Earth Day Celebration!

Today is Earth Day -- 22 April 2017. I'm glad this tradition has found an ongoing place for people to reflect on what we need to do to save the planet...and ourselves.

Every Earth Day, our little town has a celebration in the town's community center, with arts and crafts vendors, displays and info from environmental groups, music, face-painting and other fun and educational stuff. I decided I would do a little experiment and paint a bunch of little landscapes (6" x 6"/15cm x 15cm; and 4" x 4"/10cm x 10cm) and sell them with mini easels so they would be considered tabletop art instead of wall art (a common excuse is: we're out of wall space, no place to hang more art). And they would be very low-priced -- $25 for the 4x4s, $45 for the 6x6s.

This was how my setup looked at opening time:

As you can see, I brought along a few framed wall-art pieces, too. Here are images of what the miniature paintings look like:

6" x 6"

4" x 4"

Thankfully, the fee for showing was not very high -- selling just one 4x4 would cover that. Turns out -- I sold TWO 4x4s.

Another artist friend and I agreed -- this is why we don't like doing art shows anymore. Doing them can be quite expensive, one works one's rectum off getting ready, the artist can go through a lot of exhausting work just setting up and tearing down -- and the return for all this may well be zero or close to it.

So -- for whatever reason, these types of venues just don't work for me. I really don't understand why, and I don't feel like wasting the time or money on trying to figure out why.


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www.MarkJunge.com
 

Pastoral Landscape

I've sure gotten behind in my blogging!! Between being sick in March, finishing a painting, putting my 3" x 5" note cards together (see the previous post) and now preparing for a show next weekend, it's been a little crazy!

Well, here is the latest painting:

Pastoral Landscape                                18" x 24" / 46cm x 61cm

As you can see, I've depicted a small herd of mixed breeds of cows. One managed to cross the shallow river and is hoping others will follow her to the other side. The scene could be a pasture in the high country of Colorado; in fact, the painting was loosely inspired by the way the Double RL Ranch (Ralph Lauren's spread) looks near Ridgeway, CO.

I couldn't resist including some cow parsnip with the cows. This is the plant with the clusters of tiny white flowers. Apparently, some people are sensitive to this plant which can cause a severe poison ivy-type rash if one brushes up against it. (Apparently browsing herbivores can eat the stuff without toxic effects). Also, insects tend to avoid munching on cow parsnip, too.

I've been wanting to do a classically-styled landscape like this for a long time, and I've finally done it!

Enjoy!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

Note-able News

I just got over a cold that seems to be quite, uh, "popular" these days -- seems like EVERYone's got it!

But before I contracted the pestilence, I did manage to produce and deliver a set of 5" x 3" / 12.5cm x 7.5cm note cards to the Joshua Tree National Park Association that are now being offered in at least one of the Park's visitor centers. The cards feature an image of one of my paintings, Sentinels, include an envelope and are currently selling for $3.95 each. One of the park rangers informed me the cards are selling well!

The image features a painting I made in the early 1990s. This is a typical iconic view of what the Mojave desert portion of the Park looks like...I figured this might go over well with visitors to the park.

This is the display rack that holds my note cards in the Visitor Center in Twentynine Palms. For now, it's nestled among jars of scented candles!

















I think -- but I'm not sure -- that all of the visitors centers will have the note cards available. That would be nice -- Park visitation has been increasing over the years, and the peak have just arrived with the profusion of desert wildflowers thanks to the generous rainfall we've received over the last few months!

GREAT news!!

Mark Junge
 
www.SouthwestSpaces.com
www.MarkJunge.com

What to Do, How to Do It

Whenever I start thinking about making money with art, I sometimes consider other styles I could pursue that may be more saleable in southern California while continuing with the ultra-traditional look I really love -- but painting those works for myself.

California impressionism is big in the Los Angeles area. Or: I could try a more abstract version of the desert scenes I love.

Then again, I've always liked the traditional Chinese watercolors of the huge mountains and forests, while somewhere in the view is a tiny human and/or shack, dwarfed by the magnificent scenery surrounding him or her.

I made some mockups of a painting I made years ago to see how it might look if painted in these other styles. My photo-editing software couldn't replicate the look I would create, especially as a Chinese watercolor. So I included an image of an actual watercolor that I would attempt to do as a desert landscape. ☺

Sentinels in Various Computer-Generated Styles

Example of the Real Deal!

I haven't even mentioned the possibility of doing desert scenery as a surrealism image!

So -- which look would YOU most like seeing on your wall??


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www.MarkJunge.com

Bunnies Bunnies Bunnie Bunnies Everywhere

Most people I know have learned by now that I love bunnies. (Guinea piggies, too!) We have a pet bunny, but I love the wild desert cottontail bunnies that live outside, too. They're so cute. And adorable.

I do put food out for them every evening before sundown, along with chicken scratch for the quail (and other assorted birdies). I also give the bunnies sliced carrots or apple and some romaine lettuce.

The wild bunnies sort of / kind of trust me, but only to a point. When I go outside to feed them, they gather around, but they keep a safe distance from me -- usually. Normally, they "freeze" until I walk past them, then -- supposedly when I can't see them -- THEN they may move a bit away from me.

On occasion, a bold bunny will show up and take food from my fingers, then run off with the goodie to eat it.

In one case, I was able to help a critter I called the notch-eared bunny. S/he had a long cactus thorn stuck in its forehead. There were times it would get into a "boxing match" with another bunny -- common among disagreeing rabbits -- and the bunny with the thorn would scream because its opponent often hit the thorn and made it hurt more.

But because this particular bunny came up to me to take a goodie, I was able to pull the thorn out!

This is the notch-eared bunny (no thorn) coming to get an apple goodie:

Sometimes it's fun to see how different bunnies interact with each other. I had missed an opportunity to get a picture of a blacktailed jackrabbit touching noses with a desert cottontail, but at least I did manage to take a pic of a baby (left) and adult (right) bunny together.

I'll leave with a portion of lyrics from an old (1949) song by Spike Jones and His City Slickers, Ya Wanna Buy a Bunny? about someone with a Shirley Temple voice who apparently didn't know that bunnies totally understand multiplication:
  

Bunnies bunnies bunnies bunnies everywhere.
There's bunnies on the table and there's bunnies on the chair.
Bunnies on the sofa and there's bunnies on the floor.
And there's some new ones coming through the door. MORE!!

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www.MarkJunge.com

A Fantasy in White

A Fantasy in White (18" x 24" / 46cm x 61cm) is my latest painting. A little different from my usual subject matter!

Although I've never gone to any tropical areas, I'm familiar with the overall look as well as many plant species from my studies in ornamental horticulture many years ago.

The scene was inspired by a spot in the Los Angeles County Arboretum -- a "jungle" planting that includes a cluster of tree ferns that formed the basis of the painting.

I visited there in 2012, saw this view, and I knew I would have to paint something similar to it. In addition, the Arboretum has peacocks running around loose. No white ones that I've seen, just the usual (but stunningly beautiful) India blue peacocks. I've never seen a live white peacock, only a taxidermy specimen in an antique store.

Incidentally, peacocks can be white either because it's their coloring (their skin and eyes are pigmented), or they can be albinos, with pink skin and eyes. I painted a white, not an albino, critter.

The painting depicts a rain forest typical of the lowland tropics of Central and South America. Normally I work to keep my painted habitats "pure," but this piece has non-native (to Latin America) species in it: the Hawaiian tree ferns (Cibotium chamissoi), the rabbit foot's fern in the lower left (from Fiji) and, of course, the peacock.

I've included some details from the painting, some intentionally easy to miss if one views the original piece.

It's hard to say if I'd ever again do another painting like this...so much detail to paint!! Maybe next time, I would create a view where I (the painter) am standing further away from the scene rather than standing IN it!


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www.MarkJunge.com

Dedication

I first started doing "real" outdoor art shows in February, 1989. The first was in Palm Springs, CA followed by several others. The best part of those shows was getting to know some of the other artists who, like me, returned to do the shows as they came along.

One of the artists I met was a photographer who sold small framed prints of his pictures. I often wondered how well he did with his enterprise. He was a Seventh-Day Adventist, a Protestant Christian group that believes the traditional Sabbath day, Saturday, should continue to be the Sabbath and not Sunday as most other denominations believe.

The art shows were typically three-day shows...Friday - Sunday. Well, this fella was ready to sell on Fridays, closed up his booth on Saturdays, and returned on Sundays for more sales and to take it all down at the end.

I have to admire him for his dedication to his convictions, but I always wondered how well he could do by missing out on an important sales day -- Saturday.

Maybe he had retirement income going for him and selling photos was not his #1 source of revenue. Obviously, he felt it was more important to attend church than to be present at the art shows, in spite of possibly missing out on filling his wallet a bit more. Perhaps God would reward the guy in non-material ways than are much better than money.

I suspect the photographer is no longer of the earth -- he was already along in years in the late 1980s and early 1990s. I'd guess he is in the Lord's presence now, reaping the eternal benefits of his commitment to God.



www.SouthwestSpaces.com
www.MarkJunge.com