Influences on My Art: Claude Lorrain

I sometimes mention Claude Lorrain as one of the artists who impacted my own painting in a big way. So who the heck IS this guy?

Claude was born Claude Gellée and was (in my opinion) a fantastic landscape painter from 17th century France. If you're interested in the details of his life, I'll let you read his bio which appears on the J. Paul Getty Museum's website rather than go into all that here. But I will tell you he made landscapes that seem to offer perfect harmony and composition -- places where people work and live in Arcadian beauty. Claude was known for his golden yellow or orange skies, making beautiful scenes even warmer and more inviting.

 Sunset or Landscape with Argus Guarding Io

Pastoral Landscape (1638)

I'm somewhat limited in my ability to emulate what Claude did in his landscapes. Here in the desert, except for cottonwood trees, I don't have the advantage of being able to place nice, big, full, lush trees against the sky. What we have are short Joshua trees, saguaro cactus, palo verde and ironwood "trees" (the latter two are more like big shrubs than trees). And cottonwoods are found only where water is near or on the surface.

Oh, well. I'll make the best of it. Claude's spirit compels me to do so.

Moving Along...

I returned from the art show safe and sound, and I think all I've done since then is sleep! I guess I really should be moving along.

No sales...apparently, the economic recession/depression hasn't recovered that much after all. A few artists sold a few items, but overall, most of us sold some inexpensive prints or nothing at all.

As you might expect, it's a bit discouraging to put in the time and money (about $500 total) to do a show and leave with nothing but a goose egg (i.e., -0-), but at least it isn't as though everyone sold but me -- that would have been REALLY discouraging!

Still, I felt comfortable among those folks, and I already expressed an interest to the show's organizer that I'd like to do it again next year -- provided I have the $$$ to invest in it.

Here was my setup. The Show provided the lights, chairs (except for my folding chair on the right), pegboards and hooks, and I provided the paintings! I also took a picture with buyers milling around in the aisleways, but frankly, the crowds were a bit sparse this year.

 But at least I managed to get in some picture-taking of the countryside coming and going. For a desert-dweller like me, it's easy to get green-deprived! This view is a little north of Buellton, CA along US Hwy 101. Besides the oaks and green grass, this spot had LOTS of blue-flowering lupine (which, I believe, are what the Texans call bluebonnets).

I can see some paintings coming out of the photos I took, most likely with some creative rearranging of elements while keeping the overall flavor of the area. I think that in the end, the trip will end up being worthwhile, if only because of the new paintings I'll be making.

God-willing, see you in Paso Robles next year -- with desert paintings AND central coast paintings!

In the Colorado Wilds

In the Colorado Wilds is the title of my newest painting -- 18" x 24" acrylic on panel.

This is looking toward the Needle Mountains south of Silverton, with some liberties taken on the Animas River (as far as I know, there are no waterfalls on this river). Pigeon Peak is to the distant right, just 28 feet short of being a fourteener (and therefore isn't climbed as much as 14ers are). I was going to put a deer on the outcropping on the lower left, but The Wiffee talked me out of it!

This is one of the few non-desert paintings that I'll be taking with me to the Cattlemen's Western Art Show in Paso Robles, CA next weekend. Even though I still feel my desert art is my strongest, I also know some people -- for some strange reason -- are not into Southwestern desert scenes. Hard to believe, but it seems to be true!

It's obviously autumn in the Colorado mountains, although the yellows never look as bright as they should in my digital images of paintings -- I need to find out how to fix that without altering the overall color of the image to yellow. For now, trust me: the aspens are golden-yellow!

And, of course, don't forget to visit my Website once in a while: http://www.SouthwestSpaces.com or http://www.MarkJunge.com.

Bringing the Desert to the Central Coast

Two weeks from today, I'll be showing and (hopefully!) selling paintings at the Cattleman's Western Art Show and Sale in Paso Robles, CA, north of San Luis Obispo. Most of the works I'll make available will be of the desert. One piece will feature the San Juan mountains of Colorado (I'll post a photo next time), and another will show the sycamore trees of southern California. For directions to, and information about, the Show, please click here.

Meanwhile, the Joshua trees around here have been in bloom. I hope I can find time soon to get out into Joshua Tree National Park and see more of these natural wonders before the blooms fade into seed pods, since we don't get Joshua tree flowers every year.

This JT is on our property here in the hi desert. The flowers were still forming when I took the first picture. The second picture shows the flowers after they opened up. The flowers never really look like they're open, but trust me: they ARE!

So -- maybe I'll meet you in the Park soon, and I'll meet you in Paso Robles in two weeks!

This Matter of Balance

This Matter of Balance is my latest painting. It features Balanced Rock which is in Arches National Park (one of my favorite places, BTW!), Utah.

The scene is pretty much the way it actually looks except for Turret Arch over on the far right. It's visible from this spot, but it's much much more distant than I've shown it here. But bringing Turret Arch forward makes the landscape that much more mystical, and it helps to form a triangular composition with the peak of the Rock being the apex of the triangle. (If you look carefully, you may be able to see the bunny under the shadow of the piñon pine on the left).

This artwork is, to me, an allegory of the balance we need in all things of our lives. Nowadays it's so easy to get caught up in one extreme view or another. I think I once achieved balance, but it hasn't been that way in a long time.

Even at Balanced Rock, balances have changed. Once, a smaller balanced rock, "Chip Off the Old Block," stood to the right of Balanced Rock, but it came tumbling down during the winter of 1975-1976, its pedestal a victim of erosion. In time, Balanced Rock will collapse, too.

I learned much about balance during the '70s , with karate, dance, meditation and the study of Chinese philosophy. In my opinion, the Bible itself, while not using the word "balance," conveys a sense of balance when considered in its entirety.

Today, between struggling to survive during this economy, age that continues to creep upward and so many of life's issues that are beyond my control, balance has been harder to find lately. But I know it's out there, and I have to find it. Somehow. Hopefully soon.

It's a Big Desert...SOMEone's Gotta Paint It!

My newest painting: Clouds Over Indian Head. (As you might suspect, the mountain still lit by the setting sun is Indian Head). The size is almost too small for the subject matter (11" x 14"/28cm x 36cm), but some people like 'em small, and smaller pieces tend to be more affordable than larger sizes.

The scene is in Anza-Borrego Desert State Park, CA, USA. Enjoy!

Alma Mater

OK -- not a desert painting. But sometimes ya jes' GOTTA do other stuff, too!

I attended California State Polytechnic University, Pomona (in California) to get my science degree. One of the things I like about Cal Poly was the fact that one can find relatively wild areas on the outskirts of the campus. In fact, some of the biology classes would go hiking around in these places, learning to identify native plants and taking measurements that would be done for environmental impact studies. The lab section of my Principles of Ecology class went out there several times into the "coastal sage scrub habitat" typical of this region.

This painting shows a slightly idealized view of the area (although, unfortunately, the colors never come out quite right on my digital camera). I opened up the view somewhat and added more of the California poppies that do occur here. Lots of California and black sagebrush as well as sycamore trees live here, hence the title of the piece: Sagebrush and Sycamores. Mule deer also hang out here -- it was fun when I arrived on campus in the early morning hours, and I'd see a deer wandering around on the landscaped grounds of the college, venturing away from the natural areas. But the painting depicts mid-morning -- the deer are already relaxing in their out-of-the-way spots, away from humans.

I enjoyed exploring this area of Cal Poly, and I'm thankful I took a class that exposed me to a place I never knew existed prior to taking the class. I plan on making more paintings showing a slice of California at its most beautiful.