Friday, April 17, 2009
Sold!
Note the painting in the previous post.
I dropped that piece off at one of my galleries yesterday in the late morning. It sold about four hours later!
It would be nice if it always happened that way. In fact, I dropped off two more small pieces at the same gallery today. I haven't heard yet that either sold.
Maybe tomorrow!
I dropped that piece off at one of my galleries yesterday in the late morning. It sold about four hours later!
It would be nice if it always happened that way. In fact, I dropped off two more small pieces at the same gallery today. I haven't heard yet that either sold.
Maybe tomorrow!
Wednesday, April 15, 2009
Springtime in the Desert
Springtime in the desert!
While we haven't gotten as many wildflowers this year since the rainfall was about 1/2 normal, we still got to see SOME color in what can otherwise be a colorless region. The painting I've posted here shows how it looked in a previous year, when the rain was above average and the plants loved it!
I hope to revise my Website soon (in case you forgot, my site is http://www/southwestspaces.com or http://www.desert-paintings.com) when this and other paintings (some of the desert, others not so desert-y) will be added. I hope you'll check back soon.
Monday, April 13, 2009
In San Diego
Well, neither of the paintings I placed in an exhibit in a Balboa Park gallery sold, so I drove down there to retrieve them.
Before I did, I wandered around Balboa Park taking color pictures for paintings, and infrared pictures just because I like infrared pictures!
While I was in an area planted with blue flowers (delphiniums and lavendar), I talked with another artist who was painting en plein aire (or, as I like to say, "in plain air"). His pieces were fun and definitely captured the feel of Balboa Park. His name is Norm Daniels, and he even has a Website you can visit: http://www.normhere.com. I'm always a little amazed that artists can sit outside on a beautiful day and crank out paintings so quickly while I have to labor over them inside in my studio.
Anyway, I've attached a black-and-white infrared photo and a color picture from the delphinium garden (close to where Norm was working) showing the Spanish colonial-style tower of the Museum of Man.
Saturday, April 11, 2009
Art In a Relativistic World
"Be original. Innovate. Invent. Following preset rules creates only mediocrity and complacency. Rules are for followers."
"In all things, the greatest progress and improvement comes from ignoring arbitrary settings. If we are to cultivate anything, we should be cultivating invention and originality."
"How can there be creative originality if there are fixed boundaries? … Good thing many creative artists don't believe in boundaries. At least the artistic leaders don't."
The above comments appeared on an art business forum I sometimes contribute to. The person who wrote these pearls never really defines his terms, so I'm not entirely clear on what he means by "rules" and "boundaries."
But he seems to be saying that all of the knowledge developed over the centuries should be utterly ignored. Just do whatever you want. After all, who is in a position to tell another artist what's good or bad art?
This seems to be an ongoing situation among artists who are trying to be completely original in making modern art. Traditional painters like myself are, of course, aghast at advice like this.
After all: what other endeavor but the field of art is ignorance considered desirable?
"In all things, the greatest progress and improvement comes from ignoring arbitrary settings. If we are to cultivate anything, we should be cultivating invention and originality."
"How can there be creative originality if there are fixed boundaries? … Good thing many creative artists don't believe in boundaries. At least the artistic leaders don't."
The above comments appeared on an art business forum I sometimes contribute to. The person who wrote these pearls never really defines his terms, so I'm not entirely clear on what he means by "rules" and "boundaries."
But he seems to be saying that all of the knowledge developed over the centuries should be utterly ignored. Just do whatever you want. After all, who is in a position to tell another artist what's good or bad art?
This seems to be an ongoing situation among artists who are trying to be completely original in making modern art. Traditional painters like myself are, of course, aghast at advice like this.
After all: what other endeavor but the field of art is ignorance considered desirable?
Wednesday, April 8, 2009
Wotta View!
This is another infrared photo I made recently. The scene is from Keys View in Joshua Tree National Park, looking toward the Southeast.
A few days before, we had high winds which put a lot of dust into the air. The next day, it was amazingly clear, and infrared is able to penetrate atmospheric haze that would appear in a "normal" photo.
The dark horizontal band immediately below the horizon on the left is the Salton Sea. One of the mountain peaks right above the Sea is Signal Mountain, which is in Mexico near the border with California.
Wouldn't you just love to have a house with a view like this?
Monday, April 6, 2009
Woe Is Me!!!
Gloom and doom, gloom and doom...
Today's my birthday. I'm 60 years old! The big six-oh. Good grief, I'm SO old. I guess that's why I use the name "Jurassic Mark" as a handle sometimes.
I know, I know...getting older beats the alternative!
I decided I deserved a small bouquet of flowers, although I didn't pick them. These are Mexican goldpoppies that I found in Joshua Tree National Park, California.
Saturday, April 4, 2009
A Handsome Fellow!
Isn't he cute?
I took a series of pictures of this little guy sitting on a branch we inserted in a DirectTV post that used to hold a dish antenna. The males like to fly up to an observation post so they can see what's going on and to alert the rest of the covey if danger is present.
If you happen to be a female Gambels quail, I'm sure you'd be in love right now!
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