2017 Is Coming!

Well, no matter what we might try, 2017 is coming...for better or for worse.

I'd guess that 2017 will be a time of healing for me. I'm not going to do much to promote or sell my art, and for that matter, I'll be slowing down the painting production as well.

Not that I don't have ideas in my head for images I want to get painted. Landscapes, surrealism, figurative (maybe). It's just hard to get motivated right now. 

I know I've worked REALLY hard for many years, and I think I've just HAD it! The year 1981, my senior year as a microbiology major at Cal Poly, Pomona, was the start of a strenuous time where I worked days, nights, weekends...with no time for play or leisure. That continued as I entered an internship in Medical Technology at the City of Hope Medical Center -- an incredibly stressful time of cramming information into my walnut-sized brain and learning lab procedures of clinical technicians.

Then came grad school, a time-intensive period of spending almost all of my time in the lab doing research.

Finally, the job searches and working when I DID find jobs AND trying to develop a career in the visual arts, first as a photographer, then as a painter. I expected science to support my wife and me while working toward the goal of painting full-time.

Eventually I left the science world and the unreliability of grant-funded jobs and went to work for a Christian ministry (and, of course, still painting and entering shows). Then in early 2001, I embarked on a full-time painting career.

So here I am -- 15 years of painting and trying to sell at galleries, outdoor and indoor art and museum shows, website... and I'm no closer to my goal now than I was 15 years ago. I've had a few successes here and there, but mostly, we lost a lot more money than I made. For 15 years.

Enough. I'm throwing in the towel. I'll still paint, keep the website up, still blog. But at the very least, I need a long break from trying to sell. Maybe a permanent break.

And maybe an adjustment in some of the meds I take, too. I'm too low on energy and motivation these days.

Hopefully by the next time I write, I'll have a new painting to share. Painting, and taking it easy at the same time for a change. I need to find the joy in art again.

Let's hope.


(Revised website: Southwestspaces.com or MarkJunge.com).

A Christmas Bunny

So -- what does one do if one:

• is an artist;
• loves Christmas;
• loves bunnies?  

Why...one paints a Christmas bunny! A lop-eared bunny, in this case.

A Christmas Bunny               14" x 11" / 36cm x 28cm

www.SouthwestSpaces.com
www.MarkJunge.com

 

Autumn Nymph

Autumn Nymph is finally finished!

Autumn Nymph     20" x 16" / 51cm x 41cm

I mentioned this painting on my previous post -- a gal taking in the beautiful fall colors of a maple forest (maybe even producing the colors!) with leafy garlands on her head and in her hands. I was going to title it "Goddess of Autumn" or "Queen of Autumn," but I really didn't attire her in a godly or royal outfit. Plus, she has a playful expression that one sees all the time on nymphs. 😀😀😀

And one item of blue, which turned out to be an indigo bunting. I originally thought of painting-in a blue morpho butterfly -- those neat flutterbies with the iridescent / metallic blue wings. However, their wings are brown on the undersides, and looking up at one would display more brown than blue. So I went with the bird instead.

Frankly, I've got a long ways to go when it comes to painting portraits or the figure in the classical-realism style I'm addicted to. I received some help with the face from friend and master painter Virgil Elliott. I've learned that doing this in my fast-drying acrylic adds significantly to the challenge. If I decide to pursue this subject matter, I may have to use oil paint for portraits. Or learn how to get around the problem of having little time to blend colors smoothly.

The woman was a former co-worker of The Wiffee's back in the 1980s. I took a series of photos of her -- she even had some ballet skills to help her look graceful and even more awesome than she was! (I shot black and white film -- I have no idea now why I did that instead of color!) She's a bit on the plump side, but "curviness" happens to be attractive, and even a turn-on, to me. I know lots of other males agree with me.

The painting sort of looks like the real person, but not entirely. Virgil suggested I spend a lot more time just drawing and improving my skills. I'd have to agree with him.

I don't know if I'll try to sell this, but I'm thinking -- this one may be just for ME! It was a great learning experience, but I need to get better at rendering the face and figure.

Like they say: Back to the drawing board!


This piece will appear on my yet-to-be-launched website, www.SurrealMark.com. In the meantime, my landscapes still appear on my existing site(s):

www.SouthwestSpaces.com
www.MarkJunge.com
 

Still Working!

Phew! I can't tell you how glad I am that the elections are OVER!! The complaining and "the world's gonna end" stuff have started, and I think I'll take a break from Facebook for awhile until that dies down, too.

Meanwhile, I HAVE been working on a painting, although progress has been slow. It'll include a figure of a young woman, much closer than I normally paint figures (when I actually DO paint them). Being into the traditional / classical realist look, I want the gal to have that look to her. Frankly, I'm pretty inexperienced at painting or drawing portraits or the figure.

This is her face which, after consultations with a classical painter and friend, Virgil Elliott (at www.virgilelliott.com), we decided she's lookin' pretty good at this point. (Sorry about the glare on her hair at the upper right area).

She's going to be a "spirit" of fall, but I haven't decided if she'll be a goddess, queen, princess or nymph of autumn. I'm leaning toward the last one, since I didn't dress her in royally-elegant clothing.

So now I'm adding lots of fall maple leaves, a garland of leaves on her head, and she'll be holding a garland in her hands. The "nymph" is looking up at a yet-to-be-painted item in blue -- possibly an indigo bunting or those amazing metallic / iridescent Morpho butterflies. It will be the only blue in the painting, which will be predominately reddish-orange.

I think it'll be a neat piece when it's done, but I'm taking my time on it. It's gotta be done right!

When it's finished it will appear on a website I haven't created yet: www.SurrealMark.com. In the meantime, my landscapes appear on my "main" website at either of these URLs:

    www.SouthwestSpaces.com
    www.MarkJunge.com

 

An EASTERN Landscape?!?-

An eastern landscape?!? I thought Mark Junge was a painter of western and desert landscapes!!

Well, I love autumn colors, and although the West has its share, the East coast has all of the ochers, rusts, oranges and reds that make fall so much of what it is.

In the Catskills               11" x 14 '/ 28cm x 36cm              acrylic/panel

This is a scene we happened upon on a trip we made to upstate New York. The view, while less colorful than many other sites we visited, had the neat little barn or storage shed, a few other small buildings and a small silo. I don't know if this area was used to grow hay or if it was pasture land (there was a barbed-wire fence around the lot, which I didn't paint in). Also, the fence was mostly hidden by a "hedge" of small shrubs; again, I painted only a few in the foreground.

When it's actually fall, that's when I feel the most like painting autumn scenes. Seems like once we pass Christmas, all thoughts of painting fall or Christmas/winter artworks melts with the snow. (Actually, BEFORE the snow melts).

So for now, I'm indulging myself with autumn paintings. Maybe I can finish another one or two before the holidays are over.

http://www.SouthwestSpaces.com
http://www.MarkJunge.com

 

It's Autumn Again!

Autumn is a time when I tend to start getting excited. I don't think it's a migratory instinct.☺ It's the beginning of the colorful holiday season -- fall itself, then Halloween, Thanksgiving and finally Christmas. I love the festive look and the colors of these times.

I think it all started in the late 1970s when I discovered images of some well-made paintings of migratory waterfowl, especially mallard ducks (which I happen to love!) I bought several of these limited-edition prints, and I have them to this day. I typically keep them put away until fall, then I switch around other prints to hang these. They do a lot to establish a fall ambiance.

These are the first three prints I ordered from an outfit called Wild Wings. The top piece is by the late Owen J. Gromme, and the lower two are by living artist David A. Maass.

As one might suspect, duck hunters enjoy images like these because this is how their pastime looks -- early morning, ducks taking off and settling down, looking for breakfast. Well, I'm not a hunter of any kind, but I love ducks and I love fall colors. And, for me as a desert painter, David's paintings often show the "wide open spaces" that wetlands can be. In fact, Mr. Maass' works are typically nice landscapes that would "work" even without the critters. But with the ducks (or upland birds, as well), the landscapes become even more amazing!

Although I have rarely painted ducks, I still feel my own artwork has been influenced by painters such as Owen and David. Besides the prints I have, I feel I owe them a debt of thanks for inspiring me!


 

The Mystical Redwoods

The Mystical Redwoods is the title of my latest painting. The scene is a bit of a composite, but I wanted a view that shows one of my favorite moods of this amazing place.

The Mystical Redwoods     18" x 24" / 46cm x 61cm

I wanted a light and luminescent fog as I saw in Lady Bird Johnson Grove, Redwood National Park in June, 1982. It felt like I was in heaven -- I've never seen anything quite like it before except in pictures.

At the same time, I wanted a sense of being in Mother Nature's womb -- light, yet surrounded by a comforting and protective cloak.

For scale, I included a woman walking along a path. She's a bit hard to make out because she is quite small, but she's there! But one can see the enormity of these beautiful giants. And, this time around, I didn't include any other critters -- no bunnies, no birdies, no deer...nuthin else! Just a human.

My only concern is that I didn't paint enough trees for what represents an old-growth forest. But I decided to leave it. More paintings of the California redwoods are in queue, anyway.

The Mystical Redwoods isn't on my website yet, but I will feature it on a page that is not entitled "Desert Paintings."☺

(My website URLs are: www.SouthwestSpaces.com and www.Mark Junge.com).