what the market is for artwork like this -- I suspect it's limited -- but if works like these sell, I may have to work bigger in the future!

Rawr!!

The Wilds of California

Believe it or not, southern California still has some wild areas. Even in somewhat urban places!

California Wilds                    11" x 14"

One of my alma maters is California State Polytechnic University, Pomona, CA, where I received my science degrees (Cal State L.A. is where I earned my BA in Art). Cal Poly is big on agricultural programs and has a lot of miniature farm- and ranch-like areas. But parts of the campus are natural, undeveloped land -- coastal sage scrub plant community typical of much of SoCal.

Many field biology classes (I was in some of those) take hikes out in this region to collect specimens, take measurements (i.e., what percentage of the ground is covered with plant materials), go on bird walks -- stuff like that.

So I had some opportunities to see some of this natural beauty -- things that many other students really don't even know about! And, of course, I've made a few paintings of it, with more to come.

In California Wilds, I made only a few slight changes to make the painting "work" better for me. The cluster of California sycamore trees on the left was actually another species of tree (black walnut). But I happen to like the sycamores (which do grow there), so in they went!

Also, the hiking trail is really a double track from vehicles that occasionally drive through here.

In all, I think I accomplished what I wanted to accomplish -- a dramatic, yet peaceful and contemplative, scene; a nice break from the concrete and brick of the buildings at Cal Poly.


See me at SouthwestSpaces.com!

Not-So-Boring (for Me) Statistics

I had to take a minute to look over the statistics that we bloggers get. Just to satisfy my curiosity. I'm a curious sort -- what can I say?

Not including this post: I've written 391 posts since I started this, with 11,784 views. Not bad -- I guess!

Many, many posts have only one or NO views, especially in the beginning years. It has picked up in the last couple of years, and six posts caught the attention of more than 100 readers each. They are, in descending order:

• 648 views   Desert Painting in the Dutch Tradition   11-29-2009
• 450    "         Jean-Léon Gérôme   8-28-2010
• 285    "         Desert Hills   1-23-2009
• 156    "         Kelly Clarkson and Fat-Ness   5-31-2009
• 149    "         Additional Website URL   1-22-2009
• 105    "         Desert Shack   11-05-2008

Don't know what it all means. I assume my piece on Gérôme got some hits because people were looking either for his artwork or for information about the man. Kelly Clarkson -- well, I wrote about how much I love a little plumpness in women -- many guys do, in fact, and don't care for the skinny, "concentration camp" look the entertainment industry constantly sells us.

I AM surprised that a post about a second URL (www.MarkJunge.com) I created, which will redirect the viewer to my "main" URL (www.SouthwestSpaces.com), got as much attention as it did!

My blog is useful to me in other ways, too -- it helps me look up events that happened and I can't remember the dates for. I.e., I never remember when I was officially diagnosed with Type II diabetes. But I wrote about it here in May 31, 2011. So it's been over four years ago.

Lately, my posts have been getting anywhere from a dozen to three dozen viewers. Nice to know friends out there have "discovered" me!

Thanks, everybody! We'll meet here again soon!


Postscript: how about an image of Kelly Clarkson in February, 2015 to finish this off?

Kelly Clarkson -- plus-size beauty!

Gathering Storm: Sonoran Pronghorn

Sonoran pronghorn are a desert-dwelling subspecies of the grasslands pronghorn we're more familiar with. At this time, they are found only in the southern-most regions of Arizona and south into Mexico. They are highly endangered, although their numbers are increasing thanks to cooperation between US and Mexican wildlife biologists and the captive breeding program in Arizona's Cabeza Prieta National Wildlife Refuge.

Gathering Storm: Sonoran Pronghorn    11" x 14"    acrylic/panel

These critters are smaller, lighter-colored and skinnier than the ones you find on the prairie. They're quite shy and can see people approaching from over a mile away -- and the pronghorn disappear long before you would ever know they were there.

A storm is coming, and hopefully these guys are looking for some shelter -- not easy in the desert. The scene is in Organ Pipe Cactus National Monument; in the distance loom the Sonoyta Mountains of Mexico.

I hope Sonoran pronghorn will return from the brink of extinction.

The painting is presently on my website. At this writing, all it needs is a coat of varnish, and it'll be ready to hang in someone's home or office!

www.southwestspaces.com/western_landscape_art.html