Whew!!!

Re: the title -- that's not "Whew, it's over." It's "Whew, am I working my butt off!"

The area I live in is having two weekends of open studio tours where many of the artists' studios and homes in the high desert are open for business. I've been preparing for this coming weekend (24-25 October), and it's been VERY busy.

I won't have as many items available as I had hoped, but I'll still be able to offer a variety of price points for numerous desert paintings, as well as a few western landscapes.

The sponsoring organization has both a hardcopy program (for $10 -- I'll have a few of those to sell) and an online pdf version, as well. You can see it here. (It is a 20-page document, so be patient as it loads up). Information on finding me appears in the upper righthand corner of page 6.

This will be a busy week, so I don't know if I'll be able to post again until the studio tour is over. So -- have a good Monday and a great week!

iArt

An idea appeared in one of the artist forums I belong to about the future of art hanging on people's walls. Something I would call "iArt."

The thought is: suppose instead of paintings or photographs (or prints or posters showing these), people hung flatscreen TVs on their walls -- flatscreens designed to be "on" all the time. Then the flatscreen owners would subscribe to a service from which they can download images to display on the screens. Then, whenever they're ready for a change, they'd flip through images and voila! A different picture!

Most artists would say iArt would lose much of what makes original art so desirable, especially originals with lots of texture or subtleties. But for those who are not that particular, this could be another affordable way (besides prints or posters) to obtain art in an affordable way.

And if I had more entrepeneurial skills than I have, maybe I'd be the one to start an art subscription business!

Wyoming Light

This is a somewhat large painting (36" x 48" / 91cm x 122cm) of the wonderful mountains in Grand Teton National Park, WY. The setting is summer, late in the day as the sun begins its descent behind the mountains.

The piece is very much in my own style, but it was inspired by the work of 19th century painter Albert Bierstadt. He was able to make truly magnificent images of western mountains, clouds and lighting, and I tried to capture "the moment" in my own work.

While not a desert scene, this is very much a western scene. All that's missing is the herd of pronghorn running across the meadow or, if I had intended a more historical landscape, cowboys driving their steers to market.

By now, I'd expect the green is gone from this place and winter is already blasting the area with its sharp cold winds and snow flurries, turning this view into the perfect Christmas card picture. But for the moment, let's imagine the soft warm breezes and flowered scents that existed here only a few months ago.

(Not to get commercial on you, but this painting is currently available directly from me via my Website!)

Changes Are in the Air

It's been a little crazy lately, mostly getting more paintings done for an upcoming show. As you may have noticed, art is my passion, and there's no other job I'd rather do.

Except I may have to do a different job.

Artists, like many others, have been struggling in this difficult economic situation. Between The Wiffee's paycheck and my few-and-far-between sales, we're not bringing in enough to pay the bills.

As it turned out, a job opening appeared in my area -- one I should be qualified to do, and one that isn't either an auto mechanic, a truck driver or a manager/director of some kind. These are the only jobs that typically come up in the high desert.

So I have an interview next week -- and if they offer me the job, I'll accept it. Besides the loss of time to paint, I'll also be focusing on being the best employee I can be. I suspect painting activity would drop to almost zero for the first few months, at least.

However, I'm still a long ways from getting the job, so for now, I have to assume I'll continue Plan A (with its many modifications over the years) and work on art like it's going out of style. (Sometimes I wonder if it is).

Changes are in the air. If I get the job, art will be pushed to the back burner for a long time. If I continue doing art fulltime, I'll need to find whatever it is that will lead people to excise $$$ from their wallets. The latter could involve (a) changing my product, or: (b) finding nontraditional venues.

Wish me luck. I'm gonna need it!

In the Mojave Preserve

Last fall, The Wiffee and I made a trip to Lone Pine and Death Valley. We took the scenic route through part of the Mojave Preserve in southeastern California, an area set aside to keep the region looking natural and primitive.

I've inserted a painting I recently finished. It's a small painting (8"x10" / 20cm x 25cm) and will probably appear on my Website one of these days (if I don't first sell it at an upcoming art studios tour later this month).

One thing I liked about the view is that sense of space I love in the desert. You just know those mountains are miles and miles away. And in the desert, things aren't so cluttered up that you can't see things like that!

That's why I'm so attached to the tagline that appears on my Website and stationery: The Vast Spaces of the Southwest!

Wind In the Pass

The Banning Pass (aka the San Gorgonio Pass) is an area west of Palm Springs, CA. It separates the low desert from the coastal-influenced weather. It tends to be REALLY windy there due to differences in humidity and temperature. Most of the time, the wind blows from west to east, often at considerable velocities (25mph+).

The view I've shown in this painting is east of the pass. The wind is gusting as it often is as Mt. San Jacinto stands unmoving against the force of the wind. This is the first time I've attempted to depict blowing wind in a painting, and I expect I'll do more in the future. In my mind, deserts are windy places; at least, they often are. it seems reasonable to paint that aspect of one of my favorite habitat types.

Another Fall Painting

This is a painting I completed (and reworked) years ago. I'm sure if I were to do another version of it (which I'll probably do someday), I could make it even better using the skills I have evolved over the years.

My piece was inspired by a painting by my favorite 19th century artist, Thomas Moran. When I attended a retrospective of his work in (I think) 1998. The title is Cresheim Glen, Wissahickon, Autumn. Out of the many wonderful paintings in the exhibit, this is the one that transfixed me the most.

My work is, of course, not as nice as the painting that inspired it. However, this is an example of how I sometimes try to capture the feeling of a master's artwork without copying it directly. I'm sure I'll try again to glorify the beauty of the northeastern part of the US during fall, especially since we never see anything like this in the desert!