Buying Art to Match the Furniture

We artists endure several unpleasant aspects of being artists. One of these is hearing comments like this one from potential buyers: "We love it, but it's the wrong color/doesn't go with the furniture or drapes or cat or whatever." Most artists like to think we're creating work that will touch peoples' hearts and make their lives a little better or more meaningful as a result of having seen the works. Owning the art, of course, is even better.

So acquiring art just to "tie everything together," as they say on the TV home decorating programs, has a discouraging effect on those of us who work so hard to make meaningful one-of-a-kind products.

One of the gallery employees I worked with once told me of a married couple who came into the gallery some years ago. Both were looking at a large painting I made of a stormy desert scene with a golden eagle flying across the landscape. The overall color was blue, with yellow flowers along the bottom of the painting. The man appeared absolutely transfixed by my painting. But the wife gently reminded him that they didn't have blue in their color scheme. So they moved on to look for something else.

The painting obviously touched the man in a special way; perhaps it moved the woman as well. But it was the "wrong" color -- and they walked away from it. (It sold a few weeks later to someone else).

Years ago, I took some interior design classes in college. One comment the instructor made always stuck in my head: when you're ready to decorate a room, buy the furniture and other items first, then buy the paint you will use on the walls. The reasoning is obvious -- fabrics, draperies, blinds and other items come in a limited variety of colors. Paint comes in many hues and shades, and can even be mixed to match a sample you bring in. So it's easier to match paint to the furniture than vice versa.

I would add to that wisdom: buy your artwork first, then the furniture, THEN the wall paint. Original art is one of a kind -- the colors it has are all that there are.

Unfortunately, so many people buy the art last. I say: big mistake! They have the entire process reversed.

If all this makes sense to you, that's great. You will end up with art you truly love AND a great-looking room to put the art in!

Work in Progress, II

(The "Smackdown" was "Work in Progress, Part I"!!)

I managed to do a little more on the "Paint-In" painting yesterday. The hillside on the right is nearly finished. Today I'll add some ocotillos and some scrub that occurs in this area, then I can continue with the hill on the left. (I'll need that for the bighorn sheep that are going to appear later on in the painting -- gotta keep them critters fed!)

The Desert in a Gallery in the Desert

I happened to check the Website for one of the galleries I'm in. The owner has a photo of the front window with two of MY paintings sitting there for all to see! (The paintings in question are shown to the right of the gallery picture).

(Click here for the gallery's Website; MY Website is, of course, http://www/southwestspaces.com or http://www.desert-paintings.com

I wonder how many people have seen my paintings while strolling by the gallery?

Paint-In Smackdown Results

(Well, maybe "smackdown" doesn't quite explain it!)

Anyway, after the final painting session at the gallery last Saturday, I brought the piece home to the studio where I'll finish the image, varnish it and return it to the gallery (which, by the way, is here). The snapshot shows pretty much what the painting looked like at that point. After catching up on some other things the past few days, I finally resumed work on the painting.

(Say, have you ever noticed artists work on their art but musicians play music?)

To be continued...

The Desert in Infrared

I stopped by Joshua Tree National Park yesterday afternoon. It had been driving me crazy that we've had those fun, wispy high clouds the last few days, but I haven't been able to do any picture-taking because I've been in Palm Desert working on a painting (see the "Paint-In" series below).

It's too early for spring flowers in the high desert, and the low-desert flowers are just beginning to appear. So I decided to concentrate on shooting some infrared pictures and go for the surreal look. I don't know if any of these will become paintings someday, but digital infrared photography is a great, inexpensive hobby (inexpensive, that is, after one has invested in the equipment).

Paint-In, (Final) Day 4

Getting toward the end of the Paint-In Sessions. It looks like I'm sound asleep as I'm sitting there, but I actually am painting in this view. I'm painting. No, REALLY!

I did meet lots of people (including a CEO from a print publisher). But, of course, this wasn't the most productive way to paint, with things not being setup the way I'm used to, and talking with the many people who came in to visit me and/or to look around in the gallery.

However, the whole idea of doing this was not to maximize production, but to draw people into the gallery (which it did) and for me to become a little more better known in this area. And we even sold a small piece on Saturday.

I still have a lot to do on this painting, so I'll need to finish it at home. I'll definitely post a picture of it here (without me in the pic!) when it's done.

Paint-In, Day 3

Ahhh...3.5 days down, one to go, in the series of working on a painting in the gallery.

The picture was taken around 3:00pm / 1500 hours. After the shoot, I worked an additional hour and began adding details to the ridge on the left of the piece. I should be able to come close to finishing tomorrow, with some tweaking to be done after I bring it back to the studio. Then comes the varnishing, which will add another week to the process.

Plus, a little good news: we sold one of my small paintings today, while I was there! The buyers were cute and asked to have their picture taken while holding the painting and with me IN the picture. A sale here and there during this economy is much needed.

Stay tuned for the final installment of this adventure, (hopefully) tomorrow night.