Painting Dreams

My earliest days as an artist were when I was deeply into surrealism, especially imagery that seemed to appear like dreams I've had.

I still love those images. Many of Salvador Dali's works were like that, and his realistic technique made the "dreams" totally believable -- a look that I embraced.

Suburbs of a Paranoic-Critical Town

Detail

(Sorry the detail of the painting isn't sharper).

For the dreamy effect, this is one of my favorite Dali paintings -- in particular, the gal holding the bunch of grapes, looking directly at the viewer, is exactly the type of thing I see in MY dreams.

Yet, another artist made paintings that appear to be even more dreamlike -- those of Belgium artist Paul Delvaux. The people (often women) sit or walk as if they are in a dreamlike trance.

Many of Delvaux's figures are nude, and I don't want to freak out my more conservative readers. So here is an example of a Delvaux painting without too much nudity (or lesbian activity, which he seemed to be into):

The Retreat - Paul Delvaux

Delvaux usually painted females, a few males, architecture, trains and human skeletons -- often in some combination within a piece.

His realism technique isn't, in my opinion, as nice as Dali's, but Delvaux's images appeal to me more. The latter's art reminds me so much of what I see when I sleep (except my dreams have more variety). I get a kick out of my dreams, but I've rarely painted actual dreams of mine because I often feel like they wouldn't lend themselves to a single image. (If I made videos and had the means to pull them off, THAT might be different!)

I'll continue to paint traditional, classical realism-inspired landscapes. But painting surreal scenes gets my soul into my work in a way that realism doesn't. We'll see what I come up with!

Mark Junge
www.MarkJunge.com

Solstice

Today is winter solstice -- the shortest day of the year (in the northern hemisphere, anyway).

Some people have almost religious-like celebrations on summer and winter solstice days (as well on spring and autumnal equinoxes). I don't do that, but winter (and, to a lesser degree, summer) solstice and the days before and after are great days. Why? Well, for landscape photography, of course! Which leads to paintings!!

In southern California, the sun tends to be low almost all day on winter solstice. I like low sun when I take pictures of the great outdoors -- the lighting and shadows are awesome when the sun hits the land at an angle. (Unlike summer solstice, when the sun is overhead much of the day and gives flat lighting on featureless landscapes).

Summer solstice can be a good day for photography, too, when early in the morning and late in the afternoon. The sun is further north than in the winter, and sometimes this can provide a lighting direction that gives better photo opportunities than in the winter -- it can make the difference between side lighting in the winter and backlighting in the summer, with very different looks.

I didn't have time to go out today and take pictures here in the Mojave desert and in Joshua Tree National Park. But the "pull" to get out there and do some shooting always hits me when winter solstice rolls around.

Maybe next year, huh? 😊

Mark Junge
www.MarkJunge.com

Paradise!

It's been a while since I've posted here. But it's been busy. A week in Hawai'i will do that to ya.

HAWAI'I??? Yeah, we splurged and took the most extravagant vacation we ever took.

Of course, I took lots of pictures of all that green foliage and turquoisey-blue water. It's so beautiful there!! Especially for a desert rat like me who's used to the browns and gray-greens of the Mojave. I'm gonna need to stock up on green paints so I can make some paintings of this magical place -- both actual sites and some that may be a bit more fantasy!

Here are just a few of the pictures I took:

As you can see, an artist could get totally lost in scenery like this. Guess I'll have to try it and find out!

www.MarkJunge.com
www.SouthwestSpaces.com

 

The Colorado High Country in the Fall

August was a month devoted to moving. I HATE moving -- but in the long run, it will be worthwhile.

I haven't been able to paint for over a month. So for now, here is a painting that reminds me of how beautiful the Colorado mountains can be in autumn. (This is a piece from 2005 -- an oldie but not a moldie!)

Elk Meadow               36" x 48" / 91cm x 122cm

I expect the Colorado high country will be looking like this very soon -- any time within the next couple of weeks. Wish I could be there to see it.

Mark Junge
www.MarkJunge.com or www.SouthwestSpaces.com
www.FineArtAmerica.com (for prints)

Maroon Bells -- An Oldie but Goodie Painting

Maroon Bells (my first of several paintings I've made featuring this famous mountain in Colorado) is something I started in the late 1990s and reworked several times since then. The date on it is 2004, which was the year of my last update. And now, I've developed so much more as an artist that it's tempting to tweak it some more. We'll see if I do that or not.

Maroon Bells

The size is 30" x 40" / 76cm x 102cm and was an early exercise in using the transparent glazing techniques I learned while living in Colorado. I had yet to learn some of the finer points of working in a classical - traditional style such as the Golden Mean and other stuff.

Most images of these wonderful mountains feature a lake in the foreground. As it was, I had to hike to this spot from the entry gate where I parked, and the lake is another two miles (3.2km) toward the mountains from this spot. I had already walked 6 miles / 9.7km from the gate -- 6 miles is where the Bells first come into view -- and I was pretty tired by then, especially after carrying my camera bag and tripod the whole time. And it was mostly clear when I started out, but then began clouding up -- typical for Colorado weather! So this is as far as I went, and after walking back to my truck -- 12 miles / 19.3km round trip, I felt miserable and called in sick to work the next day!

I did see deer during the hike, but they weren't where I showed them in the painting. OK -- so I cheated! ☺

Thankfully, I have photos of Maroon Bells and the lake from a previous year in June when the road was open and I could drive to the parking lot where the lake is. In autumn, so many people want to go there, they close the road to all vehicles except for tour buses that haul people back and forth from nearby Aspen. I didn't have time to find out where in town the buses stopped, hence the hike.

SO -- if you ever get a chance to go up there, I highly recommend it. Late September - early October are the peak times for fall color, which doesn't last long. Find out in advance how and where to catch the buses, unless you REALLY like walking!

Mark Junge
www.SouthwestSpaces.com or www.MarkJunge.com
www.FineArtAmerica (for prints)

Quenching the Land

Quenching the Land is a painting I made years ago -- I think before I even began this blog.

Quenching the Land                                       16" x 20" / 41cm x 51cm

It's no secret that deserts are hard-up for rain; thus, when it comes, it's such a blessing to the plants and animals that live there.

The scene features a grouping of monzogranite boulders in Joshua Tree National Park with its namesake Joshua trees and some yuccas in bloom. The painting is hanging in the Hi Desert Nature Museum in Yucca Valley, CA.

Mark Junge
www.MarkJunge.com
www.SouthwestSpaces.com
www/FineArtAmerica.com (for prints)
 

The Garden of the Gods

The Garden of the Gods is one of a number of paintings I made years ago of a magical city park in Colorado Springs, Colorado. The red sandstone fins and spires create an almost unearthly, awe-inspiring region.

The Garden of the Gods

Here we're looking south with Cheyenne Mountain in the distance. In early summer, yucca plants send up their bouquets of creamy-white flowers in miniature versions of the spires.

When we lived in Colorado Springs during the 1990s, I made many visits to this park. No admission fee, and it was a place to escape and, sometimes, to alleviate the homesickness I often had for the places I loved and missed in California.

It's unlikely we'll ever make the trip back to CO Spgs, but thankfully, I took many photos of the place from many different viewpoints. I expect I'll have lots of additional images in mind of Garden of the Gods should I decide to paint them.

Mark Junge
www.MarkJunge.com
www.SouthwestSpaces.com
www.FineArtAmerica.com (for prints)