Snowline

Another painting with snow!! My latest effort is Snowline, 24" x 36" / 61cm x 91cm.

Snowline                                                                               24" x 36"

Snow is rare in the Sonoran desert regions of southern Arizona, but it does occur. It's sunset, and I chose to place the snow higher up from the desert floor, and even then, it's a light dusting that, soon after the sun rises again, it will be gone.

I included some critters typical of Sonoran desert fauna -- two desert bighorn sheep and a great horned owl who seemed to have taken each other by surprise.

Snowline -- detail

Frankly, the owl was the most difficult thing to paint. On the painting, the owl is less than 1" / 2cm tall, and it's hard to include enough detail to make the owl look like an owl with its head turned! But I'm happy enough with it, so there it is!

Snowline is another in a small series of paintings that will feature light amounts of snow, mostly in desert settings. They will be offered for sale at the 60WestGallery, due to open next month in Wickenburg, AZ. Maybe I'll see you there!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.Fineart America (for prints)

Arches in the Snow

Arches in the Snow is the title of my latest painting -- one of a series of snow paintings that is destined to appear in a new gallery in Wickenburg, AZ.

Arches in the Snow                        24" x 36" / 61cm x 91cm

The image depicts my favorite place in Arches National Park in Utah. The formation is called the Parade of Elephants (the reason why is obvious when viewing the formation from the other side), and Elephant Rock is the "star" of the painting -- when seen from the correct angle and with the right lighting, it appears to have the head of an elephant complete with ears and a trunk. I managed to include a little of that effect here.

Double Arch appears in this view, too. Oh, yes -- I included a critter in the scene, too. See if you can find it and identify what it is!

This area seems wonderfully mystical to me, and I try to depict that feeling in the numerous renditions I've made of the Parade of Elephants. I hope a collector out there will feel the same way I do about the magic of Arches National Park.

www.SouthwestSpaces.com
www.MarkJunge.com


 

Deep Canyon View

Deep Canyon is a place south of Palm Desert that includes a research center. Deep Canyon View is my latest painting of the area. I love the view, the sweeping vista, the overlapping mountains and the ocotillos and brittlebush that grow there.

Deep Canyon View                                                             30" x 40"

This piece was a commission I recently finished -- 30" x 40" / 76cm x 102cm. I've painted this view many times -- you'd think I could do it from memory!

Nowadays, with the knee problems I have, it's unlikely I would ever go hiking out there again. Besides that, this entire area, including the ground I was standing on, is all part of the Boyd Research Center -- by being here, I could unintentionally impact the research findings one way or another. So that's another reason I wouldn't go back again.

I did take many, many pictures of this place that I can use as reference material for years to come if need be. Someday this scene could become my opus magnum -- the largest and best desert painting I will ever have done! We'll see. 😃

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
www.FineArtAmerica (prints)

 

The Power and the Glory

The Power and the Glory is my latest painting. (I prefer making autumn paintings when it's actually autumn, but...oh, well -- what are you gonna do with an artist like me?)

The Power and the Glory                              18" x 24" / 46cm x 61cm

It's a scene of my favorite mountain to paint -- Mt. Sneffels in the San Juan mountains of southwestern Colorado. I did make a few minor changes to the view -- I painted Sneffels to be a little taller and steeper than it actually is. However, the mountain is still a "14er" -- 14,157 feet / 4.3km -- pretty tall!

So the mountain is where the "power" comes from, and the "glory" is in the fluorescent golden leaves of the aspen grove.

The work is somewhat idealized, but I think it makes the point I wanted to make -- a painting of a mountain with the jagged, sawtooth edges that I love. Mt. Sneffels is the perfect example of that type of rock!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
 

The Arts and the Christian - Part I (Maybe!)

Today, The Wiffee and I finally got around to seeing the movie, I Can Only Imagine. It's a surprisingly well-made film that tells the story of Bart Millard, the fellow who wrote the title song after a childhood plagued by an abusive father.

The song touched many people who were in Bart's situation. As a Christian dinosaur, it was obvious God used Bart's experiences to create a healing song.

The movie started me thinking about my own "career" as a fine artist. I've tried for a long time to turn it into a full-time, bill-paying job -- without success. I kept asking myself if painting was something I was meant to do or not.

That's when I have to ask myself what God's purpose is when He gives artistic / creative people the gift of loving the visual arts, music, writing, whatever so much that the person feels a need to create art.

The Bible makes it pretty clear that artistic ability is granted by God (it's in Exodus -- more on that another time). Yet -- the Lord never promised that we as artists would be financially successful at it, or even artistically successful with it.

But I do believe we honor Him by using our creative gifts, whether it sells or not. This is a point I often forget when I'm feeling discouraged and want to quit the art thing entirely. I don't think God wants me to quit painting. Keep creating, even if He is the only One who ever sees it. If it sells someday, great. But for reasons known only to Him, some artists will profit from their skills, and many others won't.

So for now, the plan is keep painting for as long as I can, until I ran out of canvases and panels to paint on. I may retrieve some unsold paintings that I could white out and paint something different on them. When I'm TOTALLY out of paint and / or surfaces...well, I'll have to see what happens next.

The Bible verse for dinos like me to live by is from 1 Corinthians 10:31: "Whether therefore you eat or drink or whatsoever you do*, do all to the glory of God."

*That includes painting!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com



 

Classical Realism

Years ago, I totally picked up on the art style referred to as "classical realism." It's a look that sometimes romanticizes a subject, but regardless, the work is executed in a realistic way that also elicits an emotional response.

The painting I often use as my signature piece is an example of classical realism -- or as close to it as I'm capable of getting:

A Place of Wonder, Mark Junge

  
I thought for a long time that once an artist achieves this skill level, doing something way different or simple -- like abstract expression -- wouldn't even be considered:

 

Morning Fjord, Silvia Vassileva

Yet, I've gotten to a point where classical realism has become almost "too hard" to do...it involves an amazing amount of drudgery and time to execute. I guess I'm getting tired in my old age, and I don't seem to have the energy to make paintings like A Place of Wonder anymore.

I'm not planning on quitting that style, however. Not yet. But I'm finding I spend less time than ever before on painting these days. I don't seem to enjoy painting, although I still love the final results.

We'll see how it goes. But don't be surprised if I start mixing in other styles of painting with the classical realism stuff!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

New Painting of Joshua Tree National Park

At long last, I finally finished another painting of Joshua Tree National Park, CA: one of my favorite places on earth!

So far, the painting is untitled -- but I hope to remedy that situation soon. Size is 11" x 14" / 28cm x 36cm.

The hill-mountain in the background is one of the many formations in the Park that was never named. But I love all of the many peaks it has, and it seems to be my favorite mountain there. I've painted it before from various angles -- this version is the frontal-most I've done so far. More to come I suspect.

The rocks are made of gneiss ("nice") which often look like a HUGE dump truck came along and unloaded rocks and boulders into an enormous pile. Little large plant life occurs on these hills except for some grasses and such. This mountain has a few Joshua trees on the very top of the hill toward the right -- there must be some loose soil there for the JTs to take root and grow.

And, of course, I included a desert cottontail bunny-rabbit hiding in the shadows.

This is one of those scenes that, frankly, was kind of pain to create -- lots of detail. But in the end, I couldn't have done it any other way!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
 

Glen Eyrie, Garden of the Gods, Colorado

Glen Eyrie, Garden of the Gods, Colorado is both the title of this blog post and, more importantly, the title of a painting by my #1 art hero, 19th century artist Thomas Moran.

Glen Eyrie, Garden of the Gods, Colorado

The painting is an impressive 36" x 50" (91cm x 127cm).

I had several opportunities to see it when we lived in Colorado Springs, CO in the 1990s. The piece was acquired by someone who made a deal with the city to make improvements in Garden of the Gods park in exchange for exclusive rights to operate a gift / souvenir shop.

Glen Eyrie is privately-owned and includes the view in the artwork. The Garden of the Gods appears in the distance, with Cheyenne Mountain forming the backdrop. (I believe the spire is called Echo Rock).

The painting was displayed in a couple of sites in Colorado Springs, and I made it a point to visit this gem as often as I could in April, 1999. I fell in love with the painting immediately, and the effect hasn't worn off after all these years.

Echo Rock, Glen Eyrie, Colorado Springs, Colorado

Then, just recently, I stumbled across a photo of the area, shown above. Comparing this image with the painting, Moran essentially rendered the scene accurately, but with a few changes. Ol' Tom also added his magical lighting and colors, making the end product irresistible to guys like me!

I expect it's just a matter of time before I paint my own version of this special place -- hopefully without making it look like I totally ripped off Moran's treatment of Glen Eyrie. But it'll be similar, I'm sure.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

 

"Jurassic Mark"

Who, you may ask, is Jurassic Mark?

Why, that would be ME, of course! It's a name I created for myself after the movie, Jurassic Park came out, and I couldn't resist the play on words. It's even more appropriate when I talk about how incredibly OLD I am! I love to talk about what a Jurassic-aged dinosaur I am, that I'm 150 million years old, and that I love to chase after humans to catch and eat them.

It's fun for me, and I guess the scientist in me enjoys it, too. But as an artist, there's another, additional reason for the dino-handle.

Compare and contrast these two images.

 

The top image is one of my paintings of Joshua Tree National Park. The lower picture is of a poster that was obviously intended to promote the Park.

I work in a very traditional, 19th century style -- I'm not sure if I can honestly call the look "classical realism" or not, although that is my goal in the artwork I make.

On the other hand, the poster has a much more contemporary look, with zonking bright colors and less detail. I've seen paintings by living artists who produce paintings even more colorful and "loose" than the poster.

If you were to go to Google Images and search for "joshua tree paintings," you would find lots more colorful, impressionistic paintings than you would find traditional works like mine. Not that I'm the only one who paints like this, but we seem to be in a vast minority of artists who prefer that look.

Thus -- another dinosaur metaphor. I often feel like I live and work in the past and am somewhat outdated by painters who create in a more colorful, popular way. I know it ain't as simple as that, but it does make me feel like I don't belong in this century, at least as far as art is concerned.

I think I'll go foraging for humans now. You critters aren't the best-tasting meat source around, but you're easy to catch, and I love the way you scream and run...as though that's going to help you. 😄

Mark Junge

www.SouthwestSpaces.com

www.MarkJunge.com

 

Yucca Valley

Yucca Valley is the name of the town where I hang out a lot, and it's also the title of a new painting (the last from 2017):

Yucca Valley              18" x 24" / 46cm x 61cm

This scene is close to, but not in, Joshua Tree National Park in southern California. Yucca Valley is a small community -- but not as small as it used to be -- and still has areas of "wildness" that are suitable for paintings. ☺

All the wildflowers are courtesy of the heavy rains we received in the winter of 2017 -- it's rare that we see this much color concentrated in a small area. Mt. San Gorgonio looms in the distance.

And I actually did see a jackrabbit out there, although I brought him/her in closer and is running to the left instead of the right. Apparently, I got too close to it, and it ran as fast as it could to escape my questionable "deadly" clutches and flee to safety. Then it stopped to see if I was following. (I wasn't!)

Sadly, this spot is within a 55-acre parcel that has been for sale for a number of years. I expect it's only a matter of time before some developer will buy this land and convert it into housing. And everything you see in the painting will be gone except San Gorgonio, which will be hard to find through the haze of rooftops.

For now, all I can do is paint special places like this. And to remember that "this, too, shall pass." As everything does.

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com
 

Here We Are in December!

Well, Christmas is just a few weeks away, and Hanukkah is next week! It's almost time to wrap up another year.

So -- what have I accomplished/

Not much, as it turns out. I'm still running on low energy, and if it wasn't for the fact that I'm a painter, I think I'd be content just to stare out the living room window at our little piece of the Mojave Desert.

But I am actually working on a painting! Not very fast, mind you, but I AM working on one.

It's a scene of a place close to where we live, with Joshua trees, spring flowers (it's winter, and here I am working on a spring landscape -- it figures!) with the snow-capped peaks of Mt. San Gorgonio in the background.

I keep changing my mind about how I want the finished painting to look, which makes me stop painting and just look at the painting and think about it. Visualizing it in my head.

But it is coming along, and I should finish it this month. And then? Another landscape? A surreal image? A post-apocalyptic nightmare?

Who knows? Let's see how the mood settles when the time comes.

C U L8R!!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com



 

Two Months Overdue!!

Wow, oh wow!! It's been two months since I've written anything!!!

Well, it's just been...strange, lately. September just sort of got away from me, and October was Health Issues Month, with two stays in the hospital because of heart flutter (I think that's a less severe version of atrial fibrillation, but I'm not sure). AND dealing with a strained arm and a knee that hurt so badly I couldn't walk on it at all. Non-steroidal anti-inflammatories (NSAIDs) to the rescue -- but those drugs are kind of bad for me.

So now I'm on blood thinners until the cardiologist can do an ablation procedure on me -- zapping tissue in the heart to cut off some misfiring nerve impulses that are causing the flutter.

I've also been finding that some of the meds I take -- like for high blood pressure --  must be the cause of the fatigue I feel constantly. (I suspect the after-effects of taking OTC sleeping pills was doing that, too -- I'm giving those up!)

But I need to get going somehow because there's an art show next May I'd like to enter. It's near Pasadena, CA, where blurry-looking paintings are more popular than the detailed works I do. I'm trying to come up with a good compromise -- maybe a scene with fog or something. Haven't decided yet.

So -- I hope I can put out some good paintings that will work in the Pasadena environment and that will still be true to the style I love.

Stay tuned. I'm sure gonna try to write more often!

SouthwestSpaces.com
MarkJunge.com

 

Ida River

My latest painting was a commission for someone I know who lives in Washington state. The location is somewhere along the Ida River in Leavenworth, WA. I've never been to this location, but the person sent me a pretty nice photo to work from.

Ida River     18" x 24"

Ida River - Detail

I added a couple of items that did not appear in the photograph -- two bald eagles! One is flying low over the river, looking for fish to capture and eat. A second eagle is lifting off from a distant tree, embarking on its own food-finding mission.

I hope the new owner will enjoy the painting for the rest of his life.


www.SouthwestSpaces.com
www.MarkJunge.com

Earth Day Celebration!

Today is Earth Day -- 22 April 2017. I'm glad this tradition has found an ongoing place for people to reflect on what we need to do to save the planet...and ourselves.

Every Earth Day, our little town has a celebration in the town's community center, with arts and crafts vendors, displays and info from environmental groups, music, face-painting and other fun and educational stuff. I decided I would do a little experiment and paint a bunch of little landscapes (6" x 6"/15cm x 15cm; and 4" x 4"/10cm x 10cm) and sell them with mini easels so they would be considered tabletop art instead of wall art (a common excuse is: we're out of wall space, no place to hang more art). And they would be very low-priced -- $25 for the 4x4s, $45 for the 6x6s.

This was how my setup looked at opening time:

As you can see, I brought along a few framed wall-art pieces, too. Here are images of what the miniature paintings look like:

6" x 6"

4" x 4"

Thankfully, the fee for showing was not very high -- selling just one 4x4 would cover that. Turns out -- I sold TWO 4x4s.

Another artist friend and I agreed -- this is why we don't like doing art shows anymore. Doing them can be quite expensive, one works one's rectum off getting ready, the artist can go through a lot of exhausting work just setting up and tearing down -- and the return for all this may well be zero or close to it.

So -- for whatever reason, these types of venues just don't work for me. I really don't understand why, and I don't feel like wasting the time or money on trying to figure out why.


www.SouthwestSpaces.com
www.MarkJunge.com
 

Pastoral Landscape

I've sure gotten behind in my blogging!! Between being sick in March, finishing a painting, putting my 3" x 5" note cards together (see the previous post) and now preparing for a show next weekend, it's been a little crazy!

Well, here is the latest painting:

Pastoral Landscape                                18" x 24" / 46cm x 61cm

As you can see, I've depicted a small herd of mixed breeds of cows. One managed to cross the shallow river and is hoping others will follow her to the other side. The scene could be a pasture in the high country of Colorado; in fact, the painting was loosely inspired by the way the Double RL Ranch (Ralph Lauren's spread) looks near Ridgeway, CO.

I couldn't resist including some cow parsnip with the cows. This is the plant with the clusters of tiny white flowers. Apparently, some people are sensitive to this plant which can cause a severe poison ivy-type rash if one brushes up against it. (Apparently browsing herbivores can eat the stuff without toxic effects). Also, insects tend to avoid munching on cow parsnip, too.

I've been wanting to do a classically-styled landscape like this for a long time, and I've finally done it!

Enjoy!

Mark Junge
www.SouthwestSpaces.com
www.MarkJunge.com

A Fantasy in White

A Fantasy in White (18" x 24" / 46cm x 61cm) is my latest painting. A little different from my usual subject matter!

Although I've never gone to any tropical areas, I'm familiar with the overall look as well as many plant species from my studies in ornamental horticulture many years ago.

The scene was inspired by a spot in the Los Angeles County Arboretum -- a "jungle" planting that includes a cluster of tree ferns that formed the basis of the painting.

I visited there in 2012, saw this view, and I knew I would have to paint something similar to it. In addition, the Arboretum has peacocks running around loose. No white ones that I've seen, just the usual (but stunningly beautiful) India blue peacocks. I've never seen a live white peacock, only a taxidermy specimen in an antique store.

Incidentally, peacocks can be white either because it's their coloring (their skin and eyes are pigmented), or they can be albinos, with pink skin and eyes. I painted a white, not an albino, critter.

The painting depicts a rain forest typical of the lowland tropics of Central and South America. Normally I work to keep my painted habitats "pure," but this piece has non-native (to Latin America) species in it: the Hawaiian tree ferns (Cibotium chamissoi), the rabbit foot's fern in the lower left (from Fiji) and, of course, the peacock.

I've included some details from the painting, some intentionally easy to miss if one views the original piece.

It's hard to say if I'd ever again do another painting like this...so much detail to paint!! Maybe next time, I would create a view where I (the painter) am standing further away from the scene rather than standing IN it!


www.SouthwestSpaces.com
www.MarkJunge.com

Autumn Nymph

Autumn Nymph is finally finished!

Autumn Nymph     20" x 16" / 51cm x 41cm

I mentioned this painting on my previous post -- a gal taking in the beautiful fall colors of a maple forest (maybe even producing the colors!) with leafy garlands on her head and in her hands. I was going to title it "Goddess of Autumn" or "Queen of Autumn," but I really didn't attire her in a godly or royal outfit. Plus, she has a playful expression that one sees all the time on nymphs. 😀😀😀

And one item of blue, which turned out to be an indigo bunting. I originally thought of painting-in a blue morpho butterfly -- those neat flutterbies with the iridescent / metallic blue wings. However, their wings are brown on the undersides, and looking up at one would display more brown than blue. So I went with the bird instead.

Frankly, I've got a long ways to go when it comes to painting portraits or the figure in the classical-realism style I'm addicted to. I received some help with the face from friend and master painter Virgil Elliott. I've learned that doing this in my fast-drying acrylic adds significantly to the challenge. If I decide to pursue this subject matter, I may have to use oil paint for portraits. Or learn how to get around the problem of having little time to blend colors smoothly.

The woman was a former co-worker of The Wiffee's back in the 1980s. I took a series of photos of her -- she even had some ballet skills to help her look graceful and even more awesome than she was! (I shot black and white film -- I have no idea now why I did that instead of color!) She's a bit on the plump side, but "curviness" happens to be attractive, and even a turn-on, to me. I know lots of other males agree with me.

The painting sort of looks like the real person, but not entirely. Virgil suggested I spend a lot more time just drawing and improving my skills. I'd have to agree with him.

I don't know if I'll try to sell this, but I'm thinking -- this one may be just for ME! It was a great learning experience, but I need to get better at rendering the face and figure.

Like they say: Back to the drawing board!


This piece will appear on my yet-to-be-launched website, www.SurrealMark.com. In the meantime, my landscapes still appear on my existing site(s):

www.SouthwestSpaces.com
www.MarkJunge.com
 

Still Working!

Phew! I can't tell you how glad I am that the elections are OVER!! The complaining and "the world's gonna end" stuff have started, and I think I'll take a break from Facebook for awhile until that dies down, too.

Meanwhile, I HAVE been working on a painting, although progress has been slow. It'll include a figure of a young woman, much closer than I normally paint figures (when I actually DO paint them). Being into the traditional / classical realist look, I want the gal to have that look to her. Frankly, I'm pretty inexperienced at painting or drawing portraits or the figure.

This is her face which, after consultations with a classical painter and friend, Virgil Elliott (at www.virgilelliott.com), we decided she's lookin' pretty good at this point. (Sorry about the glare on her hair at the upper right area).

She's going to be a "spirit" of fall, but I haven't decided if she'll be a goddess, queen, princess or nymph of autumn. I'm leaning toward the last one, since I didn't dress her in royally-elegant clothing.

So now I'm adding lots of fall maple leaves, a garland of leaves on her head, and she'll be holding a garland in her hands. The "nymph" is looking up at a yet-to-be-painted item in blue -- possibly an indigo bunting or those amazing metallic / iridescent Morpho butterflies. It will be the only blue in the painting, which will be predominately reddish-orange.

I think it'll be a neat piece when it's done, but I'm taking my time on it. It's gotta be done right!

When it's finished it will appear on a website I haven't created yet: www.SurrealMark.com. In the meantime, my landscapes appear on my "main" website at either of these URLs:

    www.SouthwestSpaces.com
    www.MarkJunge.com

 

An EASTERN Landscape?!?-

An eastern landscape?!? I thought Mark Junge was a painter of western and desert landscapes!!

Well, I love autumn colors, and although the West has its share, the East coast has all of the ochers, rusts, oranges and reds that make fall so much of what it is.

In the Catskills               11" x 14 '/ 28cm x 36cm              acrylic/panel

This is a scene we happened upon on a trip we made to upstate New York. The view, while less colorful than many other sites we visited, had the neat little barn or storage shed, a few other small buildings and a small silo. I don't know if this area was used to grow hay or if it was pasture land (there was a barbed-wire fence around the lot, which I didn't paint in). Also, the fence was mostly hidden by a "hedge" of small shrubs; again, I painted only a few in the foreground.

When it's actually fall, that's when I feel the most like painting autumn scenes. Seems like once we pass Christmas, all thoughts of painting fall or Christmas/winter artworks melts with the snow. (Actually, BEFORE the snow melts).

So for now, I'm indulging myself with autumn paintings. Maybe I can finish another one or two before the holidays are over.

http://www.SouthwestSpaces.com
http://www.MarkJunge.com

 

It's Autumn Again!

Autumn is a time when I tend to start getting excited. I don't think it's a migratory instinct.☺ It's the beginning of the colorful holiday season -- fall itself, then Halloween, Thanksgiving and finally Christmas. I love the festive look and the colors of these times.

I think it all started in the late 1970s when I discovered images of some well-made paintings of migratory waterfowl, especially mallard ducks (which I happen to love!) I bought several of these limited-edition prints, and I have them to this day. I typically keep them put away until fall, then I switch around other prints to hang these. They do a lot to establish a fall ambiance.

These are the first three prints I ordered from an outfit called Wild Wings. The top piece is by the late Owen J. Gromme, and the lower two are by living artist David A. Maass.

As one might suspect, duck hunters enjoy images like these because this is how their pastime looks -- early morning, ducks taking off and settling down, looking for breakfast. Well, I'm not a hunter of any kind, but I love ducks and I love fall colors. And, for me as a desert painter, David's paintings often show the "wide open spaces" that wetlands can be. In fact, Mr. Maass' works are typically nice landscapes that would "work" even without the critters. But with the ducks (or upland birds, as well), the landscapes become even more amazing!

Although I have rarely painted ducks, I still feel my own artwork has been influenced by painters such as Owen and David. Besides the prints I have, I feel I owe them a debt of thanks for inspiring me!