The Many Resurrections of Godzilla

Sheesh...Jesus Christ was resurrected only once. Godzilla had many more reincarnations than that!

(Normally, I write about artwork and, especially, paintings, including my own. But Godzilla has certain artistic qualities that I like).

Godzilla's star in Hollywood's Walk of Fame

Specifically, the original Godzilla (its Japanese name was Gojira, a combination of the Japanese words for "gorilla" and "whale"). The movie was an allegory for the dangers of atomic power, filmed in the aftermath of the nuclear bombings of Hiroshima and Nagasaki. I suspect confronting this fictional monster must have had a tremendous impact on the Japanese psyche at the time, and destroying this force would have been seen as a victory, a way of overcoming the horrific power that destroyed the two cities.

The original movie had its human side, too -- the love triangle between the pretty gal (always wore a scarf in her hair), the scientist (with the eye patch) and another fellow -- I forgot what he did for a living. The woman chose the latter man, and the scientist committed a form of Hara-Kiri minus the cutting. (I never knew if he did this out of remorse for killing Gojira, losing his lady love, or some of both).

I was also impressed with the skillful use of editing to include actor Raymond Burr in the American version. Every scene in which he appeared, along with any Japanese actors, was added later, although -- in my opinion -- his presence didn't detract from the story. The footage when he appeared with the girl was also "faked" -- you never saw their faces at the same time. When you saw Burr's face, you saw only the back of her head, scarf on head. She was a stand-in, not the actor who starred in Gojira. Then, when the camera focused on her, Burr wasn't seen, and her English lines likely were probably unrelated to the Japanese lines she was actually reciting. I doubt many Americans could lip-read Japanese and never knew the difference.

(By the way, we never see the creature eating. What does one feed a humongous critter like that? )

Well, now there's a new version of Godzilla on the movie screens. I likely won't go to see it, because I already know I'd be disappointed if I did. The original Godzilla was more than simply a story about a huge dinosaur wreaking mass destruction of a city. It had powerful psychological overtones that the newer movie (or the one from 2000) probably lacks. (Of course, the Godzilla vs ___???___ movies, the Saturday morning cartoons et al were downright silly versions). I suspect it's just another action flick with dazzling special effects. Technically proficient, but not what I'd call "artistic" in terms of its emotional impact.

And ultimately, I hope we never again have to resurrect Gojira/Godzilla or anything else by detonating another nuclear weapon over any city or its people.



 

Spiders and Snakes

I'll be the first to admit: I don't like spiders! I'm a total arachnophobe -- and it doesn't bother me to say that. I hate their webs -- the kind one can walk into -- even more!! Thankfully, we don't get those species here in the desert.

I remember seeing a floral painting by a Dutch artist at the Getty Center in Los Angeles -- beautifully-rendered flower arrangement ... with a small web in the upper corner of the image with a spider on the web, and another hanging by a thread nearby. The spiders and web ruined the painting, as far as I'm concerned! If it were for sale and I had the money, I wouldn't buy that painting.

As you might guess, I've never painted any spiders in my works, and I never will.

By that same token, I've never painted any snakes either. Now, I'm NOT a snake-o-phobe. I rather like them, although I often feel badly for their victims. But I don't respond to the sight of a snake as I do a spider.

However, some people hate snakes the way I hate spiders. In fact, "spiders and snakes" is a phrase that places the critters together. Both are pretty creepy in people's minds.

But that's why I don't paint snakes. I would not want to ruin the viewing experience (especially for a potential customer) by placing a snake in the image area.

Nineteenth-century artist Thomas Moran (my #1 artist hero) created a large work showing the Grand Canyon in Arizona. In it, if you look carefully enough, is a small rattlesnake. Perhaps Moran was trying to tell us of both the beauty AND the dangers of the Wild West. (I never saw any spiders in the composition -- I assume TM didn't put any into the painting. Good decision, Tom!)

Well, maybe someday I'll do something like that. I know there are people who like snakes, even rattlesnakes (providing the rattlers don't get too close). I'm curious to know if such a painting would sell readily to snake lovers! And it would be a piece that I'd love to hang on my wall in case the painting didn't sell.

There would be any spiders in the artwork, however. ☺

On Waves of Sand

My newest painting -- On Waves of Sand, 20" x 24" / 51cm x 61cm.

 I wanted to show the beauty of the Coachella Valley sand dunes and the brief flash of color that occurs in the springtime -- IF the conditions are right. Mt. San Jacinto rises in the background, and the town of Palm Springs sits to the left and behind the mountain.

This is a wind-prone place, and dunes once covered the entire Valley. Sadly, development has cut the dunes to less than 1/5 of the area they used to occupy. Some of what's left is protected, but the fate of the endangered Coachella Valley fringe-toed lizard (Uma inornata) remains to be seen. These little guys (one is present in the painting) need the blowing sand and lots of space to survive in these harsh environments.

Sometimes the winds become severe windstorms, and enormous clouds of sand and dust rise in the distance. While admittedly a little hard on Valley residents, this is what happens in sand dune country. It's part of what makes this region as beautiful as it is. In a desert sort of way, I guess!

Good Friday

"The Crucifixion," Gustave Doré

Today is Good Friday. A dramatic piece showing a dramatic moment in history.

Those Fantastic Dutch Landscapes!

Landscape paintings from the Golden Age of Dutch Art are one of my favorite genres of artwork. Although not exactly desert-y (and this piece is 19th century), there's a lot I can learn from pieces such as this -- especially whenever I get around to painting other kinds of western landscapes, complete with trees and other stuff!

Landschap Met Watermolen En Veedrijvende Boeren, Barend Cornelis Koekkoek, 1852

More Fairy Paintings

I love painting the desert, but sometimes ya jes' gotta paint fairies!

Emerald      12" x 12" / 30.5cm x 30.5cm

For some reason, the painting appears lighter here than it really is. I guess blogspot doesn't like dark artwork.

Anyway...enjoy!

Discovering the Hudson River School of Artists

Although you know me primarily as a maker of desert paintings, the start to the look I wanted to achieve began with a painting of the mountains.

In the Mountains,  Albert Bierstadt,  1867, 36-3/16" x50-1/4" / 91.9cm x 127.6cm

I saw this image (or another, very similar piece) in the early 1980s as a framed print at a shopping mall in a setup like a kiosk, except the prints were hanging on a windowless wall with portable walls jutting out at 90°. I was full into landscape photography at the time, until I saw this image. I loved everything about In the Mountains and realized I had never taken a photo that impacted me the way this item did.

Although I dabbled in painting, I had never seen views like this before. This type of art was never discussed in the college art-history classes I had taken. This was a totally new discovery for me -- I grew instantly and began seeking out more works like this.

I found them in time (no Internet then), and "discovered" other 19th century artists like Frederick E. Church, Thomas Moran and many others. These three became my "art heroes" and set me on an artistic path that I remain on to this day.

Of course, it would take me a long time before I could even begin to approach the sheer drama and emotional impact of paintings like In the Mountains. I think I've gotten much closer, and I continue to develop with every painting I make. I don't know if I'll ever achieve the mastery of landscape painting that these masters reached.

But I gotta try!

Open Skies, Open Spaces

I finally finished a painted I began before Thanksgiving, 2013! Between feeling chronically sleepy, upset over an upcoming molar extraction (that's done now) and holiday business, it really took me almost two months to get the final brush stroke applied!

Open Skies, Open Spaces     acrylic on canvas      20" x 24" 

Detail

The view shows Mt. San Jacinto, just west of Palm Springs, CA, with a redtail hawk soaring through the open air. This area is big on winds and sand, and small dunes fill the land.

I left out the signs of human habitation: the Union Pacific railroad track cuts across the mid/foreground, as well as the trees of Snow Creek Village which arise from the base of the cloud-shrouded hill to the right. I've seen historical photographs of this special place, and I much prefer the way it used to look.

Sadly, the desert is slowly filling in with objects that are gradually destroying the open spaces that make the desert what it is. One can only hope that natural beauty will some day be more important than money.

"Art Is Not for Matching the Sofa!"

"Art is not for matching the sofa!!!" I've heard this complaint from many artists who meet potential customers at art shows. Buyers may love a piece, but "it's the wrong color" and the people move on to find something different.

As southern California begins a new art show season, I thought I'd reproduce an article I wrote that appears on my website. (The image was scanned from a 35mm slide -- I wish I had a true digital version of the painting, but we didn't own any digital cameras at that time).

 Decorating with Art

 Back in 2004, my painting on the left (Golden on the Prowl with a golden eagle) was hanging in a Palm Desert, CA gallery. As you can see, the piece is mostly blue. It measured 48” x 60”/1.2m x 1.5m.

A couple came into the gallery, and the man was totally transfixed by the painting, studying it at length. Finally, the wife reminded him that there was no blue in the room that the artwork was intended for. So they moved on and walked away from a painting that obviously spoke to the husband in a powerful way.

Unfortunately, I suspect this happens a lot. For many, art is nothing more than a wall decoration that “ties the room together”: art’s only function is to repeat the colors used elsewhere in a room. How sad, especially for people like the husband who apparently loved Golden on the Prowl.

Years ago, I took some interior design classes in college. The instructor pointed out the wisdom of buying furniture and carpeting first with their more limited color choices, and choosing paint colors last due to the infinite numbers of hues available. I’d go one step further: buy the artwork that touches your soul in profound ways FIRST! Then get the furniture, carpeting and, lastly, the wall paint. Then the art will match the room, and you’ll have images that you will love to look at every single day of your life.

Or: go neutral with the wall and furniture colors, or think of the art as counterpoints to the furnishings, and don’t worry about matching the sofa!

Design programs on television treat art almost as an afterthought. No emotional response necessary. But it’s YOUR home or office. Fill it with beautiful things that make your life better just because you see them.

More Inspiration from Claude Lorrain

Here is another painting by one of my favorite painters of all time: Pastoral Landscape, Claude Lorrain, o/c, 38.25" x 51.25" (1638). (I think the original may be a little darker than this image).

Claude had a way of making balanced, harmonious and peaceful landscapes. In this case, he included the ruins of a Roman temple (I'd LOVE to see a scene like this!) on the left and, althogh hard to see here, there appear to be additional ruins in the distance across the river. Claude also liked to paint the skies of dawn or sunset; here, he didn't do the sky with his classic yellowish tones.

As a landscape painter who creates mostly desert scenes, it's hard for me to imagine doing paintings like Claude's. We just don't have those tall trees, hazy atmospheric conditions or, of course, Roman ruins. We have saguaro cactus, Joshua trees, palm trees and/or cottonwood trees under certain conditions, and clear, low-humidity air.

I guess if I want to paint like this, I'll have to branch out, more than I have, into other western landscapes. I may need to, anyway -- not everyone loves desert paintings (although I don't understand why not!)

So -- just give it time. I doubt I'll ever be the Claude Lorrain of the 21st century, but I'll just have to see what I can do!

Some New Drawings of the Desert

I've been drawing more than painting lately in my efforts to produce artwork that should be affordable to almost anyone. Here are two of the latest batch of drawings:

Pikes Peak

Pikes Peak                                                           18" x 24"

Pikes Peak is a painting I made back in 2006. I always liked the piece, but I felt it needed just a little more...perhaps a little tweaking.

So I tweaked it, and I (personally) think it looks better now.

Pikes Peak is the mountain west of Colorado Springs, CO. This view shows the mountain in early September after a storm covered the hill with snow. It's early morning, and this is how it appears if you visit the Garden of the Gods Club, named after the Garden of the Gods -- a series of red sandstone rocks and spires in the middle distance. Pikes Peak is one of Colorado's "14ers" -- the elevation at the top is at or over 14,000 feet above sea level.

Colorado has some spectacular scenery, and this area is certainly no exception

Saint Jacinto's Spring

My latest painting:

Primavera de San Jacinto (Saint Jacinto's Spring)                            20" x 24"

It's springtime in the desert! Mt. San Jacinto is west of Palm Springs, CA and is one of two mountain ranges that makes the desert what is is by blocking most rain clouds that arrive from the west.

This is the north-facing side of the mountain. I always loved the abrupt rising of the mountain from the flat plain, the result of earthquake activity that lifted this hunk of earth up into the air. The other side of "San Jac" has the rolling foothills that one expects with mountains, and also features green grass following the winter rains.

But this side receives little rain, and the vegetation shows it.

Still, the view takes on a rugged beauty all its own. This is the beginning of the California desert, and my own little desert world begins right here.

Welcome to Saint Jacinto's spring!

Inspirational Desert Paintings

It seems that I either haven't had much time for painting lately, and/or I've just been too tired. I started a desert painting that is taking forever to get done, and I had hoped to start and finish at least two, maybe three, smaller Halloween-themed artworks before the day actually arrives. I haven't even begun those pieces yet!

As an alternative, I'll post an image of a painting by an artist buddy, P.A. Nisbet. Some of his paintings appeared in an art magazine back in 1987, and they had a profound impact on me and the direction I was to take in my own art.

Magic Kingdom        P.A. Nisbet      oil/canvas       36" x 48"

This painting is one of those things that changed my live forever. It's hard for me to put my finger on it, but Magic Kingdom has a mysterious, spiritual quality to it that I hope I capture in my own paintings. However, when I'M the one making the art, I have to depend on others to tell me if I succeeded in capturing the feeling that elevates an image to more than just an illustration.

The area depicted in Magic Kingdom is the Pinacate region of Sonora, Mexico. Some of southern Arizona looks much like this. I'd love to visit this place, but a local naturalist wrote an article about the illegal drug activities that go on there and the efforts that the police make in trying to bring it under control. I wouldn't feel safe there, but maybe one day, Pinacate will once again return to being a place of sublime beauty and peace.

To see more of this artist's work, click here.

Drawing the Desert

I mentioned in a previous post that I wanted to make some small colored-pencil drawings that I could sell for a much lower price than my paintings. At this point, I've made a little over 20 drawings, and hopefully I can do a few more before Saturday. I'll be attending a local craft fair, which will be somewhat of a marketing test for the drawings. We'll see if selling lots of inexpensive drawings is more do-able than selling a few, expensive paintings.

Here are a few examples of what I've been up to. Each is 8" x 10" (20cm x 25cm) sketched on colored paper. None are titled or framed.