Yucca

For the benefit of anyone who hasn't spent much time in the West, the name of this plant is pronounced "yuck-a." (Some people tend to call it "you-ka").

I've shown another one of my recently-completed small paintings (10" x 8"/25cm x 20cm). Rising in the background is Mt. San Jacinto. The San Jacinto Mountains are a large part of why the land off to the left (including this spot) is desert while the area to the right is influenced by coastal weather patterns. The mountains form a "rain shadow" because their elevation is high enough to block most of the moisture-laden clouds that come from the ocean.

A scene like this is classic Palm Springs, CA. Spring flowers (the yellow-flowering shrubs are called brittlebush -- Encelia farinosa), yuccas in bloom and Mt. San Jacinto which lies immediately west of Palm Springs. If we get enough rain this winter, the desert will look like this next March and April.

Including that yucca!

Earthquake Markers

Upon request by one of my gallery owners, I completed a number of small (8" x 10"/20cm x 25cm) -- and smaller -- paintings.

This particular piece shows a spot along the infamous San Andreas fault that runs through the California desert and north to San Francisco. This area features many groups of desert palm trees which -- typical of fan palms -- grow on or near the fault since the crack in the earth's crust allows groundwater to seep to the surface. Palms (as well as the hills in the near distance) mark the fault.

Yup! It's a pretty place. And it's earthquake country. Someday, it's possible this spot could be the site of tremendous devastion of the desert communities, including Palm Springs. Frankly, I hope it doesn't happen in my lifetime, since it's likely a major earthquake here will also affect us in the high desert, one way or another. It's not a pleasant thought -- but it IS life in California.

Merry Christmas to All...Except:

Black Friday is normally the start of a fun and, for many (including yours truly), a sacred time of year. But somehow, this particular Black Friday wasn't fun for people at a Toys R Us store in Palm Desert, CA, not real far from where we live.

Some details are unknown at this time, but apparently, two teen girls in the store (which was filled with shoppers and kids) got into a loud argument about something, and two young men who knew the girls pulled guns and opened fire, killing each other as customers ducked for cover or ran out of the rear exits.

No one knows yet what started this incident. At this time, gang affiliations have been ruled out. So--was it all over who would get to purchase the last-toy-of-its-kind in this particular store? Was there bad blood between these families who seemingly knew each other?

And WHY would people go shopping at a toy store while carrying loaded firearms???? Is this practice more common than I realized?

I suspect a couple of families are not going to have a Merry Christmas this year, including one child who approached one of the bodies on the floor and said "Daddy, wake up!" No holiday cheer in 2008. Perhaps instead of presents, these families will be paying for funeral or cremation expenses.

For more details, the link to the story is:
http://www.mydesert.com/article/20081129/NEWS0801/811290327&referrer=FRONTPAGECAROUSEL

Merry Christmas to all...and to all a sad sight.

Happy Thanksgiving!

I don't paint scenes like this very often, but sometimes a break from desert landscapes is nice!

Happy Thanksgiving!

Ajo Spirits

Ajo Spirits is the name of a painting I did in the early 1990s. "Ajo" refers to a mountain range in Organ Pipe Cactus National Monument in which we found this scene. The title also alludes to an almost supernatural presence I feel whenever I'm in places like this.

The white vertical structure is the skeleton of a saguaro cactus. After they die, the fleshy part of the cactus dries up and falls away, leaving the skeleton which, in time, also falls apart, scattering poles on the desert floor. In fact, this particular skeleton is no longer there--I've tried to find it during subsequent trips to Organ Pipe, but...no luck.

The paintings I made in the late 1980s-early 1990s were in a photorealistic style -- very detailed, and very accurate as far as showing exactly what was there. Since then, however, I work more in the style of my artist hero of the 19th century, Thomas Moran. Sometimes he showed a place as it really looked but idealized the scene somewhat--or a lot, depending on the mood he wanted to create. Other times, all he wanted was the overall look of a place and took some liberties in the process.

I've discovered factors such as mood, lighting, composition and all those other tricks artists use work better if the artist isn't trying to reproduce the landscape exactly as it appears. Like Moran's, my paintings definitely have recognizable elements in them, but I may add or remove other elements if they don't add strength to the painting.

In fact, implying a sense of the spiritual is the most important aspect of my work. I'm not sure if I always succeed of not -- sometimes it's hard to tell when I'm so close to the paintings. I sure hope you and other viewers get the message I want to convey -- the spirit of the desert.

Death Valley Hues

One of the things I like about Death Valley National Park are the colorful hills and formations there. Although the place isn't officially called the Painted Desert, there are areas that could be.

Case in point: this hill, located between the exit from the Artists Drive (what a great name, huh?) and Golden Canyon. Love the colors.

I plan on painting this "painted desert" soon!

For Thomas Kinkadeophiles

I once had a commission for a painting that would somewhat resemble the colors and look of a Thomas Kinkade piece, but with a Southwestern subject.

I wouldn't want to do too many paintings this way because I don't want people to look at my artwork and say: "Wow--this looks like a Kinkade!" But I might create works once in a while that carries the man's signature look. Like this little "Casita."