Wildlife Moments

My newest painting, Looking for Dinner -- Redtail Hawk, depicts what could become one of those nature documentary-types of moments... or it could be nothing at all!
 

Looking for Dinner -- Redtail Hawk               11" x 14"

In the air, we see a redtail hawk sailing effortlessly over the Mojave desert, making one last pass for tasty goodies before the sun sets -- coming close to what could his/her dinner. That cute little desert cottontail bunny-rabbit probably doesn't know about the hawk yet, but it's OK as long as it stays put. But if it hippity-hops into the open, it just may become a meal!

I won't reveal where the bunny is -- I hope you can see it. But I wanted to do a piece that tells a story -- as brief as it is. Prey-predator relationships. Life and (maybe) death in the surrealistic desert.

The setting is Joshua Tree National Park, with some of its namesake plants scattered about. The dominant tree is leaning toward the south -- unfortunately, Joshua trees have a bad habit of growing toward the sun. When they get bigger, they're off-balance, and in time will topple over. Not ALL JTs work out their self-destruction in this way, of course, but it isn't unusual to find places where all or most of the JTs have that characteristic lean.

The small mountain in the background has become one of my favorite geological features in the Park to paint. Most of the hills and formations in Joshua Tree National Park are unnamed officially -- often, the climbers come up with names that they share with each other, but the National Park Service never went around naming everything. So I just call this mountain "the peaks." I like all of the pointy projections for some reason. This paintings shows "the peaks" reasonably accurately (the peak on the far left is shorter than I've made it here).

The hawk is the sharpest item detail-wise and contrasts strongly with the lighted area of the peak behind it. It's also located at one of "golden mean" points of the composition. All this tends to make you look at it, although the JT in the foreground does some of that, too. The bunny, of course, blends into its background -- natural camouflage.

Wildlife moments. Kinda fun sometimes!

www.SouthwestSpaces.com
www.MarkJunge.com

 
 

A Walk in the (Cretaceous) Woods

Sometimes, ya jes' gotta paint DINOSAURS!!

A Walk in the Mist -- Deinonychus   10" x 8" / 25cm x 20cm

Here we have a group of Deinonychus ("die-NO-nee-kus"), a raptor species that was about 6'-7'/2m tall (and was what the "velociraptors" really were in the Jurassic Park movies). It's likely that, like modern-day lions, they finished gorging themselves on a kill and are now looking for a safe place to sleep it off -- safe from critters that might eat them!

Deinonychus lived in the late Cretaceous -- a hot, muggy, carbon dioxide-heavy time. Thus, I wanted the air to appear very foggy but still lit up by the blazing afternoon sun.

Although these dinos are long extinct, most of the plants I've depicted are still around -- "living relics" or "living fossils." The tall trees are Wollemia nobilis or Wollemi pine -- I believe they're limited today in the wild to SE Australia but can be found in landscaping for homes or businesses -- they're attractive trees! To the left is a cycad or sago palm, and further back are some taller Macaw palms, Acrocomia aculeata. And, of course, tree ferns and other species of low-growing ferns and mosses.

(Ya know -- finding resources to visualize dinosaurs isn't hard, but information about how extinct plants looked takes more effort!)

I'm not a dinosaur expert -- my area was microbiology -- but I do have a childlike fascination with these animals. They give me an opportunity to paint something a little different while applying what I've learned about Old Masters techniques and composition in art. I wanted to get away from the edge-to-edge sharpness that I see so often in paleoart and illustration; thus, the only spots in this painting that are detailed are the dinos and the treefern to their upper right. (Treeferns, by the way, are my favorite plants, especially the species that grow on Kauai'i (Cibotium chamissoi), even more than organ pipe cactus and Joshua trees.

I'm curious to see what kind of reaction I get from potential collectors. I have no idea what the market is for artwork like this -- I suspect it's limited -- but if works like these sell, I may have to work bigger in the future!

Rawr!!

The Wilds of California

Believe it or not, southern California still has some wild areas. Even in somewhat urban places!

California Wilds                    11" x 14"

One of my alma maters is California State Polytechnic University, Pomona, CA, where I received my science degrees (Cal State L.A. is where I earned my BA in Art). Cal Poly is big on agricultural programs and has a lot of miniature farm- and ranch-like areas. But parts of the campus are natural, undeveloped land -- coastal sage scrub plant community typical of much of SoCal.

Many field biology classes (I was in some of those) take hikes out in this region to collect specimens, take measurements (i.e., what percentage of the ground is covered with plant materials), go on bird walks -- stuff like that.

So I had some opportunities to see some of this natural beauty -- things that many other students really don't even know about! And, of course, I've made a few paintings of it, with more to come.

In California Wilds, I made only a few slight changes to make the painting "work" better for me. The cluster of California sycamore trees on the left was actually another species of tree (black walnut). But I happen to like the sycamores (which do grow there), so in they went!

Also, the hiking trail is really a double track from vehicles that occasionally drive through here.

In all, I think I accomplished what I wanted to accomplish -- a dramatic, yet peaceful and contemplative, scene; a nice break from the concrete and brick of the buildings at Cal Poly.


See me at SouthwestSpaces.com!

Not-So-Boring (for Me) Statistics

I had to take a minute to look over the statistics that we bloggers get. Just to satisfy my curiosity. I'm a curious sort -- what can I say?

Not including this post: I've written 391 posts since I started this, with 11,784 views. Not bad -- I guess!

Many, many posts have only one or NO views, especially in the beginning years. It has picked up in the last couple of years, and six posts caught the attention of more than 100 readers each. They are, in descending order:

• 648 views   Desert Painting in the Dutch Tradition   11-29-2009
• 450    "         Jean-Léon Gérôme   8-28-2010
• 285    "         Desert Hills   1-23-2009
• 156    "         Kelly Clarkson and Fat-Ness   5-31-2009
• 149    "         Additional Website URL   1-22-2009
• 105    "         Desert Shack   11-05-2008

Don't know what it all means. I assume my piece on Gérôme got some hits because people were looking either for his artwork or for information about the man. Kelly Clarkson -- well, I wrote about how much I love a little plumpness in women -- many guys do, in fact, and don't care for the skinny, "concentration camp" look the entertainment industry constantly sells us.

I AM surprised that a post about a second URL (www.MarkJunge.com) I created, which will redirect the viewer to my "main" URL (www.SouthwestSpaces.com), got as much attention as it did!

My blog is useful to me in other ways, too -- it helps me look up events that happened and I can't remember the dates for. I.e., I never remember when I was officially diagnosed with Type II diabetes. But I wrote about it here in May 31, 2011. So it's been over four years ago.

Lately, my posts have been getting anywhere from a dozen to three dozen viewers. Nice to know friends out there have "discovered" me!

Thanks, everybody! We'll meet here again soon!


Postscript: how about an image of Kelly Clarkson in February, 2015 to finish this off?

Kelly Clarkson -- plus-size beauty!

Gathering Storm: Sonoran Pronghorn

Sonoran pronghorn are a desert-dwelling subspecies of the grasslands pronghorn we're more familiar with. At this time, they are found only in the southern-most regions of Arizona and south into Mexico. They are highly endangered, although their numbers are increasing thanks to cooperation between US and Mexican wildlife biologists and the captive breeding program in Arizona's Cabeza Prieta National Wildlife Refuge.

Gathering Storm: Sonoran Pronghorn    11" x 14"    acrylic/panel

These critters are smaller, lighter-colored and skinnier than the ones you find on the prairie. They're quite shy and can see people approaching from over a mile away -- and the pronghorn disappear long before you would ever know they were there.

A storm is coming, and hopefully these guys are looking for some shelter -- not easy in the desert. The scene is in Organ Pipe Cactus National Monument; in the distance loom the Sonoyta Mountains of Mexico.

I hope Sonoran pronghorn will return from the brink of extinction.

The painting is presently on my website. At this writing, all it needs is a coat of varnish, and it'll be ready to hang in someone's home or office!

www.southwestspaces.com/western_landscape_art.html

 

How to Pursue This Art Business

I'm still struggling with how to make a living, at least a part-time living, at art. I need to. Social Security isn't enough, and my IRA will be drained sometime early next year. The Wiffee is working toward launching a business, but again -- who knows how long, or if, it will take off.

Galleries are out of the question. It's all consignment, they take 40% - 50% (sometimes more), and it can be a hassle getting them to pay you when the work does sell. I even know of one gallery owner who decided to pull up stakes and take off -- with the remaining inventory of artwork that he never paid for. Thankfully, I wasn't in his gallery.

Outdoor art shows, and the travel associated with them, got too expensive and too iffy if nothing sold. Many of the western art shows keep inviting the same artists to show -- as long as they are selling and if they want to be in the shows, there's rarely any room for unknowns like me. And when you come right down to it, I don't really like traveling anymore. I'm a totally cocooned artist!

Showing at banks, restaurants, whatever -- I just haven't heard enough success stories (in fact, I've heard none!) to chase that idea.

That leaves the Internet. I'm hoping I can depend on website sales and maybe from other sites, if I can find some good ones. (EBay and etsy.com seem to have gone downhill for art sales).

That's why I'm painting smaller these days -- the art will be more affordable, and it'll be easier to ship, especially if I continue with my policy of selling the works unframed.

And I'm hoping I can reach parts of the country where people still appreciate traditional/classical painting styles. Most collectors in southern California sure don't!

So -- I guess I'll need to pour my marketing efforts into Internet sales -- period. Frankly, I don't know what else to do. (By the way, my website URL is SouthwestSpaces.com or MarkJunge.com).

Wish me luck!

Continuing the Continuation (Some More)

I'm in the habit of scouring Google Images looking for artwork .. sometimes paintings made in the past, and occasionally art being made today.

In fact, I stumble across works from the 19th century onward that are stunning in their beauty. I wish I could reproduce some of the modern-day masterpieces, but I don't want to violate anyone's copyright and get myself in a legal bind. Check out the piece entitled "Buttermere," the first painting that appears on this page. I LOVE this painting!! And it's quite inspiring to me and shows a direction I want to work toward.

Suffice to say, I've seen landscape paintings with breathtaking lighting and shadow effects that seem to give the land a spiritual sense and make it come alive. That's what I want in my own landscapes. Little by little, I'm getting there.

Funny -- sometimes I mean to create works with those qualities, and somehow it doesn't always happen. I keep returning to what I've done before ... the tried and true ... the comfortable and familiar. But I have slowly been breaking out of that mold, and I think I'm finally ready to portray the sheer drama of nature and what she has to show us ... and dish out to us, sometimes!

"Pretty" landscapes are still fun and, well, they're pretty. But drama can be pretty, too, and sometimes dramatic scenes can move us in ways mere prettiness can't.

Continuing the continuation. Here I come!